Charles Baudelaire: Romantic‚ Parnassian‚ and Symbolist Often compared to the American poet Edgar Allen Poe‚ the French poet Charles Baudelaire has become well-known for his fascination with death‚ melancholy‚ and evil and his otherwise eccentric yet contemplative style. These associations have deemed him as a "patron saint of modernist poetry" while at the same time closely tying his style in with the turbulent revolutionary movements in France and Europe during the 19th century (Haviland‚ screens
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Seminar Questions 1. Modernism- Benjamin‚ Walter “On some Motifs in Baudelaire” Question 1: In “On some Motifs in Baudelaire” Walter Benjamin argues that extended exposure to stimuli‚ or shocks‚ in the environment alters the human experience of our world and creates a conditioned reaction within the crowd. How does this overstimulation shape our current society and was Benjamin correct in warning against it? Walter Benjamin implied that our minds are not equipped with the facilities
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Charles Baudelaire NAME: Charles Pierre Baudelaire BORN: April 9‚ 1821 Paris‚ France DIED: August 31‚ 1867 (aged 46) Paris‚ France OCCUPATION: Poet‚ art critic NATIONALITY: French LITERARY MOVEMENT: Symbolist‚ Modernist Abstract Charles Baudelaire is one of the major innovators in French literature. In the earlier 19th century‚ His poetry is influenced by the French romantic poets. Charles Baudelaire was a French poet who produced famous work as an essayist‚ art criticism and initiating
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Final Critique The topic of this critique about Charles Baudelaire is kind of an insight into the background of his life. His life was filled with an immense amount of mental and physical suffering. Charles was an alcoholic and had lots of drug addictions. He seemed to dwell in his own problems and self-pity (p. 93). In the poem "The Dog and the Scent Bottle" there are examples of his self-regard. This poem explained how his life went up and down and all the problems he had to overcome
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Charles Baudelaire The father of modern art criticism‚ Charles Baudelaire had mixed feeling about how art progressed in the modern era. Although he said that he admired modern art‚ he wrote several books criticizing photography‚ a modern art prevalent during his time. In his work The Salon‚ he expressed his discontent for photography and criticized that it is science interfering with the beauty of art. From Baudelaire’s first sentence in this excerpt‚ it is blatantly obvious that
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The Smartest People May Not be as Smart as a Crowd‚ but Who can Find a Smart Crowd? In The Wisdom of Crowds‚ author James Surowiecki contends that the “smartest people” are often not as smart as a group of individuals formed under the right circumstances (XIII). Surowiecki backs up his claim by giving numerous real life examples of crowds that meet the criteria of having diversity of opinion‚ independence‚ decentralization and aggregation‚ and have proven to be smarter than almost any one individual
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hiérophanie. Elle incarne le mystère fascinant et terrible du sacré’ (Galand 1969:372). These characteristics all reflect Baudelaire’s conception of the beautiful: ‘something intense and sad‚ something a little vague‚ leaving scope for conjecture’ (Baudelaire
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How might we best explain crowd behaviour? (2013 Exam Question) People are likely to act in bizarre ways in a crowd compared to as an individual. A crowd can be defined as a set of individuals who share a common social identification of themselves in terms of that crowd. Crowd members should also share common goals and act in a coherent member (Reicher‚ 2008). There have been extensive amounts of research into crowd psychology‚ investigating the apparent causes and reasons for such behaviour to
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CROWDS AND VIOLENCE Deindividuation: [“Individuation” coined by Jung: a process of individuation for development of personality] Historical Research: Le Bon (1890s) When individuals “descend” in a crowd‚ they become creatures of instinct‚ barbarians (Contagion theory‚ anonymity) Festinger (1952) Individuals who sat in dim light more likely to use bad language when discussing erotic material than individuals who were not. Zimbardo (1969) Stanford Prison Experiments: Individuals dressed
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Theories of Crowd Behavior The Contagion Theory * is defined as the theory stating that members of crowds stimulates each other to higher and higher levels of emotions and irrational behavior. * Contagion often refers to the spread of disease from person to person; accordingly it focuses on the spread of emotion in a crowd. * Formulated by Gustave Le Bon. Herbert Blumer-has offered another version of this theory as it has three stages. * Milling- the first stage; people move around
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