The Art Deco Crossover: A Merging of the Avant-Garde and Decorative Arts‚ 1910-1939 The twentieth century ushered in an eclectic‚ luxurious and modern style of design and decoration the world would define at the Paris 1925 exhibition as Art Deco. The material world was now an amalgamation of new technologies and processes and drew from many worldwide influences. However‚ the greatest influence of the movement was the new visual language‚ color and iconography of the avant-garde art world: Cubism
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Reviewing current art‚ both locally and globally‚ it appears that much of it has or purports to have a political content. One reason for this focus is that technological advances encourage snatching digitized fragments from reality that document the persistent global nightmare of human inhumanity. This process thus duplicates in art the same nightmare we see every day on TV or the Internet. Very little of this work‚ whose apology is that it is “consciousness raising‚” amounts to more than superficial
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Degenerate art is the English translation of the German entartete Kunst‚ a term adopted by the Nazi regime in Germany to describe virtually all modern art. Such art was banned on the grounds that it was un-German or Jewish Bolshevist in nature‚ and those identified as degenerate artists were subjected to sanctions. These included being dismissed from teaching positions‚ being forbidden to exhibit or to sell their art‚ and in some cases being forbidden to produce art entirely. Degenerate Art was also
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early-20th-century avant-garde art movement pioneered by Georges Braque and Pablo Picasso‚ and later joined by Juan Gris‚ Jean Metzinger‚ Albert Gleizes‚ Robert Delaunay‚ Henri Le Fauconnier‚ and Fernand Léger‚[1] that revolutionized European painting and sculpture‚ and inspired related movements in music‚ literature and architecture. Cubism has been considered the most influential art movement of the 20th century. The term is broadly used in association with a wide variety of art produced in Paris
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Australian bush landscape ad sky in the 1900’s. By using the ‘plein air’ style which was taught at his school‚ he was also closely tied to an emerging Australian nationalism which saw the acceptance of Australian scenes and people as suitable subjects for art practice. Artists depicted Australia in a rather English way‚ with muted tone and soft light and captured the bushrangers. Barry Pearce‚ curator‚ says‚ “It’s magic stillness‚ it’s timelessness‚ it’s sense of being an old country but also the sense of
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definition of art. Although commonly used to describe something of beauty‚ or a skill which produces an aesthetic result‚ there is no clear line in principle between (say) a unique piece of handmade sculpture‚ and a mass-produced but visually attractive item. We might say that art requires thought - some kind of creative impulse - but this raises more questions: for example‚ how much thought is required? If someone flings paint at a canvas‚ hoping by this action to create a work of art‚ does the result
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Destruction: Yoko Ono’s Performance Art‚” intersections 10‚ no. 1 (2009): 571-607. ABSTRACT What is currently known as “destruction art” originated in the artistic and cultural work of avantgarde art groups during the 1960s. In the aftermath of World War Two‚ the threat of annihilation through nuclear conflict and the Vietnam War drastically changed the cultural landscapes and everyday life in the United States‚ Asia‚ and Europe. In this context‚ “destruction art” has been situated as the “discourse
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The Degenerate Art Exhibition and the Great German Art Exhibition Since early history and until today‚ Art has been one of people’s ultimate ways of expression and communication. However‚ and due to numerous atrocities‚ artists have long suffered from criticism‚ ridicule and even oppression. Perhaps one of the most known examples of such injustices is the Degenerate Art exhibition which was hosted in Germany in 1937 and aimed to label the works displayed in it as degenerate‚ corrupt and impure. Contrariwise
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ART SUMMARY TERM 2 FRAMES Cultural This view is concerned with understanding how an artwork is influenced by the values of the society it is produced in‚ and‚ in turn‚ how the artwork influences the values of the society. This includes examining the historical and cultural context in which the work was made‚ and religious and/or philosophical beliefs‚ which may have influenced the work. Subjective This view is concerned with examining an artwork from a personal perspective. This might
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Benin is a country found in Sub-Saharan Africa more commonly known as (SSA). According to the CIA as of a report published in year 2007‚ 37% of Benin’s population lived below the poverty line. This indicates that nearly half of the inhabitants of Benin live below the dollar-a-day poverty line. The poverty line is established in regards to the understanding that it takes at least a dollar to provide the minimum standard of living for individuals on a day to day basis. Benin’s main source of income
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