Description: Koger’s skyscape painting imitates the Aurora Borealis with the narration of a fantasy story. The soothing gradient of the dark blue starry sky to the pink-white clouds elicits a tranquil atmosphere and strongly contrasts with the Northern Lights‚ represented by asymmetrical groups of bright colours (yellow‚ green and pink). Furthermore‚ there’re two ‘camouflaging’ human faces located in this artwork; one face is on the top right-hand corner and the other face is on the middle left
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landscape paintings‚ the preferred genre among Zen painters in the 14th-16th century. Sansui-ga painting is done in Chinese-inspired sumi-e or suiboku-ga‚ an ink wash painting style‚ which uses black ink in various concentrations. Gradations of ink are used to create a sense of light and shade‚ as well as modulated brushstrokes and lines to create a sense of volume and rhythm. (Parent) Vast landscapes on screens and sliding doors set a serene and contemplative mood in Muromachi-period mansions and
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In this paper I will be writing about the “Gaze” which is present within impressionist artist Renoir’s painting The Umbrellas. The gaze gives us a lot of insight of the figures and the relationships we may be viewing. In the case of Renoir’s work the insight the viewer gets is the actions and preemptive thought before a meeting of two people looking on as a spectator in the very same crowd. By using blurring techniques of background figures Renoir succeeds in creating a scene that appears like a
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For each art movement listed‚ discuss how it was a product of a certain history and culture. List the most important formal art elements of each movement. Choose a painting from the movement on the museum website. Point out the important formal qualities of the painting (how is it an example of the movement?) There is a grid for each movement on the pages below. Neoclassicism‚ Impressionism‚ and Abstract Expressionism art all contrast each other and are three very important eras in art
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of Toyo Sesshu. Painted in 1465‚ this piece was created in the style known as “haboku” or broken ink. At a young age Sesshu was trained in the tradition of Chinese ink painting and later became a Buddhist monk. When his training was completed‚ he left China and returned to his native land. Once there he would produce such paintings as the “Winter Landscape” (King & Chilvers‚ 2008‚ p. 188) and (Landscape of the Four Seasons” (Rumsey‚ 2004). His values as a Buddhist monk would reveal itself in his
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The Process of Painting like a Professional This step-by-step guide will teach you the process of painting an inside room with professional results. While using this guide to achieve the results you want; keep in mind painting is a very time consuming project. This process includes; emptying the room‚ removing cover plates‚ filling in holes‚ caulking‚ taping‚ prepping the walls‚ painting with a roller‚ and looking for touching up. You will be happy when all your work is done and you will have the
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I felt like I was in an Edward Hopper painting‚ walking past the corner of 1st and Stewart. I watch the faces of people admiring the brilliant shades of pink and blue violets. I cradle the overflowing bouquet of Dahlias and blue birds‚ closer to my chest‚ warmed by their beauty. My curiosity takes lead as I follow the symmetry of the pedals. study the alluring design of the delicate teardrops that circle a blossoming center. Hidden in the beauty of the flowers are genomes‚ chemical equations of photosynthesis
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from seeing it as part of literary history. | |The concept of literary period also implies a grouping through time. But a work‚ rather than being "placed" within the | |entire sweep of literary history‚ is "placed" within a much more restricted time frame. The period concept provides | |another system of classification‚ ordering literary and cultural data chronologically‚ within certain discrete time | |periods. It assumes every age has its characteristic special features‚ which are
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REACTION PAPER: PAINTINGS As we enter the National Museum of the Philippines "Spoliarium" 1884‚ oil on canvas A National Cultural Treasure by Juan Luna surprise us upon entering the hall. The super- sized painting depicts dark hollow beneath the Roman arena referred as the Spoliarium where the bodies of slain gladiators are being dragged away for disposal. For Luna‚ the lifeless gladiators represent the Filipinos during the Spanish period. Across the Spoliarium is the stunning painting by Hildalgo
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http://www.nga.gov/collection/gallery/dutch.shtm DUTCH AND FLEMISH PAINTING OF THE 16TH-17TH CENTURIES Religious and political turmoil in the 1500s split the Low Countries into two nations with differing social values and artistic tastes. Flanders remained Catholic and royalist; Flemish artists such as Rubens and Van Dyck glorified the Church and monarchy with grandiose themes‚ lively compositions‚ and vivid colors. The United Netherlands‚ however‚ became a republic populated mainly by Calvinists
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