"Beethoven piano concerto analysis" Essays and Research Papers

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    The Piano Concerto

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    The Piano Concerto The development of keyboard music reached staggering new heights at the turn of the 18th century. It was during this time that the idea of the concerto became a very innovative and popular style of music which combined a large symphony setting and a virtuoso. With the growing popularity of the piano‚ the end of the 18th century saw a new and more innovative genre of piano concertos. However this concerto received a great deal of criticism due to its lack of proper form and

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    The Yellow River Piano Concerto Xian Xinghai * Xian was born in 1905 in Pungu in China. * He joined the communist party in 1938 where he composed the Yellow River Cantata. * The Yellow River was considered by the Chinese as the cradle of China’s civilisation and its sorrow. * The cantata was an eight movement work for chorus orchestra and soloists with narration in between. Yellow River Cantata * The cantata aimed to express the troubles of the people who lived on the banks

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    rather than the mask I wear to school everyday. Music is one of those very few things in life that listens and can easily influence mood. Words in a song vary from happy to sad to angry and so can an orchestral piece. One of my favorite pieces is Piano Concerto no.2 by Rachmaninoff as it contains different emotions and connections throughout the piece.

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    The Violin Concerto Op.61: Third Movement (Rondo: Allegro) | The third movement is built around the lively Rondo form (in which one main theme - the Refrain - is repeated in a cycle interspersed with different des) and also includes a number of classic Sonata features: the three-part symmetry‚ harmonic structure and the fact that the first episode - which returns as the third episode - acts as the 2nd theme of the Sonata. This varied form‚ known as the Rondo Sonata‚ can be found in some of Mozart’s

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    Program Notes By Xiaohan Sun Béla Bartók Born 1881‚ Nagyszentmiklós‚ Hungary Died 1945‚ New York‚ New York Viola Concerto (1945) Bartok left two major concertos unfinished: the Third piano concerto and the Viola Concerto. The former was complete except for the orchestration of the last seventeen measures‚ but the latter required much more extensive work. The manuscript for this unfinished work was given to Bartok’s friend and informal student Tibor Serly‚ who reconstructed the work and prepared

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    Analysis of the Yellow River Concerto composed by Xian Xinghai‚ arranged by Yin Chengzhong The Yellow River Piano Concerto was a gem of the Chinese culture in the 20th century‚ which was written in the Western classical music form and was highly influenced by the Western music in the romantic era. The traditional Chinese music and 20th century Chinese culture was reflected in the music score almost everywhere. Its Chinese

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    After the completion of the Hammerklavier‚ Beethoven’s passion for the piano sonata refused to dissipate. The next three piano sonatas‚ written over the span of three years‚ have consecutive opus numbers: Op. 109 in E major‚ Op.110 in A flat Major‚ and Op.11 in C minor. Beethoven clearly approached his last three piano sonatas as a single project. In the letters to Adolf Schlesinger dated 30 April 1820 and 20 September 1820‚ Beethoven mentioned that: “I am also very willing to sell you some new sonatas

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    A Formal Analysis on Beethoven’s Piano Concerto No.3 in C minor ‚ Op. 37 a)The "Beethoven Concerto"s and Op. 37’s Placement in the Genre and as a continuation of Mozart’s Style b)Reception of the concerto-specifics of the concerto in a broad view c)Formal and musical analysis with respect to the Concerto Form in the Classical Style (As a precursor of Romantic Age) d)Conclusions a)Beethoven Concertos According to commonly agreed placement of this concerto among others‚ the way that it still

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    Analysis on Beethoven’s Piano Sonata No 3‚ op. 2‚ Allegro con brio Composers since the early classical era have used sonata form to express through music ideas which are at once complex and unified. This form contains a variety of themes and permutations of these themes‚ but is brought together into a comprehensible whole when these excerpts reappear. Beethoven‚ in the first movement of his Piano Sonata Opus 2 Number 3 utilizes this form to its full potential‚ modifying the typical structure in

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    Classical Concerto

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    adaptable the form of the classical concerto was to the compositional aspirations of composers of the Romantic era. I will do this by outlining the form of the classical concerto and looking at the changes between the Classical era and the Romantic era in music. I will then discuss a composer who changed from composing in the classical style to composing in the Romantic period (Romanticism) and why they changed to it. The composer I will look at is Ludwig van Beethoven. I will then look at how this romantic

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