History of Drama Ancient Drama The origins of Western drama can be traced to the celebratory music of 6th-century BC Attica‚ the Greek region centered on Athens. Although accounts of this period are inadequate‚ it appears that the poet Thespis developed a new musical form in which he impersonated a single character and engaged a chorus of singer-dancers in dialogue. As the first composer and soloist in this new form‚ which came to be known as tragedy‚ Thespis can be considered both the first dramatist
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Nov 5th 2010 Dance Critique “Beyond the Reflection” On Thursday October 28th at Cardinal Carter Academy of the Arts the grade twelve’s performed their ISU pieces in the theater. It was 3:30p.m after school hours. The piece I chose to critique was called‚ “Beyond the Reflection.” This piece was done to the song called Primavera. Adelaide Batuk‚ Julianna Bissessar and Jacalyn choreographed this piece. The dancers were Josephine Di Cosmo‚ P.J. Elisha‚ Melanie Ferrara‚ Lauren Paul and Chelsea
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Elements of Drama Drama is a display of emotions‚ a representation of relationships and the portrayal of the different phases of human life. It sketches different personalities and represents a wide variety of emotions through the different characters it portrays. Which of its components are identified as the elements of drama? Let us see. Aristotle‚ a philosopher who wrote on a variety of subjects like poetry‚ theater‚ music‚ rhetoric and handled subjects like biology‚ physics‚ logic and politics
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History of dance Dance’s definition is to move one’s feet or body‚ rhythmically in a pattern of steps‚ especially to the accompaniment of music. It is likely that any human society has denied itself the excitement and pleasure of dancing. Like cave painting‚ the first purpose of dance is probably ritual - appeasing a nature spirit or accompanying a rite of passage. But losing oneself in rhythmic movement with other people is an easy form of intoxication. Pleasure can never have been far away
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Dance‚ the art of precise‚ expressive‚ and graceful human movement‚ traditionally‚ but not necessarily‚ performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action. The Origins of Dance The earliest history of human dance is a continuing mystery. From the evidence of illustrated ceramic fragments‚ some archaeologists have speculated that dance originated some 5‚000 to 9‚000 years ago in early agricultural cultures located in a swath
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straightforward question‚ what is good art? A complicated answer‚ but that is good art. How does a certain piece of artwork become recognized as "good?" What are some of the traits that make art good? What simply makes art good‚ and what makes art bad‚ in general? Does having a recognizable art or design "style" limit one’s creativity? Is an exact reproduction as good as the original? It used to be that anything called “Art” had certain meaning attached to it. Art was assumed to be beautiful‚ intricate
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RADIO PLAY/DRAMA The English word ‘drama’ derives from the Greek word ‘dran’ meaning ‘to do’. Thus a drama is a story performed or ‘done’ by people on stage‚ radio‚ film‚ TV‚ on the street. A drama involves a chain of events and describes a web of relationships involving one or more persons. It could be fiction or non-fiction. The main Components/ELEMENTS of a RADIO drama: I. Plot_____________________________________________________ The chain of events or actions in which the characters
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Ending Movement “If you live in the elite world of dance‚ you find yourself in a world rife with racism. Let ’s face it.” –Alvin Ailey. Alvin Ailey was an African American dancer and choreographer‚ born in 1931 in Rogers‚ Texas. Ailey was responsible for creating one of the most popular dance companies of the twentieth century‚ known as the Alvin Ailey American Dance Theatre. The forming of this company began due to Ailey’s life long passion for dance‚ and his dream to give African American dancers
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ma ORIGINAL TEXT: (Act 1‚ Scene 2) O that this too too solid flesh would melt‚ Thaw‚ and resolve itself into a dew! Or that the Everlasting had not fix’d His canon ’gainst self-slaughter! O God! O God! How weary‚ stale‚ flat‚ and unprofitable Seem to me all the uses of this world! Fie on’t! O fie! ’tis an unweeded garden‚ That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead! — nay‚ not so much‚ not two: So excellent a
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Reality and Illusion In the stage directions at the beginning of Act I of Six Characters in Search of an Author‚ Pirandello directs that as the audience enters the theatre the curtain should be up and the stage bare and in darkness‚ as it would be in the middle of the day‚ “so that from the beginning the audience will have the feeling of being present‚ not at a performance of a properly rehearsed play‚ but at a performance of a play that happens spontaneously.” The set‚ then‚ is designed to blur
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