It is Iago who causes Othello’s downfall‚ not a tragic flaw in Othello. To what extent do you agree with this statement? In the play of ‘Othello‚’ we firstly see a perfect‚ loving relationship between two of the main characters‚ Othello and Desdemona. By the end of the play‚ this relationship that they share is completely destroyed as Othello is driven by the strong emotion of jealousy to kill his wife and then himself‚ after realising that he had done an unjustly thing. In a tragedy
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the climax of the play‚ as Iago completes his manipulation of Othello and decides that he must now let nature run its course. The scene depicts Othellos declining mental condition as Iagos supposed evidence‚ which in some parts has descended to complete lies‚ begins to take its effect on the once great general. The latter part of Act 3 Scene 3 is the climax of the play. It is here where Iago finally convinces Othello of his wifes dishonesty with Cassio and after which Iagos just needs to let nature
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Iago rewrites Othello: “A play that begins as a romantic comedy‚ but which ends as a tragedy” Evaluate the relationship between tragedy and comedy in light of this comment” Written in 1604‚ Othello is one of Shakespeare’s most highly concentrated‚ tightly constructed tragedies‚ with no subplots and little humor to relieve the tension. Although he adapted the plot of his play from the sixteenth-century‚ Italian dramatist and novelist Giraldi Cinthio’s Gli Hecatommithi‚ Shakespeare related almost
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Consider the role of Iago within the tragedy of ‘Othello’. Is he a ‘motiveless malignity’ or driven by the ‘green eyed monster that doth mock the meat it feeds upon’? Shakespeare has crafted the character of Iago as one of the most captivating and instinctively evil villains of all time. Undoubtedly‚ Iago’s role in the play ‘Othello’ is to exact a punishment to the protagonist Othello which is far greater than the crime he committed‚ therefore fulfilling the crucial criteria of a Shakespearean
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Topic: Iago isn’t completely to blame for this tragedy as Cassio was wrongly appointed by Othello and this caused the tragedy. Do you agree? In William Shakespeare’s seventeenth century play Othello readers can see that Iago isn’t the only one responsible for the tragedies within this text as he didn’t actually kill the Othello or Desdemona and all people have free will and must choose to accept manipulation. Although Iago played a major role in bringing about the disaster evident in this script
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Bosola from Webster’s The Duchess of Malfi and Hamlet from Shakespeare’s Hamlet‚ both present elements of Aristotle’s model of the tragic hero; through both of the characters‚ Shakespeare and Webster use the features of the tragic hero to engage Elizabethan and Jacobean audiences in an exploration of issues linked to the Renaissance‚ religion and philosophy. This essay will explore how the playwrights present the tragic flaws in their heroes’ character and how they face struggles due to their inner
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to spy her. Ferdinand apart from eyeing the fortune of the Duchess he also eyes her beauty. But Cardinal‚ the other brother of the Duchess is worried only about her wealth. Bosola passes the news that the Duchess has given birth to a child and Ferdinand in unquenchable fury banishes the Duchess. Ferdinand with the help of Bosola gains a fake key to the chamber of the Duchess and enters the chamber without the notice of the Duchess and the Duchess oblivious to the fact that Ferdinand is hiding in her
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Despite the main female protagonist‚ the Duchess‚ possessing admirable qualities for a woman of the Jacobean Era‚ with Bosola acknowledging her worth‚ stating that her “behaviour (is) so noble/As gives a majesty to adversity”‚ John Webster has created‚ as critic Badendyck describes‚ “a male diseased world” around her; she is forced to live in surroundings where male characters such as her brothers Ferdinand and The Cardinal abuse and humiliate her throughout the play- suggesting that Webster’s play
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from Rome at the play’s start. Antonio‚ the manager of her household‚ has just returned from France. Before leaving the Duchess‚ Ferdinand engages Bosola‚ previously used by the Cardinal as a hit man‚ to ostensibly manage the Duchess’s horses‚ but in reality to spy on her for the brothers so they can be sure she remains chaste and does not remarry. Bosola is reluctant‚ but eventually agrees. Before they return to Rome‚ Ferdinand and the Cardinal lecture the Duchess about the impropriety of remarriage
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The princely powers of the Duchess of Malfi The Tragedy of the Dutchesse of Malfy‚ originally published under this name in 1623‚ is a Jacobean drama written by John Webster in 1612-13. The play starts off as a love story with the Duchess secretly marrying the steward of the household Antonio; a man beneath her class who she has fallen in love with. This marriage immediately shows the Duchess’ “princely powers” by defying the wishes of her brothers‚ Ferdinand and the Cardinal‚ to not marry again
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