Rear Window DIRECTOR: Alfred Hitchcock YEAR OF PRODUCTION: 1954 COUNTRY: USA LANGUAGE: English Week 1: Discuss the relationship between spectators and cinema in relation to the film style of Rear Window by Alfred Hitchcock. Stam‚ Robert and Roberta Pearson‚ “Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism‚” in Deutelbaum and Poague‚ eds‚ A Hitchcock Reader‚ 2nd ed‚ Chichester‚ UK. & Malden‚ MA: Wiley-Blackwell‚ 2009. Alfred Hitchcock’s “Rear
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Film Viewer Opinion Cheryl A. Williams HUM150-Introduction to Film Studies January 7‚ 2013 Brian Krieger Film Viewer Opinion This summary will address how I determine which films to watch‚ what makes a film enjoyable‚ and what makes a film unenjoyable to watch. The opinions expressed in this summary are solely those of the author and not of University of Phoenix‚ its staff‚ or facilitators. Deciding which films to watch is not challenging for this writer. Romance‚ erotica‚ action‚ drama
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When searching for images from Notorious (1946) almost every one of them includes a half full/empty bottle or glass. In a film about the aftermath of worldwide war‚ somehow alcohol and its dangers work their way into being a major theme. The film begins with the two main characters throwing down a few drinks and then partaking in a drunken car ride away from their problems. Eventually‚ they are pulled over and we see Alicia (Ingrid Bergman)‚ in a drunken fit‚ lash out at Mr. Devin (Cary Grant)‚ who
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Actor Dwayne "The Rock" Johnson gives a powerful performance in the action drama Snitch opening in theaters this weekend. The film‚ based on true accounts‚ takes you on a suspense filled ride under the fine direction of famous stuntman Ric Roman Waugh. Although the film does provide insight about how the justice system works‚ the hard knocks story does add a lot of ‘Hollywood’. As the movie opens‚ we find 18-year-old Jason Collins (Rafi Gavron) talking to his best buddy on Skype about
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camps. All these situations that the Jews had to live during the Jewish Holocaust in the WWII are shown in the film The Pianist (Roman Polanski‚ 2003) from the point of view of Wladyslaw Szpilman (Adrien Brody)‚ a Polish Jew pianist that escapes and hides from the Nazis in order to survive. The movie is the witness of Szpilman so we can see what he saw and what happened to him. In the film you can see how the life of the Jews change in a moment‚ our protagonist was playing the piano in a radio of Warsaw
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today’s world? The answer to that question would be the media‚ and in particular‚ the film industry. Even in today’s world‚ Hollywood still not only portrays‚ but also encourages the spread of racial inequality‚ both on and off the screen. Through its below average casting of minority actors and directors‚ its portrayal of these minority groups‚ and its lack of recognition towards minority actors and their films‚ the film industry makes it harder for today’s
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used in the medium of painting‚ poetry and architecture as well as by the ideas from German romanticism of the 19th century; gothic literature‚ myth and folklore; which spread to other medium such as film. German expressionist became popular in the 1920’s during the Weimar years. Expressionist films were heavily influenced by modern art (paintings)‚ Expressionist movie used exaggeration and distortion to create images that expressed a emotional and psychological despair and chaos through mise-en-scene
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Film and TV Essay (U31‚ U33) Unit 31 “Film editing is now something almost everyone can do at a simple level and enjoy it‚ but to take it to a higher level require teh dedication and persistence that any art form does.” Walter Murch[1] The History Of Editing (L.O.1.1.‚ L.O.1.2.) Editing in early cinema was very basic and linear yet despite this it must have been one of the most exciting times in the film industry. Filmmakers had all the creative freedom at their finger tips as no one had
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Rosalie del Valle ENC 1102 Film Analysis Essay Prof. Abbondanza Word Count: 2‚ 970 Minority Report: An Alternate Future It is perhaps a natural proclivity of man to pry into the future. Will there be space invasion‚ variant life forms‚ intergalactic wars‚ or robotic domination? Will there be flying cars drifting into the skyways‚ holographic transport‚ non-earthbound domicile‚ or even time travel? Might there be abomination instead‚ or catastrophic calamities‚ subsequent regeneration‚ or mankind
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to accomplish what the director was trying to portray. These differences are what made the film a close adaptation. The way dialogue is portrayed differs in the novel. The film has time and background music to elaborate on details. The novel has to keep the audience engaged. Camera angle also help portray this dialogue. Thes camera angles can “add meaning to the subject being filmed” (Desmond Hawkes p.28). In this aspect the characters can get into more detail in the film. The connection between
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