What is the purpose of theatre? To answer this question I will be sharing about my own personal experience with theatre. In elementary I took part in the school play “Pirates of Penzance’’‚ where I performed on stage in front of a live audience. I now realize that theatre is a performance‚ performed by actors‚ intended to entertain an audience. A performance is the play itself involving the script‚ characters‚ props‚ costumes etc. In the play‚ I noted the script would never change but the way
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Verbatim essay; “the main purpose of Verbatim theatre has always been to challenge audiences into a confrontation with real events and concrete facts‚ an to prevent their escapism into theatrical fantasy.” How well does this statement apply to Verbatim plays‚ RRR and LP? Alfred Hitchcock commented‚ “ what is drama but life with the dull bits cut out.” This quotes is typically true of drama‚ however verbatim theatre is contrary to this as it forces it audiences to confront serious issues
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Community Theatre is often regarded as a very effective medium in which to portray the challenges and triumphs of a community. Through stories‚ such as Marmalade Gumdrops‚ the importance of certain areas of life can be addressed‚ and by using both physical and visual representations‚ a community can both create and visualise how challenges can be triumphed. Throughout history‚ communities have banded together to create what is now known as community theatre. By using people from the community
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(Lit 1201) THEATRE REPORT SLEEPING BEAUTY AND THE TRINI PRINCE Sleeping Beauty and the Trini Prince was written and directed by Crazy Catholic and features an ensemble cast that includes the Crazy Contagious Crew‚ the Comedy Circus‚ members of Eclectic Dance Crew‚ Dese Simon‚ Sensational Shelly‚ Cheldon Midget‚ Prince Priceless‚ Shelci Marie‚ Nola Leacock‚ Clyne Rodriguez and Nicole Wong Chong and others. This theatre production was spectacular; not only
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The history of theatre charts the development of theatre over the past 2‚500 years. While performative elements are present in every society‚ it is customary to acknowledge a distinction between theatre as an art form[->1] and entertainment and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens] in the 6th century BCE‚ vibrant traditions of
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Musical theatre can be a great tool for teachers as it can help teach a variety of skills and provide information. However‚ musical theatre is often ignored in the classroom. This is not only a fault of people with distaste for theatre‚ but also lovers of theatre. As David Savran says‚ “And even for many devotees of the so-called straight theatre‚ musical theatre remains (at best) a guilty pleasure-a little too gay‚ too popular‚ too Jewish‚ and too much damned fun” (216). This blockage between
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used in Noh Theatre? Noh is a highly misunderstood and often overlooked form of art. Often criticized for being unnecessarily lethargic and minimal in overall performance and structure‚ it is not highly appreciated. However‚ it is much more than most make it out to be; Noh is an ancient tradition of Japanese theatre that has been kept alive and continuously refined by a small group of people who seek nothing more than to perfect this art form that has long been held as sacred. Noh theatre began in
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these people carried special tokens with them‚ telling them what entrance to use and were to sit. Anybody who came later‚ among the ordinary citizens would have to sit at the top of the auditorium due to lack of space. It was possible for the large theatre in Pompeii to hold up to 5000 people. A dramatic performance was a public occasion as so admission was free. All of the money would be paid of by a wealthy citizen‚ who would provide the actors‚ the producer‚ scenery and costumes. This would be
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The Globe Theatre “All the world’s a stage" The globe theatre is a place with a very rich history. A place that has been graced by some of the most highly regarded playwrights and actors in the world. Including William Shakespeare‚ who in fact was not only one of the theatres most pronoun inspirations but also a founder as well. The globe theatre was in fact the venue that many of Shakespeare’s plays were first produced‚ including his four great tragedies. The theatre itself was built in
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28th March to Sunday 6th April‚ 2008 at the UWI Learning Resource Centre (LRC). Written in 1979 by Lester Efebo Wilkinson‚ Bitter Cassava is a well crafted full length play with music and dance. It was first produced in November 1979 for the Folk Theatre Festival component of the Prime Minister’s Best Village Trophy Competition. Interpreting the play for local audiences was director Louis McWilliams‚ Lecturer at The University of the West Indies‚ who has been an admirer of Lester Wilkinson since 1980
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