Dramatic irony plays a large role in Othello; it is most prominent in Iago’s lines. It is specifically seen when Iago outright lies to characters‚ when he misrepresents his personality to other people‚ and when other characters talk about Iago in a way he is not. Iago constantly tells other characters slight untruths or outright lies. His constant use of lying puts the audience on edge because they always know when he has lied. One of his major lies is when he tells Othello that his wife‚ Desdemona
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disobedience to her father‚ slurs of racism regarding Othello‚ and treachery in its purest form at the hands of Iago-who by some is said to be Shakespeare’s greatest villain. In a metaphorical sense‚ Iago can be compared to the sun and the other characters and elements of the play to planets- for the characters and their actions all orbit around Iago. Fueled by jealousy and vengeance‚ Iago takes on the world as if it were a game of chess‚ stepping on others and using them as pawns in order to obtain
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magnificent ability and experience in deceiving fellow characters causing an extra twist to the plot. Iago is the main manipulator of reality to change the appearance of a situation into something that benefits him. This is seen when Iago tricks Othello into believing Cassio and Othello’s wife‚ Desdemona are having an affair. Iago tricks Roderigo into killing Casio through his manipulation of reality. Also‚ Iago thickens the lie by planting a gift from Othello to Desdemona in Cassio’s house and also pretends
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article in “Iago‚ Heroic Tragedy‚ and Othello” by William Hazlitt. Hazlitt argues the wide margin in terms of character personalities between Othello and Iago and explores how their respective
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Shakespeare’s play‚ Othello‚ Iago the antagonist‚ Iago‚ applies the methods of persuasion including ethos‚ pathos‚ and logos to prove to the tragic hero‚ Othello‚ of his wife’s disloyalty. There are many ways that Iago Manipulates Othello with ethos‚ or image‚ a very important persuasive method. Iago says‚ "Or to be naked with her friend in bed" (4.1.3). Iago is trying to fill Othello’s mind with images of Desdemona naked with Cassio. This makes Othello’s jealousy grow. Iago says‚ "Men should be what
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audience involvement. This use is especially prominent in Shakespeare’s well-known tragedy Othello. Iago‚ often referred to as “honest Iago‚” hardly lives up to his trustworthy reputation. Out of jealousy and spite‚ Iago hatches a scheme in order to reap revenge on those he feels have wronged him. This prominent use of dramatic irony creates a unique‚ especially one-sided‚ relationship between Iago and the viewers. Shakespeare engages his audience by establishing them as Iago’s sole confidants and
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of the rather enigmatic yet definitely Machiavellian‚ character of Iago. Shakespeare reveals him to be a cunning and conniving exploiter and manipulator of other characters who become caught in his web of lies‚ deceit and evil schemes. Iago is forever the cold‚ calculating pragmatist who is cynical about anything associated with goodness‚ such as love‚ virtue‚ reputation and honour. Iago constantly plays the role of ‘honest Iago’‚ which is shown by Shakespeare’s constant dramatically ironic use
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this play is Iago. Iago ’s repeated deception moves the play forward to the climax and ultimately to the tragic ending. Although deception is always meant to deceive‚ the degree of deception varies upon the context of the situation. Another character that exhibits deception is Desdemona. The deception shown by Desdemona has a different intention as compared to Iago ’s. Iago wants to get revenge on Othello. The intentions of Iago are hurtful and evil. An example of this is when Iago says to Othello
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honesty and trust‚ as seen in Iago’s character. During the first few scenes it would appear that Othello is close to Iago‚ but not vice versa. Othello is seen freely presenting Iago as honest. It is then revealed that Iago isn’t as honest as his name‚ but the complete opposite. The reason Othello calls him honest is beacause he trusts him. This trust comes from Othello viewing Iago as fair and righteous as well as knowing him for a while‚ as it seems the two are well acquainted. However‚ this is not
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Throughout his soliloquy at the end of Act 2‚ Scene 1‚ Iago makes various attempts to evade accountability for his malicious lies and actions towards the other characters in Othello in order to clear his conscience of his crimes. He begins his soliloquy by positing “that Cassio loves her‚ I do well believe it‚/That she loves him‚ ‘tis apt and of great credit” (Shakespeare 2.1.284-285). Obviously‚ Iago knows that Cassio and Desdemona are not actually having an affair because he is the one who invents
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