"Blackness whiteness and otherness" Essays and Research Papers

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    Themes Themes are the fundamental and often universal ideas explored in a literary work. Whiteness as the Standard of Beauty The Bluest Eye provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere‚ including the white baby doll given to Claudia‚ the idealization of Shirley Temple‚ the consensus that light-skinned Maureen is cuter than the other black girls‚

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    INTRODUCTION 1. BACKGROUND In the US‚ racism is a well known issue. From racial profiling to other issues such as affirmative action‚ police brutality against minorities and the history of slavery and the rising resentment against immigrants (http://www.globalissues.org). Here the writers point out about the racism that is occurred in novel of The Bluest Eye‚ where racism is one of the biggest issue occurred in the novel. Since the history of black peole related to the slavery that involved their

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    form of a letter from Coates to his fifteen-year-old son. In this book‚ Coates tackles major issues that plague black people‚ particularly black men‚ in modern day America. This book covers a wide range of topics‚ including race relations‚ “whiteness”‚ “blackness”‚ self-identity‚ and manhood. One of the most powerful messages from the book is that black people can be anything. The world is quick to put us in a box‚ and portray us all as one standard thing‚ when we’re not. In the book‚ Coates stresses

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    The characters of The Bluest Eye suffer from the racial standards of society‚ stating that blacks are superior to whites. Society corrupted the lives of blacks and whites alike‚ where whites believed that they were superior to blacks‚ therefore causing whites to treat black people inferiorly. In turn‚ the victims of this behavior were impacted severely‚ as they started to believe that they were ugly and unacceptable‚ because of their skin color. Therefore‚ they strived to be white‚ in order to be

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    equation of whiteness as the standard of greatness‚ beauty‚ or otherwise “normalcy” and “desirability” in the novel. Whiteness being upheld as the paragon of beauty and societal norm is best seen as Frieda and Pecola “…had a loving conversation about how cu-ute Shirley Temple was‚” (Morrison 19) which culminates into the inference that Pecola eventually drinks three quarts of milk as an excuse to admire the Shirley Temple cup. The most obvious example of characters assuming whiteness as the beauty

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    intense are Pecola’s feelings of self-loathing and inferiority that she would do anything to soothe them. In her young mind‚ she needs a miracle; she needs the bluest eyes. All of the tragedies in this novel can be directed back to one main issue‚ whiteness as a standard of beauty. This belief that white sets the standards for beauty is a major factor to the racial self-loathing‚ which occurred in America in the past as well as today. The show of racism through white beauty‚ and the desires of the black

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    Kara Walker

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    Alessandra Raengo Life in Those Shadows! Kara Walker’s Post-Cinematic Silhouettes1 Kara Walker’s installations have garnered international attention since the early 1990s for deploying an archaic representational form of portraiture – the cutout silhouette. They have been the target of considerable controversy2 for the perceived obscenity of her imagery and the alleged reviving of deep-seated racial stereotypes.3 Controversy that‚ I contend‚ is only partly a response to her iconography and more to

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    According to Asante blackness is an ethical trope. Asante puts forth the idea that the blackness of someone should not be based on their skin tone‚ but rather on a set of characteristics‚ experiences and worldviews (Asante‚ 2007). In the following essay‚ I will discuss and critique his thesis. Asante believes that blackness can be attributed to‚ and attained by‚ a multitude of peoples from all races and regions‚ if they meet a set of his criteria. The criteria coming down to a strong sense of justice

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    Native Son Racism

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    the reader is able to tell the blackness of the characters. (Van Hoose 1). Even this early in the novel the reader can notice how there will be a theme of black and white. Richard Wright makes it so Bigger is a black man in a white world. Throughout Native Son whiteness is an embodiment‚ for example their are white people and a white cat and there are also more abstract or disembodied forms like white snow‚ white sunlight‚ and a “white blur” (Wright 236). “Whiteness is shown to be an omnipresent force

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    issue of racism occurring between people of color. Race is not only defined by the color of one’s skin‚ the shape of one’s features‚ or the texture of one’s hair‚ but also by one’s place of origin‚ socioeconomic class‚ and educational background. "Whiteness" is associated with virtue‚ cleanliness‚ and value‚ while being black is associated with immorality‚ dirtiness‚ and worthlessness. These ideas of race‚ having to do with cleanliness‚ virtue‚ and value‚ become internalized to varying degrees by different

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