TMA 05 The Art of Benin‚ Part 1‚ Option A Look closely at Plate 3.1.16 which shows a figure of a Portuguese man holding a manilla. What can this work of art tell us about cross cultural encounters? Cross cultural encounters happen every day‚ in business‚ people holidaying abroad‚ even in schooling and banking. These encounters can take many forms‚ the way we deal with other ethnicities problems‚ the way we greet people from other cultures‚ the different clothes worn by different cultures‚
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MUSEUMS AND THEIR VOICES A CONTEMPORARY STUDY OF THE BENIN BRONZES WRITTEN BY Charlotta Dohlvik SUPERVISORS Staffan Lundén and Peter Davis Master’s Dissertation‚ May 2006 International Museum Studies‚ Museion‚ Göteborg University 1 ABSTRACT........................................................................................................................................................... 4 1. BACKGROUND ...........................................................................
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Read carefully Reading 2.6‚ ‘Works of Art from Benin City’‚ in Book 3 Chapter 2 and look closely at Plate 3.2.27‚ Plate showing four sixteenth century brass plaques from Benin’‚ in the illustration book. With close attention to both‚ discuss reasons why the ownership and location of the art of Benin have been controversial and continue to be so. The Places which home the artwork of Benin have and continue to cause controversy. They did not always as they did in the late nineteenth century languish
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location of Benin art remains a controversy over whether it should be returned to its place of origin. It is vital to observe the “encounter” between (Woods‚ 2008‚ ‘THE ART OF BENIN’‚ p.7) Europe and the kingdom of Benin‚ when the Benin artefacts were initially plundered and confiscated in the “‘punitive expedition’” (Mackie‚ 2008‚ ‘1897: the ‘punitive expedition’‚ p.23). The British opinion of the Benin people as a “savage and brutal” (Loftus‚ 2008‚ The British Museum and the Benin ‘antiquities’
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Read the following extract from reading 2.2 ‘Benin antiquities at the British Museum’ and look at Plates 3.1.14 British officers of the Benin punitive expedition with bronzes and ivories taken from the royal compound‚ Benin City‚ 1897 and 3.2.24 Display of Benin bronzes in the Sainsbury African Galleries‚ the British Museum‚ 2005 in the AA100 Illustration Book. How do the different contexts of display reflect different attitudes to the art of Benin? At the end of the 19th century‚ Africa was
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1904). Plate 3.2.25: The display of Benin bronzes at the Horniman Museum is viewed now as works of art instead of pieces of anthropology as they were in 1903 a ‘war booty’. Bronze commemorative heads representing ancient sovereigns‚ ceremonial costumes‚ insignias and royal personal objects which marked the Oba’s position‚ naturally figure at the heart of the exhibition in Paris. The national museum in Britain‚ displays with the full agreement of the Benin people. Plate 3.2.26: Horniman gave it
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Introduction Benin Bronze is some beautifully produced by African artists‚ art work. Benin Bronze was one of the best peices of artwork produced in Africa. It was carved from brass in the late 1800s. They made for the very powerful king‚ King Oba. Benin Bronze was made to decorate the pillars in his palace. Background Story Benin Bronze was stolen by British. At the end of the 19th century‚ the British Empire was in charge of nearly a quarter of the world. Other countries wanted the same. They
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Altar to the Hand (Ikegobo) of Ezomo Ehenua 18th–19th century Nigeria; court of Benin Brass Here we have an interesting piece from modern day Nigeria. Press play for a formal description‚ the historical background‚ and an explanation of the meaning of various aspects of this object. Formal Description: This sculpture is truly a remarkable work in many senses. As a whole‚ it is sculpted in the round. The figures on top of the piece are also sculpted in the round. The figures surrounding
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Tristan Weeks Art History Ms. Cherashore 4/1/13 Benin Plaques Art around the world serves all different purposes‚ not all of these seem traditional to the people of western civilization. For example the art of many african tribes and cultures is very different from the classic styles of the european tradition. Art from these areas usually serves a larger purpose to the people. Either representing religious figures or the leaders of the tribe. The subjects of these works of art
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Profile of Business Organization i. Company Background The company has operated for 25 years. The Company mostly focuses on the bronze furniture and decoration for both indoor and outdoor such as the bronze dolls and fountains‚ which customers can choose by 21 different collections. Firstly Mr.Somkid Thanapoomikul established the shop at the River City Shopping Complex where a lot of foreigners living around so it could gain a lot of profits. The manufacture was built in order to reduce
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