1 The Art of Public Speaking BY J. BERG ESENWEIN AUTHOR OF "HOW TO ATTRACT AND HOLD AN AUDIENCE‚" "WRITING THE SHORT-STORY‚" "WRITING THE PHOTOPLAY‚" ETC.‚ ETC.‚ AND DALE CARNAGEY PROFESSOR OF PUBLIC SPEAKING‚ BALTIMORE SCHOOL OF COMMERCE AND FINANCE; INSTRUCTOR IN PUBLIC SPEAKING‚ Y.M.C.A. SCHOOLS‚ NEW YORK‚ BROOKLYN‚ BALTIMORE‚ AND PHILADELPHIA‚ AND THE NEW YORK CITY CHAPTER‚ AMERICAN INSTITUTE OF BANKING THE WRITER ’S LIBRARY EDITED BY J. BERG ESENWEIN THE HOME CORRESPONDENCE
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This book is based on the main principles and concepts of Decoding Stylistics. The term decoding stylistics (suggested by M.Riffaterre) stands for a trend in stylistics‚ a theory evolved by professor Irina Vladimirovna Arnold and developed by her numerous disciples (including the authors of the present book). As developed in this country Decoding Stylistics unites and applies the concepts and achievements of linguistics‚ literary criticism‚ text theory‚ poetics‚ hermeneutics to text analysis and
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Why Study Literature? Thursday in one of my Introduction to Literature courses‚ one of my students said‚ "Ma ’am‚ I have a question. No disrespect‚ but...." We all know the feeling that comes with any question or remark that begins that way. I thought‚ "Oh boy. Here it comes." "...Why do we need to learn this? Is my commander going to send me a poem and ask me to explicate it?" This question always flummoxes me--not because I have no answer‚ but because the answers are so obvious to me
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The Canterbury Tales by Geoffrey Chaucer Introduction.........................................................................................................................................................1 Overview..............................................................................................................................................................2 Geoffrey Chaucer Biography....................................................................................
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Unity and VarietyReNoAdmin 2013-07-19T20:09:08Unity and Variety The Concepts of Unity and VarietyLet’s begin by listening to two fundamental concepts that make a piece of music "work"—the concepts of unity and variety. Most people like hearing sounds that they find pleasing‚ memorable‚ and familiar. Within a given composition‚ the feeling of familiarity—fostered by‚ among other things‚ reiterations of a music idea—lends a sense of unity to the music. Whereas unity satisfies the human need for sameness
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Mrs. Warren’s Profession by George Bernard Shaw A PENN STATE ELECTRONIC CLASSICS SERIES PUBLICATION Mrs. Warren’s Profession by George Bernard Shaw is a publication of the Pennsylvania State University. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file‚ for any purpose‚ and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis‚ Faculty Editor‚ nor anyone associated with the
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The Reign of Greed A Complete English Version of El Filibusterismo from the Spanish of José Rizal By Charles Derbyshire Manila Philippine Education Company 1912 [iv] Copyright‚ 1912‚ by Philippine Education Company. Entered at Stationers’ Hall. Registrado en las Islas Filipinas. All rights reserved. [v] |I. On the Upper Deck |II. On the Lower Deck | |III. Legends
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COMMUNICATION SKILLS MODULE Prof. Dr. Hamid Rafiq Khattak hamid_khattak@hotmail.com Sara Yaqoob saroo_14@yahoo.com Rabia Basri rabia_basri2003@yahoo.com Acknowledgements I am sincerely indebted to Learning Innovation Division -National Academy of Higher Education‚ Higher Education Commission Islamabad for the opportunity of writing this module on Communication Skills. I am indebted to my colleagues at APCOMS‚ Ms. Sarah Yaqoob and Ms. Rabia Basri for their immense assistance in developing
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THE CRUCIBLE BY ARTHUR MILLER CAST (in order of appearance) |Reverend Parris |Fred Stewart | |Betty Parris |Janet Alexander | |Tituba |Jacqueline Andre | |Abigail Williams |Madeleine Sherwood
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This work‚ by Professor Bergson‚ has been revised in detail by the author himself‚ and the present translation is the only authorised one. For this ungrudging labour of revision‚ for the thoroughness with which it has been carried out‚ and for personal sympathy in many a difficulty of word and phrase‚ we desire to offer our grateful acknowledgment to Professor Bergson. It may be pointed out that the essay on Laughter originally appeared in a series of three articles in one of the leading magazines
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