"Bramante and aesthetics of high renaissance" Essays and Research Papers

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    Renaissance architecture evolved in the beginning of the 15th century‚ succeeding Gothic Architecture and lasted till the early 17th century. Renaissance architecture can also be defined as a restoration of Greek and Roman Architecture and its principles. As aforementioned‚ Greek and Roman architectural as well as artistic knowledge was lost due to the dark ages‚ and Renaissance sought to bring back that lost precious knowledge. Naturally Renaissance architecture saw use of architectural elements

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    INTRODUCTION 0.1 Aesthetic Demand In the last decade great strides have been made in aesthetic dentistry. Today advanced procedures and materials allow most patients with missing teeth to regain the look of a natural smile. However dentists are faced with challenges to restore the dentition to the patients’ acquired desire. Long-term predictability and acceptable aesthetic outcomes are the goal. 0.2 Aesthetic Zone The ideal aesthetic zone comprises of proportionally arranged teeth and healthy

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    Classicism “Classicism: Aesthetic attitudes and principles based on culture‚ art and literature of ancient Greece and Rome‚ and characterized by emphasis on form‚ simplicity‚ proportion‚ and restrained emotion.” Classical Idealism · - Classical idealism is best understood if one starts at the beginning‚ with Plato and his notion of paradeigma‚ which in essence is describing the other worldly‚ or heavenly place that all beings were originally designed after.[2] - The classical

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    The Renaissance in Rome could be retitled The Renaissance of the Roman Papacy because Charles Stinger’s book does not describe the Renaissance as most laypeople would expect. A renaissance is traditionally thought of as the rebirth of a civilization with accompanying advancements in architecture‚ art‚ literature‚ and music. Stinger’s book is fundamentally about the papacy and the author pays little attention to what lies outside the church walls. Stinger’s thesis is that the once-great city of

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    criticizing the way the food tastes ("ang alat ng fries ngayon a"). This is such a stark contrast to the way food is appreciated outside urban areas‚ and most specially in traditional Asian cultures such as Japan. The Japanese in fact have developed a high degree of sophistication in the appreciation of food‚ drinks‚ and other seemingly negligible areas in food preparation such as packaging. Consider for instance their bento meal‚ which among the Japanese means packed lunch in wooden containers with

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    Aesthetic Education: Philosophy and Teaching Artist Practice at Lincoln Center Institute by JUDITH HILL BOSE A dissertation submitted to the Graduate Faculty in Urban Education in partial fulfillment of the requirements for the degree of Doctor of Philosophy‚ The City University of New York 2008 © 2008 JUDITH HILL BOSE All Rights Reserved This manuscript has been read and accepted for the Graduate Faculty in Urban Education

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    The foundation of Bell’s argument in The Aesthetic Hypothesis is based on a personal experience. More specifically‚ a “personal experience of a peculiar emotion” in which the “objects that provoke this emotion we call works of art.”1 According to Bell‚ this is not an assumption‚ but instead fact. His essay does not argue the validity of aesthetic emotions in relation to art‚ but instead he focuses his work on identifying the common quality that provokes this emotion‚ what he calls Significant Form

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    The Renaissance Mind Mirrored in Art By: Susan Fegley Osmond Source: World and I. 13.12 (Dec. 1998): p18. From General OneFile. Art reveals aspects of the Renaissance worldview that formed the foundations of the modern era. This article aims to outline some basic changes in worldview that took place during the Renaissance -- a movement and an era of awakening that turned from the medieval order and laid the basis for Western civilization up to the present. Today‚ when the Renaissance is

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    thesis is‚ “The Harlem Renaissance was a cultural and psychological water-shed‚ and era in which black people were perceived as having finally liberated themselves from a past fraught with self-doubt and surrendered instead to an unprecedented optimism‚ a novel pride in all things black and a cultural confidence that stretched beyond the borders of Harlem to other black communities in the Western world.” Powell’s overall point in this article is the beauty of the Harlem Renaissance and the cultural influence

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    The Zany‚ an important minor aesthetic category allows us to better understand the history of work and the influence it has on designers. Both Charles Chaplin’s film Modern Times (1936) and The Tv series I Love Lucy (1951-57) explore the behaviours of the Zany within work culture. The minor aesthetic category is much less common and ‘major’ aesthetic categories such as sublime or beautiful; they commonly draw judgement or affective response. The Zany have helped us understand previous work cultures

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