Speaker & Page: Blanche (Scene 1‚ bottom of 21) Quotation: “I‚ I‚ I took the blows in my face and my body! All of those deaths! The parade to graveyard! Father‚ mother! Margaret‚ that dreadful way!” Significance: Blanch was blaming Stella for abandoning her back at the plantation home. While Stella thinks that Blanche is overreacting‚ Blanche is trying to express her true feelings of agony to Stella and how these events have affected her life for the worse. Quote #2 Speaker & Page: Blanche (Scene 4‚
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Sometimes the people in which others associate themselves with are the ones who restrict them from their dreams.In "A streetcar named Desire"‚ the two main opposing characters are Blanche and Stanely as the desires they want can’t exist with each other’s company. The fake world that Blanche has fabricated with all her compulsive lies can only subsist in her mind if it’s reassured by the belief of it all from those around her.Blanche wants the artificial reality she has created in her mind to
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empathetic‚ and docile. Stella exhibits these traits when she is constantly being abused by her husband‚ yet always seems to come back‚ she claims its love and always finds excuses for his behavior. For example‚ in scene four‚ Stella tells Blanche “Yes‚ you are Blanche. I know how it must have seemed to you and I’m awful sorry it had to happen‚ but it wasn’t anything as serious as you seem to take it. In the first place‚ when men are drinking and playing anything can happen. It’s always a power-keg. He
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conceives that Blanche and Stella show two different types of femininity in the play‚ nevertheless‚ both of them are dependent on men‚ showing that females have a sexual desire. This sexual desire has also been seen in Stanley in scene 3 when Stanley called for Stella to come‚ “Stella! Stella‚ sweetheart! Stella! Stell-lahhhhh!” (Williams 67). Thus‚ In A Streetcar Named Desire‚ Tennessee Williams juxtaposes Femininity and masculinity to reveal how women are dependent on men. Both‚ Blanche
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Sympathy in A Streetcar Named Desire Throughout A Streetcar Named Desire‚ Williams’s sympathy lies with Blanche. He creates this sympathy‚ in a large part‚ from the obvious trauma she has experienced due to the loss of her husband. This traumatic loss of her beloved was a driving force for the downward spiral that leads Blanche to Stella’s doorstep. However‚ the events that drive Blanche to her ultimate defeat do not begin until after Allan’s death‚ and even she admits‚ “After the death of Allan
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Fantasy vs. Reality Blanche is sufficiently self-aware to know that she cannot survive in the world as it is. Reality is too harsh‚ so she must somehow create illusions that will allow her to maintain her delicate‚ fragile hold on life. “A woman’s charm is fifty percent illusion” (scene 2) she acknowledges to Stanley. Later in the story line when Mitch wants to switch the light on so that he can get a realistic look at her‚ she tells him that she does not want realism‚ she wants magic. When Mitch
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QUESTIONS 1. Did Stella ever know that Stanley raped Blanche? If so‚ why didn’t she care? 2. Why was there no apparent difference between blacks and whites in the play‚ given the time period? 3. Does Blanche ever heal and go on to live a normal life on her own? CRITISISM From a feminist perspective‚ A Streetcar Named Desire is a work ready to be analyzed. The differences between men and women are especially prominent in the relationship between Stanley and Stella. The language and
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Named Desire shows a reversal of fortune with Blanche having a life full of fortune with a successful business and a happy marriage however it is all turned upside when all this fortune is removed out of her life resulting in her seeking refuge with a lower class family her sister got married into... this fits in with Aristotle’s theory of tragedy because there is a reversal of fortune‚ bringing out feelings of fright and sympathy to the audience. Blanche might have been a character created by Williams
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Play In Tennesse Williams’ A Street Car Named Desire‚ Williams sets up the character of Blanche as soon as she is introduced in the play. Her desire‚ her heartbreak‚ her downfall‚ and her extremely complex past are all foreshadowed in Blanch’s first lines of the play‚ “They told me to take a street-car named Desire‚ and transfer to one called Cemeteries‚ and ride six blocks and get off at—Elysian Fields!” (Blanche Du Bois‚ 6). The street-cars‚ desire and cemeteries‚ are symbolic to Blanche’s character
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middle of Blanche and Stanley’s conflict‚ this is mainly because they both have continuous battles over who gets to have her love and affection. Stella is in the middle of this territorial battle‚ and is always presented in a situation in where she has to defend either her husband or sister. Williams establishes a contrast between them. For example‚ when Stella says‚ in Scene One‚ that ’the best I could do was make my own living‚ Blanche’‚ Williams
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