without having to speak a word. It communicates love‚ frustration‚ hatred‚ war‚ friendship‚ commerce‚ marriage‚ separation‚ unity‚ confusion... etc.‚ so yes‚ I do agree. 2. Why is musical notation important? What benefits do musicians and others receive from being able to write down and note aspects of a musical
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I watched Taylor Swift acoustic performances from the RED album. The first song presented in the performance was “We are never ever getting back together”. This popular song features a variety of musical techniques. During the song Taylor Swift begins playing the song at a consistent speed. Later in the song at 2:04 she changes her to a faster tempo and at 2:29 returns to her original tempo. The faster tempo makes the song feel climatic‚ I feel that she is able to highlight certain lyrics or parts
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provide a series of performance events! The series began at 8 pm on Wednesday‚ October 4‚ and will continue on the first Wednesday of each month. This series will be a family-friendly‚ free‚ way to offer high quality music in a relaxed atmosphere‚ with musical styles ranging
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no evidence of who they are going to honor. There is almost nothing definite regarding their private character within these texts. This fact generates a new set of questions. Are there any substantial differences between them and other public ‘New Musical’ poetic compositions which can force us to regard them as very private‚
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Since 1959‚ the Dallas Theater Center (DTC) has been the creative standard for the Dallas/Fort Worth area. Their mission is to entertain‚ engage‚ and inspire its diverse surrounding community. DTC produces world premiere musicals and unique stagings of classic work‚ develops community partnerships‚ and offers award winning educational programs. Including a national reputation for excellence‚ DTC also serves as a town hall for Dallas citizens and destination for audiences and artists from all over
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fervor and much more to combine opera with theatre. Porgy and Bess was also important in the history of musical theatre. Nearly a 124 performances were played which is impressive for an opera and it was also a major success on Broadway. There is a reason why Porgy and Bess is known as the great American opera. 10. In 1937‚ Rodgers
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newspaper as well as a pianist. By the age of five Sutherland was improvising at the piano and she began writing her own pieces a year later. Music wasn’t really mainstream in Australia. Sutherland grew up in post-colonial Australia where the prevailing musical influences were a kind of English pastoralism mixed with Romanticism and French impressionism . It has been said that “she was one of the first to absorb the influences of neoclassicism‚ particularly the music of Bartók and Stravinsky‚ and went on
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full of the noise of musical instruments and high pitch of sound to me. Even if Chinese Opera is the finest heritage remaining from the history‚ I never want to get to know it‚ until I have become an international student. In China‚ elder people are the most percentage of the audience of Chinese opera; teenagers barely wants to listen or watch. However‚ once I start watching it and try to get to know it‚ the splendid costumes‚ traditional Chinese elements‚ various of special musical instrument make Chinese
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Describe: Imaginative‚ artistic‚ captivating and breathe taking are a few words to describe the true beauty of Indigenous Australian art‚ music and dance. These three aspects of the Indigenous culture are also part of the Torres Strait Island culture who "together make up 2.4% of the Australian population" (Macklin‚ 2004). These people express their personal experiences and the Indigenous Australian history through art work‚ dance and song. For example‚ an art piece may be about the creation of
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inspirational figure in the world of theatre. His beautiful music and recent musical theatre takes on older films has captured many people’s love. Many‚ many people‚ whether knowingly or unknowingly‚ have heard a version of one of Andrew’s songs. The following is a quick overview of his active life and compositions. Youth and First Creations Born in 1948‚ Webber was raised in South Kensington‚ London‚ England by a very musical family. His father was an organist and composer‚ teaching at England’s Royal
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