sexual or romantic. In the play this kind of love is shown in between a few characters in the play‚ Benedick and Claudio‚ Don Pedro and Claudio‚ and Hero and Beatrice. (Act 2‚ scene 3‚ lines17-21‚ pg. 229) Benedick- (referring to Claudio) He was wont to speak plain and to the purpose‚ like an honest man and a soldier- his words are a very fantastical banquet‚ just so many strange dishes. Benedick is talking about Claudio and how he has fallen in love with Hero‚ he mentions how he’s not cut out for
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two sets of lovers Benedick and Beatrice‚ Claudio and Hero. Several governing actions by both sets of lovers set the tone as the pair search for the truth about love. Throughout the play examples of moments‚ views‚ and actions define 16th century true love. Defining moments on love show an illustrated fanciful language that courtiers used throughout the play. For example‚ When Claudio falls in love he tries to be the perfect courtier by using intricate language. Benedick remarks: “His words
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insignificant or literally nothing. 2. The setting is Messina‚ Italy at Leonato’s house 3. There is an air of happiness set in the first scene due to winning the most recent battle with the loss of only a few men 4. She asks this in reference to Benedick as a clever stab at him. This is just a continuation of their constant battle of wits 5. Claudio is interested in Hero because she is beautiful and a great girl‚ but he is also interested in her because with her being Leonato’s only child that makes
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romance because the play is technically centered on love never the less the love is more funny than romantic for example with all the bickering between Benedick and Beatrice and the naive ‘love’ between Claudio and her. One of the ways that this can be seen as a comedy is the love hate relationship between Beatrice and Benedick In the first scene Beatrice say’s ‘I pray you‚ is Signior Mountanto returned from the wars or no? ‘ This can be seen as quite humorous as even though she is insulting him and
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also true in the play Much Ado About Nothing. Readers will see that Hero and Claudio start out happily in love with nothing to fight about at all but later get in a huge fight over false claims and then make up and get married in the end. Beatrice and Benedick start the play by making fun of each other and saying they never want to fall in love ‚but in the end‚ their relationships all work out for them. Over the course of the play Claudio and Hero have their ups and downs with each other but
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A developed love is shown where Beatrice and Benedick are first fooled into thinking the other loves them‚ but in the end it doesn’t even matter because there love for each other has been nurtured into the point of commitment and marriage. The other type of love is where Claudio and Hero fall
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Beatrice’s love for Benedick and Benedick overhears them. Benedick prior to this had decided to live life as an everlasting bachelor‚ but after overhearing their conversation‚ he changed his plans. Beatrice and Benedick had always been at eachother’s necks ‚but Benedick has decided to use some charming techniques towards Beatrice. He realizes he loves Beatrice after all. "Come hither Leonato‚ what was it you told me of today that your niece Beatrice was in love with Signor Benedick An example of harmful
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becomes evident in the first act of the play when Claudio notices Hero and questions Benedick‚ “Benedick‚ didst thou note the daughter of Signor Leonato?” Benedick responds by saying‚ “I noted her not‚ but I looked on her” (1.1. 155-157). Benedick establishes a distinction between merely looking at someone and noticing someone closely by the way he criticizes Hero. From their observations it becomes clear that Benedick and Claudio perceive Hero as two different people. Claudio describes Hero as “a
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complex example of counterfeiting occurs as Leonato‚ Claudio‚ and Don Pedro pretend that Beatrice is head over heels in love with Benedick "If we can do this‚ Cupid is no longer an archer; his glory shall be ours‚ for we are the only love-gods" The trick will lead Benedick and Beatrice not into deception but into self-discovery. Upon hearing Claudio and Don Pedro discussing Beatrice’s desire for him‚ Benedick vows to be “horribly in love with her‚” He is the entertainer‚ indulging in witty hyperbole
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used many different types of techniques to display a verbal battle between Benedick and Beatrice. Euphuisms are constantly being fired‚ maintaining humor and entertainment for the audience. An example of this is when Benedick says‚ “Why‚ my good Lady Distain are you still living?” this is quickly backfired on him when Beatrice replies‚ “Is it possible Disdain should die when she hath meet food to feed it as Signor Benedick?” Such sharp graceful wit carries on‚ collecting the laughs and appreciation
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