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    With everything that has happened in our country in the last few years many people are becoming more patriotic. Since 9/11‚ our nations flag has flown high‚ more students are saying the Pledge of Allegiance‚ and many cars now carry symbols of support for our troops. However‚ even with this new outlook on patriotism‚ some people are beginning to wonder if our actions are even patriotic at all‚ including our servicemen and women. Is it patriotic to fight in a war that many deem unjust? Or is more patriotic

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    Napoleon. Symbol of an Age Prior to the revolution the country of France was ruled by ruthless monarchs who stripped any glimpse of equality from the citizens of this nation. The oppressive rulers took away their freedom and abolished their beliefs and religions. Throughout all of this the economy was on a downward spiral leading to an almost inevitable economic crash. One man was able to step in‚ solve these issues‚ and transform France into one of the great nations it is today. Napoleon Bonaparte

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    Roots” Remix: Reading & Composing Culture. Ed. Catherine G. Latterell. Boston‚ MA: Bedford/St. Martin’s. 2010. 131. Print. Garrison‚ Keillor “A Wobegon Holiday Dinner” Remix: Reading & Composing Culture. Ed. Catherine G. Latterell. Boston‚ MA: Bedford/St. Martin’s. 2010. 114. Print. Gore‚ Al “An Inconvenient Truth” Remix: Reading & Composing Culture. Ed. Catherine G. Latterell. Boston‚ MA: Bedford/St. Martin’s. 2010. 551-558. Print. Grealy‚ Lucy Havrilesky‚ Heather “Stalking Celebrities”

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    Lorena Campos “Disability” Nancy Mair’s “Disability” shows us the view a disabled woman has on how the world perceives people with disabilities. Nancy is “a forty- three year old crippled woman.”(Bedford Reader 13).Nancy is a woman who spends most of her time in a wheelchair. A woman that can be easily spotted in a crowd. She notes that she has not 3show that illustrated her so that people would feel sorry for the woman. They show the woman trying to make one lat trip before she gets crippled

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    previous work in turning around troubled banks (Wei and Bray). In addition to holding CEO‚ president‚ and board positions for the Park Avenue Bank‚ Antonucci was also involved in a number of other businesses. Antonucci was also the 100% owner of Bedford Consulting Group‚ Inc.‚ Easy

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    Cited: Miller‚ Arthur. Death of a Salesman. The Bedford Introduction to Drama: Sixth Edition. Ed. Lee A. Jacobus. Boston: Bedford/St. Martin‚ 2009. 1069-1106 Miller‚ Arthur. Tragedy and The Common Man. The Bedford Introduction to Drama: Sixth Edition. Ed. Lee A. Jacobus. Boston: Bedford/St. Martin‚ 2009. 1109-11 Wilson‚ August. Fences. The Bedford Introduction to Drama: Sixth Edition. Ed. Lee A. Jacobus. Boston: Bedford/St. Martin‚ 2009. 1484-1512

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    Cited: Chekhov‚ Anton. “The Lady with the Pet Dog.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 8th ed. Boston: Bedford/St. Martin;s 2009. 205-16 Oates‚ Joyce Carol. “The Lady with the Pet Dog.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 8th ed. Boston: Bedford/St. Martin;s 2009. 219-31

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    Cited: "Bedford/St. Martin ’s: The Bedford Anthology of American Literature‚ Volume Two First Edition by Susan Belasco; Linck Johnson." Bedford/St. Martin ’s. Web. 12 Feb. 2012.

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    Cited: Columbus‚ Christopher. "The Columbus Letter." Belasco‚ Susan & Johnson‚ Linck. The Bedford Anthology of American Literature. Vol. One: Beginnings to 1865. Boston - New York: Bedford/St. Martin ’s‚ 2008. 68-73. Nunez‚ Alvar. "The Narrative of Cabeza de Vaca." Belasco‚ Susan & Johnson‚ Linck. The Bedford Anthology of American Literature. Vol. One: Beginnings to 1865. Boston - New York: Bedford/St. Martin ’s‚ 2008. 76-85.

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    org. n.p‚ 29 April 2010. Web. 29 Sept. 2010. < http://en.wikipedia.org/wiki/Battle_royal> Ellison‚ Ralph. “Battle Royal.” Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s‚ 2011. 277-87. Print. Marcus‚ Mordecai. “What Is an Initiation Story?” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s‚ 2011. 288. Print.

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