Chickamauga In the story Chickamauga Ambrose Bierce uses the narrator to tell the story through the eyes of the boy. The reader gets to know the protagonist through the narrator who the author uses to reveal some of the characters directly through disturbing details and others indirectly by describing the reaction of the character to certain situations. The boy in the story is the protagonist. The author introduces you to the boy in the begining of the story. Biecre lets you know the boy is
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the terrible ache in her heart. She had a deep-set of blue eyes that were like two chunks of lapis lazuli. Looking into her eyes was like looking down into the ocean‚ full of marvels and wonders that leave the curious looker completely breathless. Her body was so frail and feeble that even a tiny breeze would’ve been able to lift her off her feet. With her mesmerizing pale skin she looked like a ghostly girl behind the window if someone on the sidewalk were to catch a glimpse of her. Her
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critically read Frankenstein to see that this “monster” wasn’t not made to be evil‚ just turned evil by views of the people around him.] This “monster” did not get to choose to be created‚ and when he was created his creator turned away with disgust; “Breathless horror and disgust now filled my heart. Unable to endure the face of the being I had created‚ I rushed out of the room‚”(Shelly‚ 58). This being who was created from the pursuit of knowledge‚ but once achieved was disgraced by how he came to be
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Surviving “We are so busy making a living that we forgot to make a life.” This statement is one of the best descriptions of Hong Kong dwellers. There are multitudinous researches have stated that Hong Kong is one of the fastest pace of living‚ one of the cities having the most expensive land price in the world‚ one of the most stressful city…etc. I believe these “one of the” can explain why Hong Kong people are so unhappy. In the following paragraph‚ I would like to discuss the contradiction
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The poem ‘New Prince‚ New Pomp’ was written in the 1500’s by a martyred Jesuit priest named Robert Southwell. ‘New Prince‚ New Pomp’ is a Christian nativity poem that describes the humble‚ birth of Christ in a euphuistic tone. The BBC article ‘Japan’s New Prince Seen In Public’ describes Prince Hisahito’s arrival‚ that unlike the birth of Jesus‚ has been greatly anticipated and ‘widely celebrated’. Over 2000 years separate the births and unlike the Virgin Mary‚ Princess Kiko had the advantage of
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Marilyn Monroe Blonde‚ glamorous‚ and yet iconic. The blonde bombshell‚ Marilyn Monroe is worthy of obtaining her legendary fame for setting the image of the eternal feminine. In many of her films she was portrayed as the “dumb blonde” yet off the silver screen she was an avid reader. Although many thought of her as a sexual joke she was actually just one glamorous star. Born as Norma Jeane Mortenson on June 1st ‚ 1926 in Los Angeles‚ California. The soon to be Marilyn Monroe had twelve successive
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fortissimo dynamic. The tempo changes to allegro. Along with the mood being energetic and hyper. The orchestra rejoins with a new theme which states the elegant and pure style. This can relate to looking out at a beautiful ocean at night‚ and it’s just breathless and magnificent. This orchestra takes your breath away with the beautiful tone you hear. The song ends with a loud roar and the strings hit the last four measures with accented quarter
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darker musings‚ with a mild And gentle sympathy‚ that steals away Their sharpness‚ ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit‚ and sad images Of the stern agony‚ and shroud‚ and pall‚ And breathless darkness‚ and the narrow house‚ Make thee to shudder‚ and grow sick at heart;-- Go forth under the open sky‚ and list To Nature’s teachings‚ while from all around-- Earth and her waters‚ and the depths of air‚-- Comes a still voice--Yet
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Goethe in Faust and Shelley in Frankenstein: Still the Wretched Fools They Were Before Jeremy Burlingame Goethe in Faust and Shelley in Frankenstein‚ wrap their stories around two men whose mental and physical actions parallel one another. Both stories deal with characters‚ who strive to be the übermensch in their world. In Faust‚ the striving fellow‚ Faust‚ seeks physical and mental wholeness in knowledge and disaster in lust. In Frankenstein‚ Victor Frankenstein struggles for control over
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