Test #1 Review List • Jan van Eyck‚ Arnolfini Portrait‚ 1434‚ oil on wood panel‚ 33 x 22 ½” [pic] • Robert Campin‚ Merode Altarpiece‚ c. 1425-1430s‚ oil on wood panel‚ center 25 ¼ x 24 7/8”; each wing approx. 25 3/8 x 10 ¾” [pic] • Jan van Eyck‚ Ghent Altarpiece‚ 1432‚ oil on panel‚ 11’ 5 ¾” x 15’ 1 ½” [pic] • Rogier van der Weyden‚ Deposition‚ c. 1435-1438‚ oil on wood panel‚ 7’ 2 5/8” x 8’ 7 1/8” [pic] • Hugo van der Goes‚ Portinari Altarpiece
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Firefly From Wikipedia‚ the free encyclopedia Jump to: navigation‚ search For other uses‚ see Firefly (disambiguation). |Firefly | |[pic] | |Photuris lucicrescens[1] | |Scientific classification | |Kingdom: |Animalia | |Phylum: |Arthropoda | |Class: |Insecta |
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is not even up yet but in the middle of getting there. The painting is activated and has complex movements. Gravity has a very powerful pull in this picture as well. Viewers can see the emotion in Saint Peter’s face that he is scared but brave. Caravaggio made sure to tell a story in this painting with emotion since you see a poor‚ innocent‚ and homeless looking man being crucified. Everything from the guy’s dirty feet and bottom who hoisting up Saint Peter is basically sticking out to the viewer’s
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architects from all over the world flocked there to study the monuments of the city and to make their own special contributions to the sacred beauty of Rome. There was Bernini‚ the sculptor‚ and Borromini‚ the disturbed and imaginative architect. Caravaggio came from northern Italy‚ and Peter Paul Rubens journeyed from Flanders. There was Nicolas Poussin‚ a Frenchman and El Greco‚ the Greek on his way to Spain. The works of these artists made Rome into an inspiring and magnificent center for the new
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he is‚ with the love and satisfaction of his found identity he then helps other people by finding their story and revealing it to others. Throughout the novel Patrick learns about certain key people‚ he learns of Ambrose Small‚ Nicolas Temelcoff‚ Caravaggio and also the story of Cato‚ through these men he is opened to their struggles and later uses them to tell Harris about the struggles of not
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who was the new curator of photography at the National Gallery of Victoria. The result was that he had his first solo exhibition that year. It is evident to see that his work is strongly influenced by the great masters of strong contrast like Caravaggio‚ Jan Vermeer with his ‘windows of light’‚ moving thought the centauries to photographer O.Winston Linkand who illuminated scenes with theatrical lighting. Henson was also influenced by twentieth centaury cinema (1940s/50s)‚ as well as more contemporary
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The Raft of the Medusa is a Romantic painting by Théodore Géricault from the early 19th century. Géricault was a French artist and lithographer who had a short but influential career. The Raft of the Medusa‚ arguably his most famous work‚ was first exhibited in the Salon of 1819 and proved controversial at the time as whilst it adhered to aesthetic standards of fine art but focused on an event from contemporary history rather than an interpretation of an Ancient Greek or Roman tale. The painting
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Kip’s Strength and Weaknesses based on the IB Learner Profile In the 1992 novel‚ “The English Patient‚” written by Canadian author‚ Michael Ondaatje‚ Kirpal “Kip” Singh is a sapper who was selected to be a part of the legendary Lord Suffolk’s sapper unit. A sapper’s job includes building and repairing roads and bridges‚ laying and clearing mines‚ along with other similar tasks. Lord Suffolk’s unit would be mainly focus on clearing mines due to Lord Suffolk’s success in that particular field. Kip
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Baroque style period Baroque is a period of artistic style that started around 1600 in Rome‚ Italy‚ and spread throughout the majority of Europe. baroque period‚ era in the history of the Western arts roughly coinciding with the 17th century. Its earliest manifestations‚ which occurred in Italy‚ date from the latter decades of the 16th century‚ while in some regions‚ notably Germany and colonial South America‚ certain of its culminating achievements did not occur until the 18th century. The
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Comparisons of the Renaissance and Baroque Periods Western Governors University Comparisons of the Renaissance and Baroque Periods It was the 14th century and Europe was shrouded in creative and intellectual “darkness” as a result of corrupt and oppressive religion. People lived with the burden of twisted theological rules that permeated both business and personal lives. In a small town in Italy‚ a group of educators and philosophers started re-examining the Classical
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