Tennessee Williams’ Harold Mitchel: Chivalrous Knight to Cowardly Boy In Tennessee William’s play “A Streetcar Named Desire”‚ Harold Mitchel stands out as a chivalrous man among his group of friends and thus catches the eye of Blanche DuBois. Blanche desperately relies on his gentlemanly nature and demands a certain amount of cavalier that he is pleased to match. Harold‚ better knows as Mitch‚ gets clumsily excited around Blanche’s extraordinary behavior‚ which‚ in substitute‚ feeds her desire
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Orleans as a city where upper-class people marry members of the lower class‚ fights get ugly but are forgotten the next day‚ and the perpetual bluesy notes of an old piano take the sting out of poverty. The play immediately establishes Stanley and Blanche as polar opposites‚ with Stella as the link between them. Stage directions describe Stanley as a virulent character whose chief pleasure is women. His dismissal of Blanche’s beauty is therefore significant‚ because it shows that she does not exude
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‘There is a fine line between reality and illusion’ How can we distinguish between reality and illusion? Is reality an illusion‚ or is an illusion simply reality? Albert Einstein once stated that ‘reality is merely an illusion‚ albeit a very persistent one’. The statement suggests that what we interpret to be real may well be an illusion and this is evidenced mainly through dreams and aspirations. For example if someone has dreamt of one day being a doctor their reality‚ which is described as
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‘Compare the ways writers’ present disconcerting behaviour in both texts so far.’ The following will elucidate how disturbing behaviour is conveyed in the novel The Wasp Factory by Iain Banks and the play‚ A Streetcar Named Desire by Tennessee Williams. In A Streetcar Named Desire‚ the theme of violence is very frequent in the character Stanley Kowalski. Stanley is a married‚ young man‚ who comes across to the reader as quite an enraged person with animalistic attributes. A prime insinuation of
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Stanley. Blanche is the older sister of Stella‚ who was a high school English teacher in Laurel‚ Mississippi‚ before she was forced to leave her job. Around the age of thirty‚ Blanche is an already fragile woman who has come to live with her sister after losing Belle Reve‚ their family home. Blanche is a very sexual woman and has had many lovers in the past but puts on an act of a woman who has never known the indignity. It is thought that her promiscuity is why she lost her teaching job. Blanche avoids
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with the death of Blanche and Stella’s relationship as sisters. Blanche and Stella had a life together once in Bel Reve and when Stella decided to move on in her life and leave‚ Blanche never could forgive her. We can see this in the scene when Blanche first arrives in New Orleans and meets Stella at the bowling alley. Stella and Blanche sit down for a drink and we immediately see Blanche’s animosity towards Stella. Blanche blames Stella for abandoning her at Bel Reve‚ leaving Blanche to handle the division
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Streetcar Named Desire When examining both William Shakespeare’s Othello as well as Tennessee Williams’ A Streetcar Named Desire‚ one can not help but notice the stunning array of characters; each with their own and distinct personal identities. From Blanche Dubois in Streetcar to the evil Iago in Othello‚ personalities run wild and please us all with their similarities‚ differences‚ and intertwining complexities. While many of the characters in these particular plays exhibit strong differences in their
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unconstrained within their fantasy when they dislike the way that reality appears to be for the. In “A Streetcar Named Desire‚” Tennessee Williams protagonist‚ Blanche Dubois finds herself to be in a situation of living in illusion instead of reality. Williams’s addresses the importance of individuals who attempt to live unconstrained‚ through Blanche. Through her elusion 0f reality‚ her fantasy meets the inconvenience of Stanley Kowalski‚ who poses as reality. Through the ups and downs of fantasy attempting
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with her interactions with Stanley and her sister Blanche. However‚ her power in the way she cared for
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contention between two main characters‚ Blanche and Stanley‚ Stella‚ not a protagonist‚ however‚ changed dramatically ideologically her opinions on Stanley and on the recognition of truth and illusion. A Streetcar Named Desire tells the tragety of Blanche when she fights for the “patriarchal” society‚ yet she cannot get rid of the dependence on men in such a society. While the main thread of the story is tightly about the strife between Stanley and Blanche‚ the character of Stella is gradually affected
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