“A deeper understanding of disruption and identity emerges from considering the parallels between Frankenstein and Blade Runner” Although both texts are over 200 years apart‚ with both remaining classics‚ they both timely create parallels that focus on disruption and how this cause of disruption effects an individual’s identity. While both texts are a product of their time what makes them significant is that both Shelley and Scott explore what seemed possible during their times that still seem
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Shelley’s Romantic novel Frankenstein (1818) compares and reflects values of humanity and the consequences of our Promethean ambition against the futuristic‚ industrialized world of Blade Runner (1992) by Ridley Scott. The notions of unbridled scientific advancement and technological progress resonate with our desire to elevate humanity’s state of being‚ mirrored amongst the destructive ambition to overtake and disrupt nature and its processes. The disastrous implications of overreaching the boundary
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English: Frankenstein/Blade Runner Comparison * EYES (strongly symbolic in both texts) in Frankenstein and Blade Runner both meant to replicate human‚ but still differ. * Science and technology has replicated human life in both texts (Blade runner‚ futuristic technology). * Both the ‘Creature’ and the ‘Replicants’ show human emotion‚ showing more human quality than most humans. (Anger‚ guilt‚ sadness both strongly present in both texts) * Both cling to life‚ wanting to be accepted/live
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numerous techniques‚ the prescribed texts demonstrate that although times change‚ human concerns about aspects of the world remain the same‚ or very similar. This is apparent in a comparison of Mary Shelly’s novel‚ Frankenstein‚ and Ridley Scott’s film‚ Blade Runner. Techniques like imagery‚ atmosphere‚ camera angles and contrast‚ portray contextual concerns so that despite the texts being composed 164 years apart‚ we note parallels demonstrating that aspects of the world can remain very similar over
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In Ridley Scott’s Blade Runner‚ the viewer is forced to determine what separates the human population from the replicant population and determined if Deckard is just in retiring the replicants. By blurring the line of what distinguishes replicant from human within the movie‚ Scott intends to break down the barrier that exists between human and replicant. This barrier is definitively defined by the human experience from a human’s perspective ultimately making the gap between what is human and what
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Character Notes Rick Deckard Rick Deckard is a “Blade Runner”‚ a special agent in the Los Angeles police department employed to hunt down and “retire” replicants‚ played by Harrison ford. He is a hard-boiled sort of character meaning he is dominated by an over riding cynicism and a generally fearless composure combined with great strength and skill. He is the engine behind which the audience can place their faith in for humanity‚ as they watch how he reacts to the replicants‚ in particular
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The blindness of one’s morality in the irresponsible pursuit of knowledge and power‚ and the consequential diminishment of our humanity that ensues is explored in both Frankenstein (1818) and Blade Runner (1982). These texts warn against the neglect of responsibility and the obsession with scientific endeavours. Despite different times‚ both Mary Shelley’s and Ridley Scott’s contexts represent cultural anxieties about the nature of progress‚ both underpinned by profound technological expansion and
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Was the film simply too cerebral? True‚ “Blade Runner initially polarized critics: some were displeased with the pacing‚ while others enjoyed its thematic complexity. (Nevertheless‚ it was) hailed for its production design‚ depicting a retrofitted future‚ (and) it remains a leading example of the neo-noir genre” (Wikipedia). Ridley Scott utilized German Expressionism in the film by transforming some real location shootings into gloomy backdrops of a claustrophobic futuristic city‚ and gritty techno
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In what ways does a comparative study accentuate the distinctive contexts of Frankenstein and Blade Runner: Through a comparative study of Mary Shelley’s novel Frankenstein and Ridley Scott’s film Blade Runner it is possible to gain an understanding of the notion of what constitutes humanity. Despite bearing different contexts‚ the texts embody parallel values that reveal the fundamentals of human nature. Shelley uses elements of Gothic literature and Romanticism to highlight the value of moderation
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you value. In Blade Runner‚ the replicants express more emotions than any human does. The humans operate as if they are machines‚ not taking into consideration the feelings of others‚ least of which the replicants. The replicants‚ although they are merely ’manufactured machines’ begin to act in a more considerate‚ humane way than the actual humans. When compared‚ the replicants are actually fitting the description of what it is to be a human more accurately than the humans are. In Blade Runner‚ the
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