Great One Liners ← You make me feel like a king when am with you‚ so why don’t you be my queen ← The first fine rupture of love is always strongly felt ← I just hope that one day you will look my way and welcome me into your heart ← You are the most beautiful person that has ever graced the face of the planet ← I think of you and fall in love again ← Like an apple tree among the trees of the forest is my sweetheart among ladies ← I am always here for you. For better
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National Geographic is continuously demonstrating to the people of the world how diverse it really is. When reading or watching National Geographic‚ anyone can now open their mind and expose it the world of diversity that lies within its pages or its shows. The brilliant photography and well scripts and stories will surprise a reader on what’s really out in the world. National Geographic does it all. It not only covers the fantastic wildlife in the world‚ but also the diverse people and their
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Animal Farm In many ways‚ Squealer’s name says it all. Squealer is an extremely clever pig and a brilliant talker and the animals seem to think he could simply turn black into white. Squealer rises to power because of his quick mind. The first time we see squealer is when some of the other animals question the consumption of the milk apples‚ which then squealer gives a fabulous and persuasive speeches (like he always does) is about how the pigs need the milk and apples by saying “contain substances
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We Are Going Oodgeroo Noonuccal Medium: Poem “We Are Going” a poem written by the famous Oodgeroo Noonuccal is in its own way a masterpiece for communication to the present world about the impact of modernisation on the Indigenous people of Australia. If anything‚ Oodgeroo expresses the reality of the fading of the Aboriginals and expresses the sadness and pain that follows. The constant use of the word “We” in this poem creates the sense that Oodgeroo is not at all speaking for herself. She is
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aristocratic characters who‚ in their beauty‚ luxury‚ and extravagance‚ symbolize the decadent Europe of the 1930s. The story of the tangled lives of the protagonists‚ from the February riots of 1934 in Paris to the closing days of the war‚ is a brilliant vehicle for Dali’s ideas‚ and an evocation of pre-war Europe. The basic theme of Hidden Faces is love-in-death. We here have a treatment in modern dress of the ancient and perennial Tristan and Isolde myth. Nothing gives greater intensity to love
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from behind; On the other hand‚ the base of the sword may presumably be absorbing raw‚ brilliant kinetic energies‚ snaking in an upward motion‚ to accumulate unlimited power. Mistakably‚ a right side angle perception of the sculpture may represent a bird that is flying downward at impeccable speed‚ or perhaps a flower at the initial stage of blossoming from its trapezoid-like plant pot. Amid the sculpture lies a batch of multiple flowers emphasizing its graceful elegance‚ confined in jagged concrete
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cannot be overlooked. The sordid‚ tense and serious atmosphere of conspiracy and murder is slightly eased by the humorous speeches and actions of the porter in this scene. The way this scene is written and the strategic placement of the scene is brilliant. This scene allows the reader to catch their breath between Macbeth’s murder of Duncan and the discovery of the body by Macduff; therefore it heightens and enriches the dramatic impact of both those scenes. This is the importance of the scene to
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by a violent gust of wind which swept up the streets (for it is in London that our scene lies)‚ rattling along the house-tops‚ and fiercely agitating the scanty flame of the lamps that struggled against the darkness. If you were to peep through the grand windows of 22 Bristling Road‚ you would find the common sight of an old man bent over his papers. Yet Dr Maurice Mendelow was no common man. He had a brilliant reputation for cracking codes; he had forty-five years of it to his name which is an epoch
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that witnessed his accomplice disposing of a body. He is trying to go his fastest and the camera goes back and forth between his face of determination and a shot from the very front of the car just showing the road going by. I think this shot was brilliant. By putting the camera in that position it gave the audience a feel for the determination of Gaear and also communicated the speed of the car. When watching this
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and versatile German artist of the Renaissance period‚ Albrecht Dürer (1471–1528) was born in the Franconian city of Nuremberg‚ one of the strongest artistic and commercial centers in Europe during the fifteenth and sixteenth centuries. He was a brilliant painter‚ draftsman‚ and writer‚ though his first and probably greatest artistic impact was in the medium of printmaking. Dürer apprenticed with his father‚ who was a goldsmith‚ and with the local painter Michael Wolgemut‚ whose workshop produced
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