volumes. Lastly‚ the commentary can serve as a bridge that connects the narrative and the reader‚ and it can bring some crucial findings in the story to the reader’s attention. As the commentary closely relates to the story‚ it reflects the commentator’s continuous engagement with the story as well. Even though “Yu Boya Smashes His Zither in Gratitude to an Appreciative Friend” only includes eleven commentaries‚ the narrative and the commentary make an equal contribution to shape the story. Most importantly
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The climax of the story is extremely interesting and will keep the reader anxious to see what is next. The essay is computer generated. It is a hard copy. This was mandatory. The essay also included a title and author‚ which is something every narrative should have. Another important thing was that the essay was submitted on time. It was not submitted late. And if it was submitted late‚ it wouldn’t of have been accepted and that would’ve
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There are three main genres you notice while you read through chapter 1 of Kim. You read about the narrative‚ which is the sequence of events happening. You read the lyric which allows you notice the imagery going on. Lastly you read about the drama throughout the book by the dialogue between the characters introduced in chapter 1 of Kim. To begin with‚ the genre Narrative‚ is a stories sequence of events. Chapter 1 of Kim‚ starts off by telling you exactly who “Kim” is and where he lives. That then
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The Night of the Iguana Symbolism This movie is saturated with symbolism even if it sometimes made no sense. I found several symbols interesting and one of them was the rum-coco. It was a symbol for Maxine’s sexuality‚ especially towards Shannon. Throughout the movie‚ Maxine continuously offers Shannon a rum-coco when she’s attempting to calm/seduce him. At the end of the movie‚ it is Shannon offering Maxine the rum-coco as a form of acceptance and it is implied that they finally sleep together
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well-developed narrative structure‚ mise-en-scene‚ and cinematography. Wes Anderson‚ director of The Grand Budapest Hotel has perhaps the most interesting and distinctive visual styles of any popular American filmmaker. Because of this‚ Anderson’s films have been described as Doll house‚ pastel‚ fairy tale interpretations of real life events and places. The Grand Budapest Hotel is in many ways different from other Wes Anderson movies. First‚ the film shifts through four narrative frames all of which
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reports biblical accounts A narrative essay is usually written to recount a series of events‚ usually to support a THESIS or THEME. Narrative writers don’t just tell a story‚ but they tell a story to make a point. For purposes of a narrative essay‚ we’ll use the words theme and thesis interchangeably. A theme is the central topic of the work that functions like a thesis‚ but is usually IMPLIED‚ not stated. A thesis is usually stated outright. In a narrative‚ you will typically have to
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by filmmakers under their narrative so that their audience is unaware of its presence. Nicholas Cook‚ author of Analyzing Musical Multimedia‚ states‚ "words and pictures deal primarily with the specific while music deals primarily with responses--that is‚ with values‚ emotions‚ and attitudes ."(22). However‚ there is certain music that is suppose to be heard by the audience as part of the cinematic diegesis. All sounds that are understood by characters in the narrative are referred to as diegetic;
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himself anymore. He is slightly comforted by rugby and his close bonds with family; but even these are in doubt. Tom’s new rugby team is notorious‚ known as the team that ’couldn ’t catch a cold ’. And his family situation is in turmoil. As the narrative progresses we see Tom find ‘himself’ back. Through
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Monomyth "The Steps Not Taken" By Paul D’Angelo Monomyth or the hero’s journey is a basic pattern‚ which is found in many narratives and myths from around the world. The monomyth is “one of the dominant archetypal pattern in literature‚ film‚ and even video game text is the story of a journey.” Through an in-depth analysis of The Step not taken by Paul D’Angelo‚ this essay will give an explanation of the three stages of a monomyth. The monomyth is made up of three stages that the hero moves through
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NARRATIVE A narrative (or story) is any account that presents connected events‚[1] and may be organized into various categories: non-fiction (e.g. New Journalism‚ creative non-fiction‚ biographies‚ and historiography); fictionalized accounts of historical events (e.g. anecdotes‚ myths and legends); and fiction proper (i.e. literature in prose‚ such as short stories and novels‚ and sometimes in poetry and drama‚ although in drama the events are primarily being shown instead of told). Narrative is
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