This quotation was taken from Margaret Atwood’s story‚ "Homelanding." This story recounts many aspects of human existence from an outside view‚ as if it was being told to an alien race. This story tells about human appearance‚ sex (both difference and the act of)‚ sunbathing‚ sleeping‚ death‚ and many other human functions in a scientific way. This story takes a step away from the normal way of describing these objects. For example‚ Margaret Atwood talks about eating and describes it by saying "I
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Margaret Atwood‚ well known for her illustrious enhancement of Canadian Literature‚ claims what distinguishes Canadian writing from the American or European writing is the theme of survival Canadians have experienced. Now‚ with people from all over the world immigrating to Canada there is a struggle to survive through the preservation of their cultures while living in one that is dominantly English and French. There is tension between the English‚ French‚ First Nations and many other cultures that
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Endings” by Margaret Atwood‚ she describes five different scenarios in which a man‚ John‚ and a woman‚ Mary have different lives and situations in each one. Each story is described and then always ended the same. The characters are happy and then they die. Atwood makes this point when she says‚ “John and Mary will die. John and Mary will die. John and Mary will die.” Using this method of repetition gives the reader thoughts about each scenario on its own. Throughout the scenarios‚ Atwood is very curt
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Tricks With Mirrors by Margaret Atwood In Part I of Tricks With Mirrors‚ Atwood uses a seemingly vague introduction to the subject matter‚ but gets straight to the point. Within five lines‚ she distinctly identifies her role as a mirror as she says‚ "I enter with you and become a mirror‚" (4-5). She gives the impression that she is merely an object in this relationship. She is a mirror through which her self-absorbed lover may view himself. "Mirrors are the perfect lovers‚" she states (6-7). They
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Happy Endings May 8‚ 2013 In the short story Happy Endings by Margaret Atwood the author displays how plot can affect characterization‚ or the reader’s perceptions of characters‚ by showing several different scenarios using the same characters but different plot lines. For example‚ plot B‚ although it uses the same characters‚ creates very different perceptions of those characters than the ones created in plot A. In plot A‚ John and Mary appear to be in love‚ and they appear to be happy. The plot
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we tend to focus on. Culture affects growing up‚ race‚ gender‚ class‚ family and language. Canadian Culture and Identity What does Canada mean to you? Hockey. Maple syrup. Tim Horton’s. 4 seasons Groups of 7 Snow. Margaret Atwood Understand your culture is important in understanding other cultures. Canada is a multicultural country. Literature is used to define a culture. It is easier to explain what we are not than what we are. Hard to define a culture
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short story quite like Happy Endings by Margaret Atwood. As a matter of fact‚ a good amount of my peers and I have become baffled on whether or not to even refer to it as a legitimate story. It is divided into four parts‚ each giving a very frank and emotionless set of love scenarios. She purely tells it like it is; simply fact-based and stoic without any sort of feeling whatsoever. One thing leads to another‚ and that is that. Overall‚ the language that Atwood uses in Happy Endings is very blunt and
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you in the back‚ people will spread misleading and untrue rumors about you‚ what if you would know everything? Are you ready to be slapped by the truth? Are you ready to see yourself from their perspective? In this literary story “A Low Art” by Margaret Atwood‚ is about retelling Homer’s novel – The Odyssey but from Penelope’s perspective. Penelope is the faithful‚ patient‚ considerate‚ devoted and loving wife of Odysseus. Odysseus was described in the excerpt as tricky and liar‚ how great he is to
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"Backdrop addresses cowboy" by Margaret Atwood Creating a masterful poetic movement through the American mythos‚ Atwood skewers "manifest destiny" by embodying the voice of the Other‚ the discarded "I am." Writing political poetry that artfully confronts dominant ideology – thus exposing the motivation and effects of misrepresentation – is a difficult challenge. The process can easily be derailed by temptations to write strident‚ overly didactic verse that elevates sentiment above nuance and
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his enduring power and artistic qualities‚ and his audiences are emotionally and intellectually engaged and thus more responsive to Sadat’s deliverance of their own views on their beliefs and aspirations. “Spotty-Handed Villainesses” (1994) by Margaret Atwood‚ using subversive irony and humour‚ forces her audiences to deconstruct the deception of ‘evil’ women within literature and with her enduring power engages her audiences in cries for the dismantling of social gender roles. The speeches set for
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