ELEMENTS OF DRAMA “All the World’s a stage…” William Shakespeare DRAMA Comes from the Greek word ‘dran’ Means ‘To act’ or ‘To do’ The doing/acting makes drama DRAMA… …is a story told in front of an audience. TERMS PLAYWRIGHT- the author of the play PLOT- action of the play SETTING- time and place ACTS- Divisions within a play (much like chapters in a novel) SCENES- smaller parts of an act. ASIDE- lines that are spoken by a character directly to the audience. DRAMATIC
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Q 1.Discuss the plot of Dr.Faustus The Tragical History of the Life and Death of Doctor Faustus‚ commonly referred to simply as Doctor Faustus‚ is a play byChristopher Marlowe‚ based on the German story Faust‚ in which a man sells his soul to the devil for power and knowledge.Doctor Faustus‚ a well-respected German scholar‚ grows dissatisfied with the limits of traditional forms of knowledge—logic‚ medicine‚ law‚ and religion—and decides that he wants to learn to practice magic. He begins his new
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August Strindberg’s play “The Ghost Sonata” represents an expressionistic approach to drama. Expressionist elements are obvious through Strindberg’s use of distortion of reality‚ “typing” of characters‚ and the use of musical pattern. In the lecture‚ we discussed that one of the elements of expressionistic drama was “extremism and distortion”‚ the lecture also mentioned how expressionistic drama can take the form of a dream to “capture inner feelings” of a character. Strindberg distorts external
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media to fulfil specific gratifications. This theory would then imply that the media compete against other information sources for viewers’ gratification. (Katz‚ E.‚ Blumler‚ J. G.‚ & Gurevitch‚ M. 1974). This Theory is all about the role people play in choosing and understanding/using what they learn from media. Some people use media as a way of gathering information for example some people watch QI to learn interesting facts and people watch the news to keep up to date with current affairs. However
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Elements of Drama 1. script: the written dialogue‚ description‚ and directions provided by the playwright. 2. plot: the events of a play or arrangement of action‚ as opposed to the theme. 3. exposition: the part of a play that introduces the theme‚ chief characters‚ and current circumstances. 4. rising action: a series of events following the initial incident and leading up to the dramatic climax. 5. climax: the point of greatest intensity in a series or progression of events in a play‚ often forming
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DRAMA ESSAY – BOAL/MEYERHOLD Chelsea Carrick-Donahoo The new and abstract philosophical beliefs of theatre practitioners Augusto Boal and Vsevolod Meyerhold have greatly influenced the creation of their theatrical practices. Boal’s context within Brazil’s oppressive regime in the twentieth century developed his goal to use theatre as a therapeutic means of showing audiences how they could overcome oppression in his Theatre of the Oppressed. Meyerhold
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Medieval Drama Jugglers‚ folk- plays‚ pageants: The beginning of the Middle Ages started by the fall of the Roman Empire. The corrupt Roman drama had come to an end‚ and the actors became some disreputable jugglers and inferior minstrels who wandered all over the country. The performances of these social outcasts were crude and immoral. However‚ they continued for centuries‚ because they were the only source for dramatic spectacle. Other sources of amusement too can be found in the country
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Analysis: Macbeth says this to himself after murdering Duncan. His guilt causes him to shake at every noise. His hands... Premium Macbeth diction and imagery to create an intensely satisfying and compelling drama. The general setting of Macbeth is tenth and eleventh century Scotland. The play is... Premium Dramatic Techniques In Macbeth of the prophecy. It plants the idea of treason in his mind. It is Macbeth’s ambition that compels him to commit regicide. Without the deliverance of the prophecy
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Characteristics of Elizabethan Drama From Elizabethan Drama. Janet Spens. London: Metheun & Co. Of the three types of plays recognized in the Shakespeare First Folio -- Comedies‚ Histories‚ and Tragedies -- the last has been the most discussed annd is clearest in outline. 1. Tragedy must end in some tremendous catastrophe involving in Elizabethan practice the death of the principal character. 2. The catastrophe must not be the result of mere accident‚ but must be brought about by some essential
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original as much as possible so that the translation represents the goal and effort of the original author. Each translator aims at a maximal realistic authenticity‚ including both the inner (author’s and director’s notes) and outer language of the drama. “Translation‚ the surmounting of the obstacle‚ is made possible by an equivalence of thought which lies behind the different verbal expressions of a thought. No doubt this equivalence is traceable to the fact that men of all nations belong to
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