TEXT CITATION What to cite? * facts‚ findings‚ theories‚ ideas taken from a source published or unpublished * direct quotations (e.g. key words‚ phrases‚ passages‚ quoted verbatim (word-for-word) * paraphrases and summaries * conclusions present using own word * articles and studies used in the text * some factual information Why cite? to give credit where credit is due because presenting the work of someone else as your own is plagiarism
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not subscribe for tickets the following year‚ which would be detrimental. Without the support of the audience‚ the Met will be unable to fulfill their mission of spreading the arts. The critics are important stakeholders because they can either make or break an opera performance with their review. If the critics disagree with an opera performance‚ they will publish articles with a terrible review in which the audience will no longer watch that performance. The employees and performers are important
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Critics raved about Robert Frost in the 19th and 20th century. Additionally‚ there was such a sufficient amount of positive feed that it was hard to find bits of criticism. Robert Frost’s awards consist of the Pulitzer Prize for Poetry‚ the United States Poet Laureate‚ a Robert Frost Medal‚ the Bollingen Prize‚ the Congressional Gold Medal‚ and the American Academy of Arts and Letters Award. Frost was obviously a successful and gifted writer‚ however‚ even the best writers have their blemishes.
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that can affect or influence an audience. Speakers can use their own knowledge on non-artistic proofs to make arguments to the audience that will make sense. Aristotle mentions three different kinds of artistic proofs; ethos‚ pathos‚ and logos. 3. A critic is ultimately in charge of encoding or understanding a communicators message. Ethos can be referred to us our practical wisdom‚
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leaves the author no superior or significant than the bibliophile. Making a comparison of readers or critics of a text to the ingenious authors‚ the readers or the critics enjoy a more comfortable and sustainable life than the authors. Readers and critics benefit heavily from their job securities‚ their social status and their employment advantages than authors. In reference to money‚ readers or critics earn more money than the authors who solely have that as their profession. As suggested by Karl Marx
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of a fascist in their essential implications.” Contemporary historians‚ and English writers alike; however‚ write that Carlyle was merely adopted into these regimes. For example‚ Michael Goldberg‚ a Professor of English‚ writes in 1993‚ that the critics of Carlyle’s works based their “misleading tracts‚ directly or indirectly” from the fact that Carlyle’s work was “admired by Nazis.” A similar approach is argued by historian Alan Steinweis‚ writing two years
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cannot be the blame for kids and teens acting more violently if studies show crime has gone down. Skinner disagrees with critics who say video games make people violent because he plays video games and done not act violent. Jordan Skinner’s argument is valid because I myself play violent video games‚ as do many of my friends‚ and none of us have violent behavior. I feel that critics who say playing violent video games make people violent in real life might be jealous that they did not have these games
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Britain‚ United States of America and the former Soviet Union. One critic says‚ “That the declining Ottoman Empire paved way for the rising European imperial and colonial powers interested in securing various territories and controlling access to Asia”. So as a result‚ western populations have been influence to a type of propaganda or life style of the Arab and other people in the Middle East‚ especially Israel. Another Educated critic says‚ “In the Middle East is the most militarized region in the
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from 1885) conclude that these early critics are "uneasy" when Shakespeare’s heroines behave "unwomanly"‚ and that adaptations of their stories "praise girlish sweetness and modesty in a style that today appears effusive." These are‚ they say‚ "culturally induced limitations" on the part of the female critics and authors studying and adapting Shakespeare’s women.[3] Modern criticism Recent critics take a variety of approaches to the topic. For feminist critics influenced by French feminism‚ the
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Critical Overview: The film The Field has gotten many reviews‚ most of them were negative in a sorts. Many thought that the play which the movie is based off of‚ should have never been made into film. For example‚ Roger Ebert‚ a critic for the Chicago Tribune said‚ “This was not a work called out to be filmed” (Ebert). In his opinion he thinks that when the film was in play format one was able to care more about a field. However‚ when it’s filmed it seems stilly that the whole surrounding area
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