fall semester and throughout these months I have encountered many new philosophies. Many of my ideals have been challenged and I have had to myself‚ confront my beliefs. Most recently‚ I’ve discovered the philosophies of Friedrich Nietzsche and Gloria Anzaldúa. Compared with the other philosophies‚ these two seem to be the most similar in at least their belief that there is no one right way to the good life‚ but rather there are many and are suited to each individual. I will begin with the philosophy
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especially for females. For instance‚ in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa‚ snakes are once more equated with sacredness in defiance of Christian interpretations of snakes as being evil. Anzaldúa‚ a Chicana‚ says in her book that she “know[s] Earth is a coiled serpent. Forty years it’s taken [her] to enter into the Serpent‚ to acknowledge that [she has] a body‚ that [she is] a body and to assimilate the animal body‚ the animal soul” (Anzaldúa 26). Unlike the European thought
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As the questions states‚ yes Gloria Anzaldua’s work has created a new area of Border Writing. Throughout her writes‚ Anzaldua speaks about the rights of all Spanish speakers‚ including herself. The author displays the types of Spanish spoken which are Standard English‚ Working class and slang English‚ Standard Mexican Spanish‚ North Mexican Spanish dialect‚ Chicano Spanish‚ Tex-Mex‚ and Pachuco. They all contain the same base of Spanish but spoken differently depending on who you are talking to.
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Gloria Evangelina Anzaldúa is a notable Chicana feminist‚ cultural theorist‚ and activist because of her many contributions to social movements regarding minority women. Not only did she impact this “renaissance” for Chicana literature through her own writings‚ but she also encouraged other aspiring minority artists and writers to help expose the diversity that was rapidly growing in the United States. Personally‚ Anzaldúa interested me because of her efforts in promoting feminism‚ so I wanted to
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When analyzing Gloria Anzaldua’s writing “How to Tame a Wild Tongue‚” it is important to look at her background. She comes from a very diverse background; her parents were immigrants‚ she was born in south Texas‚ and she identifies herself as a Chicana feminist. The different discourse communities seen through her writing is the struggle she has between the different languages she has to adapt to around different people in her life. Writing from the borderlands between American‚ Mexican‚ Spanish
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in life‚ there is always a cause to something and with a cause come’s its effects. In the case of Gloria Anzaldua and Eric Liu we see that the cause of them having to assimilate is because they live in a dominant society to which their culture and identity do not meet the standards of the currents society. This causes them to have to assimilate so that they are able to fit in. In the case of Anzaldua we see that she has to change the way that she speaks because she has been brought up to think that
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TAMING A WILD TONGUE Gloria Anzaldua’s title "How to Tame a Wild Tongue"‚ depending on which angle it is looked at‚ could be seen as a rhetoric question in the sense that the "tongue" and or whatever it stands to signify cannot be tamed. In this case it metaphorically represents her native language-Spanish or Chicano Spanish-to be precise. On the other hand‚ the title could be taken as a statement of ridicule to show the futility or near futility of trying to force a change of language or pattern
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Throughout Michael Dibdin’s piece “The Last Sherlock Holmes Story”‚ the author frequently portrays the concept of borderlands to elucidate important themes and events in the story. The importance of this concept is crucial in defining what makes the story so complex and yet almost explicit at the same time. Essentially the concept of borderlands conveys the idea of dualism‚ metaphorically‚ symbolically‚ and intrinsically. Sherlock Holmes in himself is already a complex entity which symbolically
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14 September 2012 What is your Borderland? What is your borderland? Essentially that is the question one ask themselves when reading Gloria Anzald’s “To live in the borderlands means you.” The brushstroke is broad‚ but Ms. Anzald brings it into focus with this poem. This piece of artwork brings awareness to the ethnic‚ social and cultural movement that was coming abreast during that era. During the 1980’s‚ immidtation and ethnic diversity was central characters of the American experience
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frontier in an uncertain‚ intermediate district‚ space‚ or condition is called a Borderland. Borderlands are the geographical space or zone around a territorial border. A borderland is both a place and a historic graphic methodology‚ although historians often combine the two uses. A borderland‚ in its loosest definition‚ is a place where two entities (usually nations or societies) border each other. As a methodology‚ borderlands studies question what happens when distinct societies rub against each other
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