The similarity between the Caravaggio‚ The Entombment of Christ and Peter Paul Rubens‚ The Raising of the Cross are their dramatic movement and the lighting. When looking at both paintings‚ the body of Christ seems to be the focal point. As of the Entombment of Christ‚ in his background‚ there is nothing but darkness‚ and the light was shine on him‚ making him popping out from space. This concept is the same as The Raising of the Cross. As for the dramatic look‚ on both paintings‚ each character
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21-A. Pieter Bruegel the Elder. The Return of the Hunters. 1565. Flanders. Northern Renaissance. 22-4. Gianlorenzo Bernini. David. 1623. Baroque. Italy. 22-1. Gianlorenzo Bernini. St. Teresa of Ávila in Ecstasy. 1645–1652. Baroque. Italy. 22-B. Caravaggio. The Calling of St. Matthew. 1599–1600. Baroque. Italy. 22-14. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630. Baroque. Italy. 22-23. Diego Velázquez. Las Meninas (The Maids of Honor). 1656. Spain. Baroque. 22-28. Peter
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be dramatic. Baroque took place from around the 1600s-1750. During this time the Catholic Church was in response to the Protestant Reformation and they wanted the art to communicate a religious theme. One key artist of the Baroque period style is Caravaggio. One of his greatest works was Entombment. The Entombment is a great example of a baroque painting because of the emotion in the painting and the emotion it puts in those who see it. The first is that it is a very dramatic piece of art as it shows
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17th and 18th centuries that followed mannerism and is characterized by ornate detail. In architecture the period is exemplified by the palace of Versailles and by the work of Bernini in Italy. Major composers include Vivaldi‚ Bach‚ and Handel; Caravaggio and Rubens are important baroque artists.” (Bing Dictionary)
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often used in paintings of dimly lit scenes to produce a very high-contrast‚ dramatic atmosphere. The chiaroscuro technique is best visible in the painting "The Massacre of the Innocents" by Peter Paul Rubens Other famous Baroque painters include Caravaggio and Rembrandt. In the Baroque style of architecture‚ emphasis was placed on bold spaces‚ domes‚ and large masses as seen in the Royal Palace at Versailles‚ Trevi Fountain in Rome‚ Salzburg Cathedral and Mirabell Palace in Salzburg. In music‚
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we had previously discussed similar works in class‚ this particular scene was very interesting to me. The painting itself with its dark dramatic lighting‚ earthly tones and realistic characters‚ is strikingly similar to the same scene paint by Caravaggio. The two paintings almost scream for a comparison. The expression of Vignon’s David seems to be one of intense contemplation. As if David is in deep thought and/or shock over the event that had just occurred. David’s facial expression gives the
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The Baroque era represented a time of significant emotional and religious conflict due to the Counter-reformation and the attempt by the Catholic Church to regain its membership. Art became a mechanism for the church to reach out to and connect with the masses‚ and Baroque art began to explore emotional themes that were shied away from during the Renaissance. In particular‚ Flanders was a region that sought to emulate the emotional quality of Italian baroque using a unique style and innovative techniques
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Emerging from darkness‚ pronounced by a bright unseen spotlight‚ a dramatic moment is captured forever in paint. The participants depicted are identified by the viewer through their gestures and garments and through analysis their scene location can be conjectured. 1.(.The man supporting Christ’s torso is Saint John. This can be determined by his youthful appearance and brilliant red cloak.) .The Virgin can be identified by her blue headdress and outstretched arm. 1.(This gesture is a natural expression
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The Baroque was an era of great changes in religion‚ politics‚ science‚ and economics. The Baroque Era began with the Counter-Reformation and ended with two types of revolutions‚ political and industrial‚ that changed the world. The baroque was also a period of scientific innovation led by the discoveries of Descartes and Galileo. Science was no longer based on Greek ideals or religious dogma‚ but on reason and empirical laws. The counter-reformation was The Catholic Church’s response to the Protestant
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Saint Sebastian Tended by Saint Irene and Her Maid depicts the story of Saint Sebastian’s injuries being tended to. Strozzi uses very dark colors throughout the painting. This painting appears highly realistic. You can see the emotion In Sebastian’s face as well as the paleness along with rosy red cheeks that the artist added. Sebastian’s mouth is open as if he is almost defeated but still has faith. The arrows are so carefully placed and where they were struck the skin is pale but has a slight hint
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