work in El Salvador revolved around being keepers of narratives‚ to listen‚ to validate‚ affirm and respect the life stories of different people. Among the people we met were myriads of women‚ who still now‚ as I process the experience‚ leave me breathless. Heroines‚ silent and pushed aside. Wo/men who resist‚ persist‚ and secretly subvert structures of oppression. Wo/men who during the civil war were raped‚ or witnessed the torture of their sisters and mothers‚ and who today still‚ somehow‚ embody
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a recurring technique such as camera angles‚ to interior meanings behind their films - a worldwide or political view. The theory arose among a group of French film critiques and directors in the 1950’s‚ most notably Francois Truffaut and Jean Luc Godard‚ who at the time where writing for a French film magazine‚ Cahiers du cinema. They suggested that directors were solely responsible for the outcome of the film. Truffaut went as far as to say‚ “There are no good and bad movies‚ only good and bad
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short term‚ intermediate or long term in nature. The first stage of the nursing process is assessment. In relation to Albert a nurse would focus on a main issue being smoking. Albert’s heavy smoking is affecting his breathing and Albert is becoming breathless at times. The nest stage of the NP is planning. Albert’s condition is causing breathlessness; in order to improve his breathing a method could be implemented for him to stop smoking. The World Health Organisation (WHO) states; “Smoking cessation
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moon had risen higher‚ and floating in the Sound was a triangle of silver scales‚ trembling a little to the stiff‚ tinny drip of the banjoes on the lawn. ...he [Gatsby] had never been in such a beautiful house before but what gave it an air of breathless intensity‚ was that Daisy lived there—it was as casual a thing to her as his tent out at camp was to him. There was a ripe mystery about it‚ a hint of bedrooms up-stairs more beautiful and cool than other bedrooms‚ of gay and radiant activities
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“Feeling ’ugly’ or ’unattractive’ seeps into your life like poison‚ and it affects everything. Feeling worthless does the same. We internalize these limitations‚ and it takes an internal revolution to get rid of them” – Rudi Kaur. Society has trained every to judge people by their looks. If someone is deemed “ugly” or “unattractive”‚ they are shunned and looked down upon. Society turns people into things that they are not. The popular classic‚ Frankenstein‚ tells the story of a young man‚ Victor
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In the novel Frankenstein by Mary Shelley‚ Victor is introduced as a boy yearning to learn about science‚ but through scientific pursuits is corrupted because of the lack of human contact and want for God-like power. Victor grew up in a rich household‚ where he was given whatever he wants. His happiness came from the things that surrounded him and he did not value anything around him. When Victor’s parents adopted Elizabeth they claimed he was a gift to him. Victor took this literally and believed
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things like protesting to get paid the same amount as men. At one point women couldn’t even vote. Women didn’t have much say in anything back then. The biggest difference from then was the way they spoke. The way they spoke was more complex and breathless. It took a while to get to the point. Now a day we have slangs and abbreviations for everything. Even the word slang is a slang. Back then it was more respectful. They would pronounce things in a way that made them seem intelligent. There are things
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In the last stages of the novel‚ Mary Shelley shows how the monster‚ in retaliation of Victor’s negligence‚ destroys his life by killing Victor’s loved ones. This affects Victor’s character to a great extent. As the novel progresses‚ gothic elements can be seen throughout‚ from the peculiar death of Victor’s younger brother to Victor’s repeated sightings of his murderous creation‚ to the murder of Victor’s closest friend‚ Henry Clerval‚ and to the death of Elizabeth. Frankenstein realizes that he
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fire is that if it had happen any where else the people would had acted the same as the people in Chicago did. Now I will tell you what happened in Chicago. When William lee reached Goll’s drugstore‚ he was gasping for air and frantic. In his breathless voice lee requested the key to the alarm box that was mounted outside of the drugstore Bruno refused to give it hand it over‚ insisting that the fire truck had all ready passed. He had no time to ague with Bruno he was concerned about his families
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from ordinary vision. We notice first in this poem that the day itself is seen as amazing; the "spirits of trees" that leap suggest their form; the sky is a "blue true dream‚" and "everything" is natural‚ infinite and "yes". The speaker is almost breathless; he hardly pauses‚ having no space even between his semi-colons. We find the poet both dead‚ then reborn in his communication with the earth and with nature; he is gradually converted into a new realm of awareness. As in the case of any small child
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