Dance Analysis As the lights went off‚ the audience went silent‚ curiously waiting to see what was going to happen next. All we knew was the performance name‚ Agwa‚ the Portuguese term for water. Even if I had not been given the title of the performance‚ I could have guessed it after seeing the dancers perform.The performance Agwa portrayed the many dimensions of water through dance. The essence of water was clearly painted on the stage by the bodies of the dancers through fluid movements‚ powerful
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On Saturday‚ April 15‚ I participated in an audition for Peregrine Theatre Ensemble’s summer 2017 production of CHICAGO‚ at Ripley-Grier Studios in Manhattan NY. Kyle Pleasant‚ Derictor/Choreographer; Adam Berry‚ Executive Director (who can be seen in NBC’s Ghost Hunters); Ben Berry‚ Artistic Director. Auditionees were required to wear black attires that show line and appropriate dance shoes. I wore my ballet slippers‚ a pair of stretchy gym pants and a black turtleneck‚ which turned out to be one
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War Dance is a documentary with a unique perspective on the tragedies that are going on in Uganda‚ during its seemingly never ending war. The story follows a group of young kids who have dealt with more sorrow in the pubescent life than anyone should endure. These kids tell the story of how their lives were destroyed by the war in meticulous detail‚ but that’s not the real story of the film. The real purpose of this documentary was to explore how a national dancing event has inspired the children
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case This case is given an overview from the history from Sheffield Theatres Trust. The case will explain what kind of strategies and resources the organisation have and through what kind of changes and development STT have been. The main idea of this case is to see how an organisation can develop and how they use their strategies and resources. 1.1 Summary of the Sheffield Theatres Trust Case There are two theatres in Sheffield (UK) called the Crucible and the Lyceum. The Crucible has been
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Herron English Honors G 2 March 2014 Globe Theatre The Globe Theatre was an extraordinary place that was used in one of Shakespeare ’s plays. The Globe Theatre was where all the magnificent plays‚ speeches and events could happen. The Globe Theatre was “ built as a large‚ round‚ open air theatre. There was a roof around the circumference which covered the seating area‚ leaving the theatre looking like a doughnut from above.” The theatre was built as a giant circle all the seats were built around the
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The Nickelodeon Era This development of theatre was in conjunction with improved transportation and communication technologies. It was now easier to manage a network of theatres. After the vaudeville era‚ around the turn of the 19th century‚ came the so-called ‘Nickelodeon Era’. The name “Nickelodeon” originated from the American word for five cents‚ a nickel‚ which was also the price of admission and the greek word odeion‚ which is a roofed theater‚ (Musser‚ 1994). From my research‚ I have conflicting
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‘Dismantling the traditional naturalistic theatre‚ with its illusion of reality‚ Brecht produced a new kind of drama based on a critique of the ideological assumptions of bourgeois theatre’. (Terry Eagleton‚ Marxism and Literary Criticism) Referring to ONE play from the earlier part of the ‘Theatre & Politics’ section of the unit‚ and to ONE play from the ‘New Perspectives’ section‚ explain how the relationship between theatre and politics has evolved. In your response you should refer to specific
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Dance is such a beautiful art because it is not only something that we‚ in America‚ share with each other‚ it is practiced world-wide. In Baghdad‚ there is one dance in school in particular that focuses on using dance to bring people together. The Baghdad School of Music and Ballet has given decade’s worth of children the opportunity to purse their dreams in the arts. The country of Iraq‚ which Bagdad is the capital of‚ has been at war for years which causes a lot of fear in the children who are
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AP / Library of Congress LeRoi Jones / Amiri Baraka THE REVOLUTIONARY THEATRE Liberator‚ July 1965 * LeRoi Jones / Amiri Baraka‚ 1965 This essay was originally commissioned by the New York Times in December 1964‚ but was refused‚ with the statement that the editors could not understand it. The Village Voice also refused to run this essay. It was first published in Black Dialogue. LeRoi Jones The Revolutionary Theatre should force change‚ it should be change. (All their faces turned into the
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through‚ you change directions and go back to your starting position. BARRELS Windmills with arms rounded in front of you. BATTLE A challenge between an individual or group of bboys/bgirls. BBOY Bronx Boy‚ boogie boy‚ as in one who dances to the break. BELLYMILL Like a windmill but instead of turning around on your hands or head you turn over on your stomach. BHUDDA Similer to UFO move‚ except your knees are inside of arms which are kept straight‚ and legs are kept off
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