design by combining art and industry. Although these principles were inherited from English reformers like William Morris‚ Gropius was able to implement them when he reorganized the Arts and Crafts School in Weimar‚ which became the world-famous Bauhaus. The unique educational
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MODERN ARCHITECTURE: MOMO TO POMO ESSAY Topic 14: How was modern architecture regarded by the Nazi regime in Germany in the 1930s? What effect did their attitude have on the development of modern architecture? NAME: ZHIHENG YANG STUDENT NUMBER: 351874 SUBJECT: ABPL 30050_MODERN ARCHITECTURE: MOMO TO POMO 1 Modern architecture plays a very significant role in the world architecture history. This new architectural style affected the most western countries in 20 th century after the World
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Kanvinde: Function With Feeling By arZan ⋅ April 7‚ 2010 ⋅ Post a comment Achyut Kanvinde passed away in 2002. He was in his time one of the giants of Indian architecture. As the principal architect of CISR he designed a vast body of institutional work over the decades. Kanvinde studies under Walter Gropius at Harvard in the Functionalist style of design. Himanshu Burte writes an interesting overview of Kanvinde’s work and thought philosophy in this article title “ Function with Feeling ”.
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Andrew Selivjorstovs 20047803 | Being Modern | Design‚ 2nd year‚ 1st semester. Dr. Cordula Hansen | 8/31/2012 | | | Word count 2560 Modernism in Design | Modernism as Culture | Modernist Architect | Modernism Today | Modernism in Design. Modernism is a break away from nature‚ harmony and order. Many modernists believed that if they can separate themselves from the usual way of creating art‚ they will discover new amazing ways to create new art. They try to embrace discontinuity
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Reading 2 || Josef Albers‚ To Open Eyes Extract on The Vorkurs : Design at the Bauhaus In this reading‚ we are exposed to some of Alber’s design pedagogy at the Bauhaus. He was without a doubt a progressive educator‚ having introduced the concepts of constructivism and de stijl. Although the works produced as a result of his classroom methodologies seemed more like works of engineering and art‚ his careful training allowed his students to develop a design process which was not merely
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its open plan. The Bauhaus Walter Gropius developed a particular vision of “total architecture”. He made this concept the key to his work and the work of others who studied under him at a school called‚ The Bauhaus. It taught that all art forms‚ from simple to complex should be designed as a unit. WALTER GROPIUS‚ Shop Block‚ the Bauhaus‚ Dessau‚ Germany‚ 1925-1926. In 1924 a new government was elected who forced the Bauhaus to move north to Dessau. When the Bauhaus program had matured‚ Gropius
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World War I and the Visual Arts Events such as World War I (1914-1918) were the cause for some artists from various groups‚ painters‚ writers‚ and sculptors to gather in places to write to escape from the crisis of violence of war. Many artists were influenced to translate their works as paintings‚ sculptures‚ portraits‚ photographs‚ novels‚ movies‚ etc. Among others; Constructivism which was the inspiration for the ideas of well advanced Russian artists‚ the making of a new world in Art and Architecture
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Aesthetics and Architecture of 1929 - 1949 Design is not always about aesthetic values anymore‚ but rather the orchestra of how the buildings and environments fit into the city fabric‚ how they achieve goals in terms of city regulations and how the numbers work to fulfill the developments of the project. Architects and urban designers are in the side that should satisfy these whole aspects - so not only the buildings are beautiful in the drawing plans or in the computer screen‚
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When Paul Rand died at age 82‚ his career had spanned six decades and numerous chapters of design history. His efforts to elevate graphic design from craft to profession began as early as 1932‚ when he was still in his teens. By the early 1940s‚ he had influenced the practice of advertising‚ book‚ magazine‚ and package design. By the late 1940s‚ he had developed a design language based purely on form where once only style and technique prevailed (Heller). Rand did not set out to be a radical
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The history of graphic art and the cycle of politicization‚ depoliticization and then repoliticization span the late 19th century through and into the 21st century. Evolving from humble beginnings into the commercial behemoth it’s become to today this essay will explore graphic design’s evolution and the politics that affected this growing art movement during this influential timeline. Graphic design set its first roots in Germany in 1455 with the introduction of the Blackletter typeface and Johannes
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