He was a greatly influenced by Caravaggio. In 1610‚ van Honthorst‚ moved to Italy to study Caravaggio’s realism and dramatic use of artificial light (Gerrit van Honthorst). Caravaggio is one of the most widely imitated artists in the history of Western art. Many of Caravaggio’s followers‚ including van Honthorst‚ were particularly interested in Caravaggio’s
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Baroque one big misshapen pearl STYLE ARTISTS and IMAGES VOCAB HISTORICAL NOTE Baroque art falls into the period of Counter-Reformation led by the Catholic church against the Protestants. Much of the Baroque art‚ especially in Italy‚ reflects reaction to Mannerism‚ but also the social turmoil of the time. According to the Council of Trent and the Catholic church artworks should be a clear‚ intelligible subject realistically interpreted in order to stimulate piety. This was part of the reason
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called tenebrim; this adds drama to the painting. Light was manipulated in Caravaggio paintings to create dramatic effect. Religious paintings were done in Baroque. Baroque was believed to draw people back to the Catholic Church because the church was losing parishioners to Martin Luther’s newly formed protestant church. Caravaggio created the Council of Trent. Cardinal del Monte used his influence to secure Caravaggio.
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WAR AND AFTERMATH OF WAR IN THE ENGLISH PATIENT BY MICHAEL ONDAATJE Abstract War and aftermath of war is a paper which talks about the various aspects of war and its outcomes as discussed in the novels of Michael Ondaatje. Ondaatje takes war as a major theme in his two most famous novels: The English Patient and Anil’s Ghost. The present paper discusses the treatment of war in the hands of Ondaatje in his Booker winning novel The English Patient. The treatment of the sensitive topics of war gets
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Mancuso 1 Daniel Mancuso Mrs. Martin ENG4U1-06 15 January 2013 The Role of the Villa San Girolamo Symbolism adds layers of meaning to novels. It can either have a significant‚ insignificant or negative impact on the progression of the novel. In Michael Ondaatje’s The English Patient‚ the lives of four individuals are scarred due to the destructiveness of the war. Four individuals gather at one common area in Tuscany‚ Italy known as Villa San Girolamo (hereafter cited as the Villa). Ondaatje
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Continuing into the Renaissance‚ Lucas Cranach the Elder’s Judith with the Head of Holofernes‚ was created in the midst of both the High and Late Renaissance. The oil painting on linden created in 1530‚ is in traditional portrait style‚ and showcased Judith immediately after the beheading. The image of Judith holding the decapitated head of Holofernes uses the contrasting nature of the scene in its advantage. The painting contains both the gruesome head and the elegant beauty of the murderous widow
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Matt Russo Humanities 313 Dr. Sattler Art Discovery Art Analysis When analyzing artwork‚ one should not simply look at the picture at face value‚ but rather look in depth at the meaning as to why depict that specific setting‚ colors‚ and scene. The artist‚ Andy Warhol‚ is a unique artist. His artwork is anything but typical; he often uses random objects and arranges them in a specific way to create a symbolic meaning and calls it art. After studying his technique‚ I have found the meaning behind
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passages. All the characters are governed by questions of nation‚ language and identity; all are joined by their sense of being illegitimate‚ in flight from patriarchy and imperial-nationalist identity. The four main characters of the book - Hana‚ Caravaggio‚ The English Patient (Almásy)‚ and Kip - each have their own story to tell. Their plots intersect with each other‚ often without clearly explaining why. I will start with a general overview of the main characters and put special attention on
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In the 1600’s a new European age dawned. The Roman Catholic Church continued its march against Protestantism‚ and sovereign states. The art and architecture during this time provided spectacular and compelling images‚ which the church could reassert its presence through. The term baroque was coined in eighteenth-century by artist and scholars whose tastes were attuned to classical ideas. The word derives from the Portuguese word borroco‚ meaning irregular pearl. It was an era of constant turmoil;
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Bruegel the elder (Return of the Hunters and The Harvesters – at the Met) Hans Holbein the Younger Baroque (four questions) Rubens (excluding the “Allegory of Sight”) (see Smarthistory and Met essay on Rubens and Van Dyke) Caravaggio. (see Met essay on Caravaggio) Bernini (see Met essays on Bernini and on Baroque Rome) Borromini Velazquez (Las Meninas – see Smarthistory – and Juan de Pareja‚ at the Met) See also Met essay on Velazquez. Nicholas Poussin and Claude Lorrain (both French
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