Readers have been responding to what they have read and experienced since the dawn of literature. For example‚ we have Plate and Aristotle who were concerned about audience responses and how plays generated pity and fear on them. Still‚ the audience or readers were passive. After the appearance of reader response theory‚ readers are activated. They involve themselves to elaborate the text‚ fill in the gaps and enact their experiences with the text. Most reader response critics can be divided into
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The transactional reader response theory uses the text and the response it stimulates in the reader to determine meaning in a work. Using this theory‚ the details “A Father’s Story” presents‚ and how the reader fills in the gaps determines the amount of empathy the reader has for Luke in his action of covering up Jessica’s murder. Throughout the story‚ it is presented that after Luke’s wife‚ Gloria‚ left with their children‚ he does not see the children very often. After the boys grow up and start
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Characters Effect on a Reader Characters dealing with a situation affect each reader differently. The characters reaction to a situation may have a reader feel exactly as the character does‚ or in some instances‚ the reader may look more at how differently they would feel in the same situation. In an attempt to answer Henry James on how characters are only as interesting as their response to the particular situation we will look at “The Chrysanthemums” by John Steinbeck and “To Build a Fire”
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Reader-Oriented Criticism This essay will summarize what Reader-Oriented Criticism actually is and how it plays a role with in Friday Night Lights. First of all‚ Reader-Oriented Criticism is the interaction of what the text was written to mean and how the viewer reads it‚ also known as text-reader relationships. “As such‚ reader-oriented criticism is largely concerned with “potential” as opposed to “actualized” meanings of the text to an audience” (Vande 331). The text throughs out cues on how
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Becoming a flexible reader There are three important reading style that each student to be a flexible reader. Each has its own purpose‚ a student has to identify his purpose for reading and decide if he is reading or looking for specific information. The first style is Study Reading‚ this is the use when the purpose is to read difficult material at a high level of comprehension. the student should read at a rate that is slower than his normal rate‚ he must challenge himself to understand the material
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my “emergent reader book plan”: (1) the I like Myself book‚ (2) leveled book about topic‚ (3) list of words (different parts of grammar/traits/descriptive words)‚ (4) chart paper‚ (5) markers‚ (6) magazines‚ (7) index cards‚ (8) glue‚ (9) scissors‚ (10) crayons‚ (11) paper‚ (12) writing utensils‚ (13) and pictures. In regards to space‚ my lessons will be taking place in the classroom‚ on the rug‚ on tables and the hallway. I will use several forms of assessments for this emergent reader book plan:
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parents‚ who had emigrated from India. Enlarge This Image Brian Cronin for The New York Times Related Go to Education Life » Enlarge This Image Peg Skorpinski Sather Gate‚ a literal and symbolic portal on Berkeley’s campus. Readers’ Comments Readers shared their thoughts on this article. Read All Comments (250) » Why was he not top-ranked by the “world’s premier public university‚” as Berkeley calls itself? Perhaps others had perfect grades and scores? They did indeed. Were they ranked
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Expecting to grow properly and learn what one must when put in an unfamiliar generation‚ is as if trying to teach a person to walk through the example of a whale-both are mammals but are impossible to compare. This is evident in Bernhard Schlink’s The Reader‚ where fifteen-year-old Michael Berg is involved in a secretive‚ intense‚ and passionate relationship with thirty-six-year-old Hanna Schmitz. Hanna is leading the relationship so much so that when they fight‚ regardless of who is right or wrong‚ Michael
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wake up thinking I am in our old farmhouse. The sun streams through the window and a calm wind blows on my face. I feel almost content until I remember I will have to endure another long day of spinning cotton. When the machines came‚ we moved to Bedford‚ Massachusetts‚ and started working in a factory. We tend machines all day long until we can finally hurry to sleep. Seemingly minutes after we fall asleep‚ the bells ring before the roosters back at our farm would have crowed. My mother works in
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READER’S RESPONSE STRATEGY/ READER’S RESPONSE CRITICISM Applying Reader Response Strategy in Appreciating Literary Works The appreciation of the short story applies seven reader response strategies posed by Beach and Marshall (1990); they are describing‚ conceiving‚ explaining‚ interpreting‚ engaging‚ connecting and judging. The guiding questions are constructed based on the responses. NO | Response | Explanations | Indicators | Questions to guide | 1 | Engaging(Include) | Getting involved in literary
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