COURSE BOURDIEU AND BECKER THE TWO MAIN (COMPETING) CONTEMPORARY THEORETICAL FRAMEWORK FOR ART - the field theory (Bourdieu) and the art worlds theory (Becker) are the two theoretical frameworks scholars (economists‚ sociologists but also art historians) most often refer - both Bourdieu and Becker are widely cited across the world‚ even artists refer to their theoretical explanations of the socio-economic organization for art - the two theories share some common intuitions: 1. Both theories
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Everyman is a morality play that uses an individual‚ Everyman‚ to represent all men. The play dramatizes his reckoning with death and salvation to show that when one dies‚ all of the things one lives for are taken away‚ and only your good deeds succeed. He uses the characters to teach a moral. The main character in the play‚ Everyman‚ serves as the embodiment of everyman in the world. The moral of this play is a good one. “All things o this earth are mere vanity. Beauty‚ Strength‚ and Discretion
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all of us. The two concepts of heroism are narcissism‚ which is natural self-interest‚ and self-expansion‚ which is the desire to sustain our existence. Becker points out that our attempts at getting others to know that we exist stems from our fear of death. We are not aware of it‚ but that fear is present behind all our normal functions. Becker believes that the fear of death is innate and plays a central role in our character development. It is the driving force behind our actions‚ belief‚ thinking
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a) According to Howard Becker‚ central fact about deviance is that “it is created by society. Becker does not mean that the causes of deviance can be derived from the social environment of the deviant or the “social factors” that causes an individual to engage in deviant behavior. Rather‚ Becker means that social groups create deviance by creating the rules or norms that must be adhered to and if they are violated—the violation will result in what the group deems as being deviance. Thus‚ the individuals
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A Rose for Emily by William Faulkner I WHEN Miss Emily Grierson died‚ our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument‚ the women mostly out of curiosity to see the inside of her house‚ which no one save an old man-servant--a combined gardener and cook--had seen in at least ten years. It was a big‚ squarish frame house that had once been white‚ decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the
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was part of a girl trio called Twist. The group was unsuccessful and they split up the following year. Soon after‚ she began preparing to be a solo artist. When she was 17‚ Loris Ceroni gave Natalia the opportunity to be in a pop/rock group under his guidance‚ but when she wasn’t sure‚ he encouraged her to go solo. Although Lafourcade didn’t join the group‚ Loris Ceroni produced her first LP under the label of Sony Music. It was recorded in Italy and was cowritten with Aureo Baqueiro. Sabo Romo
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One must decide the meaning of "progressive historiography." It can mean either the history written by "progressive historians‚" or it can mean history written by historians of the Progressive era of American history and shortly after. The focus that was chosen for this paper is more in keeping with the latter interpretation‚ if for no other reason than it provides a useful compare-and-contrast "control" literature. <br><br>The caveat is this: the focus of this report is on the predominant question
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Laan also states in his analysis of Everyman that in between all the episodes of asking his figures for help and company‚ that he is alone on stage. Van Laan refers to this act as‚ “a visual representation of increasing loneliness.” This can be seen as a direct example of performance theory. Everyman was alone and in solitary in between having conversations with the allegorical figures‚ especially Fellowship‚ Cousin and Kindred‚ Goods and Good Deeds. In the play‚ Everyman is alone to show that
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Father‚ God the Son‚ and God the Holy Spirit. I believe that the play Everyman is depicted through God the Son‚ which is Jesus Christ. I would dress my God as that of Jesus Christ. He will be wearing the crown of thorns upon his head‚ with the blood coming down from the cuts‚ which actually can’t be seen in the photo above. This will be representing the anguish and suffering Christ accepted to purge our sins. He will be wearing his commonly acknowledged white robe. Not as much symbolism compared
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Everyman: Morality Play Summary Aaron Braswell A prologue‚ read by the Messenger asks the audience to give their attention and announces the purpose of the play‚ which will show us our lives as well as our deaths (“our ending”) and how we humans are always (“all day”) transitory: changing from one state into another. God speaks next‚ and immediately launches into a criticism of the way that “all creatures” are not serving Him properly. People are living without “dread” (fear) in the world without
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