1 Anabel Gonzalez Mr. Helle English p.2 7 September 2009 Thematic Effects on Novel without a Name Novel without a name by Duong Thu Huong provided a real insight on war from the Vietnamese point of view. Readers are able to contemplate with the themes that reoccur‚ what the war truly is like‚ and the effects it causes on the people‚ society‚ and the individual. Three main reoccurring themes of this novel were disillusionment of the war‚ betrayal‚ and the loss of innocence that the war causes
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evolved into something far beyond strips in the Sunday paper. Graphic novels‚ as these materials are most often referred to today‚ have become their own genre (even though they are a format‚ not a genre) in bookstores and libraries alike. Popularity for them has skyrocketed in the past ten years or so‚ and graphic novels now compete as literary heavyweights for young readers and adults. There are different branches of graphic novels‚ including manga‚ which have an age appropriate stamp on their back
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The Rise of the English Novel The dominant genre in world literature‚ the novel is actually a relatively young form of imaginative writing. Only about 250 years old in England—and embattled from the start—its rise to preeminence has been striking. After sparse beginnings in seventeenth-century England‚ novels grew exponentially in production by the eighteenth century and in the nineteenth century became the primary form of popular entertainment. Elizabethan literature provides a starting point
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“The Novel Démeublé” is an essay written by Willa Cather‚ throughout the essay‚ there is a statement at the end that stands out than the rest. This statement is “Whatever is felt upon the page without being specifically named there-that it seems to me‚ is created. It is the inexplicable presence of the thing not named‚ of the over-tone divided by the ear but not heard by it the verbal mood‚ the emotional aura of the fact or thing or the deed‚ that gives high quality to the novel or the drama as well
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Warning of The Road Dystopian novels usually have one main theme‚ which is how can these characters overcome obstacles in a world were society is very problematic. Cormac McCarthy’s novel The Road is no different. This dystopian novel focuses in on a man and his child and their journey of survival and despair. The Road has been disputed by scholars on whether or not it is a true dystopian novel because the causes of the disaster that the characters are overcoming in the novel is never mentioned‚ and there
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The Rise of the English Novel English literature has a long and colorful history. From the masterfully written old English tales of Chaucer to the countless Shakespearian dramas to the poetic verses of Tennyson‚ England has produced some of the richest treasures of the literary world. Not until the eighteenth century‚ however‚ did a type of literature develop that completely broke the traditions of the past and opened the door to a whole new generation of writers. This new genre was appropriately
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understanding of how such institutions can reform an individual. The novel "Raw" written by Scott Monk‚ is simple in style but introduces interesting and an acceptable insight to the concept of "the institution and the individual experience". Brett Dalton resembles a highly wrought‚ reactionary character who challenged or feels confronted by structures of authority or control. Using Brett as the protagonist‚ Monk opens the novel with a prologue that describes Brett as delinquent and confused teenager
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ROUGH DRAFT LUIS VILLENEUVE The novel Room written by Emma Donoghue focuses on the story of a mother who is kidnapped at the age of nineteen and ends up having a child with her kidnapper whom she names Jack. Her son is a special boy because he lives in an imaginary world created by her and is not aware of the existence of any other place but the room he lives in. As the story progresses both are rescued from their captivity but find it difficult to adapt to this new world. Jack’s mother however
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A Tale of Two Cities (1859) is a novel by Charles Dickens‚ set in London and Paris before and during the French Revolution. With well over 200 million copies sold‚ it ranks among the most famous works in the history of fictional literature.[2] The novel depicts the plight of the French peasantry demoralized by the French aristocracy in the years leading up to the revolution‚ the corresponding brutality demonstrated by the revolutionaries toward the former aristocrats in the early years of the revolution
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BANKIM: THE ORIGINARY* FIGURE OF INDIAN NOVEL IN ENGLISH Y.V.R. Prasanna Kumar Research Scholar (M.Phil.)‚ (Part-time)‚ Department of English‚ S.V. University‚ Tirupathi. A. P.INDIA 517502 INTRODUCTION A great deal of Indian writing in English is in the form of novel. In the course of an eventful history‚ Indian novel in English demonstrated the capacity and resilience for innovations and attained the status of Universal Form. The post-independence India has witnessed a Sea change of Indian
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