"Caravaggio baroque" Essays and Research Papers

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    Turquerie was the Orientalist fashion that arose during 16th to 18th century in Western Europe. It is a ‘French term used to describe artifacts made in Turkey‚ or in France by Turkish craftsmen‚ and by derivation the influence on French design of elements from the Byzantine Empire‚ the Saljuq Islamic period and the Ottoman Empire.’ 1 In music‚ the influence of Turkish culture in European society also spurred composers like Mozart‚ Haydn and Beethoven to write music with the used of Alla Turca style

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    In the 16th century‚ a secular style of music knowing as madrigal was raised suddenly and became the most prevalent genre that draw numerous of Italian composers’ attention. This style of music mainly‚ knowing as vocal music which only involved singing without any instruments accompaniment‚ focused on love by illustrating the emotion of the meaning of the words and the context of the poem through the use of word painting. Thomas Weelkes (1576-1623) was knowing as the most famous composer in participating

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    Tomás Luis De Victoria

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    Tomás Luis de Victoria was born in Avila Spain in 1548‚ he was the seventh of 11 children. At a young age‚ he became a choirboy and studied under many Spanish composers. In 1562 Victoria went to Rome to study music at Jesuit Collegio Germanico. While in Rome many believed‚ Victoria studied under the maestro di cappella Palestrina. In September 1571 Victoria began teaching music at Jesuit Collegio Germanico‚ and shortly after became the maestro di cappella. In 1583 Victoria expressed his wishes of

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    One of the greatest things about music its ability to inspire growth. Many times it can evolve into bigger and greater things and many times in can do the whole opposite. One of the few topics in music where developments continued in a consistent uphill way has been that in the development of the orchestra. Claudio Monteverdi play an important role in the development of the opera orchestra. Firstly‚ Monteverdi puts an orchestra instrumental list at the beginning of his of Orfeo. This easily delineates

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    out of these‚ it was likely best known for being a hub for music and art. Vienna was the home to many of the world’s greatest composers‚ performers‚ and musical styles. During the Great Age of Vienna‚ there were four predominant music styles‚ being Baroque‚ Classical‚ Romantic‚ and 20th Century. The Classical period‚ lasting from around 1750 to 1820‚ is very well-known. It was named for the admiration and appreciation of classic art and literature from centuries ago. Many people around the world are

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    Within my first semester of my sophomore year of highschool I have encountered projects that have helped me increase my presentation skills. The project that was the most help was the Baroque art analysis presentation. Within my previous year I would get nervous and anxious and sometimes speed through my presentations and read off the slides. The project I had for biology in my freshman year was a bit troublesome and I would stutter a lot with words such as like‚ um and yeah. After the project I

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    Muar 211 Study Guide

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    MU Medieval Period * Hildegard von Bingen: Columba aspexit * Genre = plainchant * Text = sacred‚ Latin * Texture: monophonic throughout * Performance practice: responsorially‚ that is‚ the performance alternates between a single singer (soloist) and the larger choir‚ which “responds” * The piece becomes more melismatic as it continues. * Ensemble: female vocal soloist‚ female vocal choir‚ droning

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    Beethoven Violin Analysis

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    expression surpassed only by the human voice. Finding the best violin pieces is not always an easy task‚ especially when there are so many masterful composers. From the Baroque period to the Classical period there are works for violin that will appeal to all lovers of western art music. Bach: Six Sonatas and Partitas for Violin The Baroque period includes music written from approximately 1600 to 1750. The most famous composer of the time was Johann Sebastian Bach who lived from March 21‚ 1685 to July

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    which to execute the ornaments. As a result‚ modern performers will find it difficult to provide a historically accurate representation of French Baroque works that feature varieties of agréments‚ as much of the approach toward the realization of these agréments was ruled by the principle of le bon goût. The principle of le bon goût during the French Baroque commanded

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    concerto form was in fact a variation of the sonata form‚ yet this is not the case (Simon‚ 1957). The sonata was believed to be introduced around 1770‚ making the concerto‚ on a timeline‚ appear before the sonata form. In the early parts of the baroque period the concerto in its traditional form had not yet emerged (Simon‚ 1957)‚ yet it was in the works‚ on its way. There were traces on concerto as far back as before 1550 (Boyden‚ 1957). The Fantasia of Francesco da Milano for two lutes labeled

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