Our IB Bunraku Theatre performance was a very difficult project to undertake. We were put under a great deal of stress to complete and make our performance great. It was all put together in just a few short weeks and there was a great deal of tension during rehearsals. Bunraku is a Japanese puppet production and we made it our own. Our story was about an autistic teenage boy killing his best friend in a moment of rage and confusion. It was quite a deep story. The audience seemed very in to it and
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MEDIVAL DRAMA ESSAY With the decline of the Roman Empire so went Greek and Roman Dramatic Theatre. Minstrels and Troubadours Beginning in the 5th or 6th century traveling performers named Minstrels and Troubadour’s began to travel castle to castle and town to town. Their performances were often vulgar and flamboyant; using colorful costumes and many times using musical instruments in their performances. Although their content tended to be crass and vulgar it did lend itself to themes of the day
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Anastasia Research Paper Anastasia should feature as a focus for the 2018-2019 Wise Broadway Tour. As part of this tour‚ selected individuals are able to see different Broadway shows. Anastasia features a heavy emphasis on history and encourages children and young adults to look into the backstory of what they watch. While Anastasia doesn’t follow the exact history of the Grand Duchess Anastasia Romanov‚ it piques the interest of the audience and poses a what if she had lived question that the audience
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AKA‚ a marketing and advertising firm‚ created a print advertisement for the new Broadway play Hand to God‚ which appeared in the October 19th‚ 2014 edition of The New York Times. The advertisements purpose is to create positive branding‚ and sell tickets. Hand to God’s advertisement bluntly uses the play’s commercial weaknesses in a dark comedic way in order to characterize their vulnerabilities as strengths. The advertisement sets a dark tone through its imagery. First‚ the words are displayed
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Renaissance Theatre vs Today’s Modern Theatre As society grows‚ theatre is forced to evolve to meet the needs of its audience. During the Renaissance‚ theatre would convey it stories using low-budget and every day materials; this was mainly due to society being from a less technology driven time in history. Today‚ society has not only evolved into a wealthier one‚ but a society with growing technologies allowing theatre to pull out all the stops‚ conveying its stories in a more elaborate
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time or employees information‚ * Non employee access‚ and * Better security protected. The disadvantages are: * More expensive‚ * More complicated system‚ and * Long wait time for help or fixing. Once the new system is put into The Broadway Café‚ a lot of employees may not like it because they are use to just doing manual entry of time by hand and not using electronics. But to make sure that they are comfortable‚ I am going to make sure that all are trained for one full month on how
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Roman theatre and Greek theatre‚ yet alike‚ had many differences‚ but have influenced our present day entertainment. Much of the architecture‚ structure‚ building‚ design‚ and the plays shown in the Roman theatre were influenced by the Greek theatre. In Roman theatre‚ the venue’s structural design was built upon their own foundations. The theatre included dance‚ choral events‚ mime‚ and different types of plays including tragedy and comedy. They also had horse and chariot racing‚ gladiator fights
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Misconstrued Understanding Since its early days‚ Theatre was used to promote ideas. Protagonists had a strong moral compass‚ that showed their audience right from wrong. However‚ anyone in the real world could tell you‚ that morals are more grey than black and white. Because of this‚ many people go through internal struggles‚ and most forget that those around them are struggling too. This struggle plays a big part in the human condition. Plays have evolved since its early renditions and created
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in the Workshop of the Players’ Art (WPA) Theatre‚ a small theatre (Off-Off-Broadway) in 1982 for one month. It was composed by Alan Menken and written by Howard Ashman‚ and was based on the 1960 film The Little Shop of Horrors (Roger Corman was the director). It then moved to the Orpheum Theatre (Off-Broadway) in Manhattan where it stayed for 5 years‚ finally closing in 1987. The show opened in London’s West End on 1st January 1983 at the Comedy Theatre for 813 performances‚ closing in October
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Australian Theatre uses the dramatic form of realism and its conventions to expose underlying issues within the Australian culture. Set in the 1970’s‚ the context of the plays ‘The Removalists’ and ‘Norm and Ahmed’ by David Williamson and Alex Buzo‚ explore issues of racism‚ corruption and male aggression through the struggles of their characters. Racism is an undercurrent that runs through the Australian 1970’s culture and is captured in Buzo’s Norm and Ahmed. Buzo uses two contrasting characters
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