vocabulary randomly. The third is pretentious diction. Some of bad writer usually use foreign words and expression to decorate their articles‚ which makes the articles become pretentious. The final is meaningless words‚ especially in art criticism and literary criticism. George Orwell argues that these articles always make any sense. Not only the writers don’t know the substantial content in their articles‚ but also the readers. Additionally‚ in some political writing‚ it is difficult to define some
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decipher the events within the play—and within the play’s play—as they unfold‚ thus creating a tertiary level of meta-criticism. Through this approach‚ Stoppard demonstrates that critics and criticism are not formal roles‚ but rather that assuming the role of a critic can be done by anybody and that people actively engage in criticism even if they are not aware of it. Through his criticism of theatre and the whodunit genre‚ Stoppard forces the reader‚ and
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for always directing their life. Profound gratitude is extended to their adviser‚ Mr. Rendel Edison O. Sinag and Mr. Richard L. Hernandez for technical critic‚ for availing their patience‚ expertise‚ suggestions‚ advice‚ comments‚ and constructive criticisms for the completion of this write-up‚ and also to Mrs. Regene G. Hernandez for her support and guidance‚ and most especially for her much appreciated understanding and patience. The researchers also expresses their gratitude to Mrs. Lea Marissa
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setting in Act Three is ‘exactly as at the end of Act Two’ these constants enable the contrasts between characters to be accentuated. Furthermore it allows Priestley to highlight a microcosm of the upper middle class society through the Inspector’s criticisms. The use of the imperative verb of ‘remember that’ holds a metaphorical mirror to convey the inescapability of their guilt. Moreover the use of the asyndetic listing of ‘we are members of one body. We are responsible for each other […] they will
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common view that a literary text is likely to be comprehended better if it is studied in parallel with stylistic analysis which emphasizes the crucial role of the linguistic features of the text contributes much to the development of literary criticism. M.A.K.Halliday is one of the text linguists who sees ‘grammar’ as a network of systems of relationships which account for all the semantically relevant choices in language‚ which is the standpoint of the stylistic analysis as well. In
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A good boss evaluates her employees on a reasonable set of criteria‚ not on how she feels about them personally. And she lets the employees know what those criteria are‚ so they have a fair chance of meeting them. She gives both praise and criticism in a straightforward manner. She also offers guidance when needed. A poor supervisor will criticize without giving any suggestions on how to improve. Most importantly‚ a good supervisor sets the standards for her employees by her own behavior
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THE REAL INSPECTOR HOUND Dramatic criticism of the play by Tom Stoppard | | | | |In The Real Inspector Hound Stoppard makes fun of the critical jargon used by reviewers; when they make quasi-official | |pronouncements‚ they are pompous and silly. Of course the satire is especially effective when it is partly self-satire‚ coming | |from a former theater critic
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that Flaubert borrowed from the Rouen Museum of Natural History‚ proves to be just like the greased piglet which evaded capture making the pursuers look ridiculous in the process. ‘Flaubert’s Parrot’ raises the issue of the difficulties of both biographical and historical interpretations. The enigmatic and mysterious Gustave Flaubert proves to be as decipherable as the stuffed parrot that Braithwaite equates with Flaubert’s artistic voice. The novel sets forth to cleverly show that Gustave Flaubert
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controls every aspect of life. In the poem‚ “If I Could Tell You‚” Auden works through the idea of time being superior and how it brings an overall uncertainty— especially to love‚ and creates a desperation of knowing. By looking through a Historical Biographical Lens‚ it would make sense to identify the speaker of the poem as Auden himself. He seems to be writing an answer to a question that someone‚ at one point in time‚ has asked him. However‚ Auden is unable to answer the question‚ stating‚ “if I could
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1 Translation Quality Assessment A case study of Ernest Hemingway’s ‘the Killers’ Translated by Najaf Daryabandari According to Newmark’s translation criticism Marjan Tavakoli Kerman Institute of Higher Education May 2014 2 Introduction "The Killers‚" Ernest Hemingway’s story about two hit men who come to a small town to kill a former prizefighter‚ was first published in the March 1927 issue of Scribner’s Magazine. Hemingway was paid two hundred dollars for the story‚ which was
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