traditions as traced in folk stories‚ old plays and short stories. Back then‚ the alphabet used was different and were similar to the Malayo-Polynesian alphabet which we called Alibata. Written works however did not last long because the Spanish Friars burned them believing that they were works of the devil or that were destroyed because they were written in perishable materials like the barks of trees‚ dried leaves and bamboo cylinders. Those that survived are in oral form such as our folk songs. The Spaniards
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essential of movement in ballet and contemporary dance as the symbol of body shifting by the theory of anthropology‚ in particular‚ through an in-depth study of the sense of touch‚ kinaesthesia and the essential of movement in ballet and contemporary dance to further explain the
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People use dance to convey and explore many things. From narratives to emotions to social critics‚ dance displays a wide range of human thought. The Tower Dancers‚ a dance group made of dancers attending Hillsdale college‚ staged a dance cabaret featuring a wide variety of numbers‚ including a piece titled “Picture This!”. “Picture This!” was choreographed by Holly Hobbs and danced by a nine different dancers‚ including Kathryn DuHadaway‚ Elizabeth Garner‚ Sophie Marie Gorecki‚ Micah Heinz‚ Sarah
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Authentic works of folk literature versus manufactured ones differ in many ways. The definition of folklore was changed from an “‘oral cultural tradition of a specific group of people’” to an “‘oral poetic creation of the broad folk masses’” (Miller 5). The concept of tradition and cultural origin which is usually ingrained in the authentic folklore is void in the more modern‚ manufactured ones. Manufactured folktales also have much more thought put into to them in terms of “controlling” the folktale
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------------3 History of Ballroom Dance in China ---------------------------------------------------------------------3 Beginning -----------------------------------------------------------------------------------------------3 Declines -------------------------------------------------------------------------------------------------4 New Start Point----------------------------------------------------------------------------------------4 Modern Dance -----------------------------------
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M. Hall Sociology 101 – 010 Professor Matthew Corshu Due October 11‚ 2011 Book Review analysis The Souls of Black Folk‚ W.E.B. Du Bois‚ 1903 I have decided to do my 5 page paper on a sociological perspective of The Souls of Black Folk by W.E.B. Du Bois‚ (1903). I was unable to find book reviews in the library’s Book Review Digest because their volumes did not go back as far as 1903. Based on the racial discrimination that Dr. Du Bois experienced during his professional career in America
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Luvleen Singh Period 4 11/17/10 Folk VS Pop Culture Outline Preliminary Questions 1 Some differences between pop and folk culture include fashion and clothes. For example‚ in pop culture‚ new fashions change constantly and are influenced by the media and celebrities whereas in folk culture‚ clothing styles are passed down by generation to generation. Another difference is the way they are diffused; Pop culture is spread by hierarchal diffusion whilst in folk culture‚ they hinder new and mainstream
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Alvin Ailey became interested in dance at age 12‚ he moved with his mother to Los Angeles‚ where he was introduced to dance by performances of the Ballet Russe de Monte Carlo and the Katherine Dunham Dance Company. His formal dance training began with an introduction to Lester Horton’s classes by his friend‚ Carmen de Lavallade. Horton‚ the founder of the first racially integrated dance company in the United States‚ became a mentor for Mr. Ailey as he embarked on his professional career. After Horton’s
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The Cunning Folks’ Unexplored Power The fear of witches and their powers of witchcraft existed in all levels of society during the seventeenth century. Both historical and contemporary research on black and harmful magic‚ its practitioners and their persecutions received a considerable amount of academic interest throughout history. However‚ the practice of white magic‚ the origins of the cunning folk and their powers attracted less attention and historical investigation. One of the apparent reasons
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A 2nd generation Modern Dance dancer and known as one of the greatest and influential choreographers of the 20th century. Cunningham learnt tap dancing at a young age and was exposed to theatre experience then. He entered Cornish School of Fine Arts in Seattle in 1937 and learnt a range of visual and performing arts without specialisation. He was introduced to Graham technique while taking one of Martha Graham’s workshops during his time at Cornish. Graham’s technique consists of the elemental
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