‘The Shoe-Horn Sonata’ The play ‘The Shoe-Horn Sonata’ composed by John Misto‚ is primarily focused on the incarceration of women and children in P.O.W (Prisoner Of War) camps located in the jungles of Japan in World War Two‚ rather than the most common factors of the male soldier wartime stories and other masculine hardships dealt with at the time. As the play unfolds Misto presents the audience with various theatrical components to convey the relationship of two women being interviewed to reminisce
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of different techniques used in the play “The Shoe Horn Sonata” that enable the text to be distinctively visual in conveying a point of view. Dramatic effects such as music‚ dialogue and flashbacks create the perspective of two women looking back on their memories and experiences of World War 2. Similarly‚ Kenneth Slessor uses distinctively visual elements to aid the description of mateship and death in the poem “Beach Burial”. The Shoe Horn Sonata‚ written by John Misto‚ recounts the experiences
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(Introduction - Introduce both texts and composer/director‚ short plot outline and link to question and examples) Photographs are a chilling reminder of the truth behind these women’s recounts‚ and an acknowledgement of their strength. Misto uses photographic images to achieve several things within his play. Firstly the images transport the audience to the world which these women are describing through their dialogue of memories. In Act One‚ whilst Bridie describes the evacuation of Singapore
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Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps‚ such distinctive experiences as power and survival are shown through techniques like lighting‚ projecting image‚ sound‚ symbols‚ dialogue and body language. In Kenneth Slessor’s 1942 poem ‘Beach Burial’ he also comments about survival in war and the power in distinctively visual ways
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women’s suffering during the war‚ allowing the responder to acknowledge the women‚ which will convince society to pay tribute to the women. He uses a variety of techniques which involve many senses of the responder in The Shoe-Horn Sonata to achieve this goal. The Shoe-Horn Sonata is based on two women who helped each other through hardships during World War II; they are reunited after fifty years to film a television documentary which unravels many secrets. The involvement of more than one sense
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(INTRO) John Misto’s drama ‘The Shoe-Horn Sonata’ depicts the journey of two women captured by the Japanese during World War ll. The play reveals the unresolved problems of their relationship after fifty years. The reunion of Bridie and Sheila and their problems are dramatized and resolved through Misto’s use of dramatic techniques. He effectively creates images of tension‚ hardship‚ hope and survival‚ friendship and forgiveness to emphasize the relationship between the two women. (DOUBLE-HANDER)
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nurses in The Shoe-Horn Sonata had endured many great atrocities during their times in the war. In Shoe-horn sonata‚ the mimicking technique used in the “Tap – Tap – Tap” and “[harsher] Whack – Whack – Whack” shows Bridie’s persistence in keeping Sheila awake. The powerful use of repetition and its onomatopoeic techniques is used to trigger their anger as they remember what happened when their ships were bombed. At the end of the play‚ the use of the very bright spotlight on the shoe-horn highlights the
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Shoe Horn Sonata: In Misto’s play contrast is a powerful dramatic device. Describe its use in the Shoe Horn Sonata. “Shoe Horn Sonata is an impressive story of courage‚ hope‚ horror and friendship. This play is a tribute to commemorate the bravery of the women and to make their story of survival widely known. The historical context that the story has enables us to learn about the past events and to understand the true meaning of war and its consequences. The play draws on real events‚ the Massacre
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Distinctively visual texts are able to manipulate the emotions of the audience to influence the responses of a collective group. John Misto‚ the person behind the play The Shoe-Horn Sonata‚ uses his distinctively visual text as a memorial for the Australian Army nurses who died in the war‚ as they were refused one by the government. “I do not have the power to build a memorial. So I wrote a play instead.” This drama illustrates the way the women were treated in the Japanese prisoner of war camps
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southernmost tip of Africa without modern sailing technology such as GPS? Bartolomeu Dias was such a person to accomplish his great voyage around the Cape of Good Hope. He was born in Portugal around 1450 and was a Portuguese navigator and explorer and was known as the first European who sailed around the southernmost tip of Africa and reached the Cape of Good Hope. Bartolomeu Dias’ achievement had ultimately led to expansion of trade routes and the foundation Portuguese Empire. He came from a
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