Narrative Report Presented to the Faculty of the College of Hospitality‚ Management and Tourism San Pablo City In partial fulfillment of the requirements of the subject: PRACTICUM 200 DIPLOMA IN HOTEL AND RESTAURANT MANAGEMENT By: Sel Carmen K. Padua Mabel L. Ramos Richard Caagbay Acknowledgement Acknowledgement First of all we would like to thank God Almighty for giving us the spirit‚ ability‚ strength‚ patience‚ knowledge and for His guidance to make this practicum successful
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Comparing Opera and Ballet from Beginning to Present Time During the 17th Century Opera and Ballets were combined and performed in the same productions (Smith 23). French Opera began to form in “1669 and after many issues came throughout the creation‚ they finalized French Opera in 1673” (Mongredien 120). It is noted that the roots of Opera “were influenced from Greek and Roman tragedy‚ Ancient Rhetoric and work of Plato and Aristotle” (Giroud). The first impact of French Opera “was made by Luigi
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“The Phantom of the Opera‚” has always been intriguing to me‚ it is now even more so that I look at it through a more educated musical lens. This musical expertly uses centuries old classic opera techniques‚ and musical elements‚ to create its enticing and captivating scenes. This short essay will include an analysis of the musical elements it uses to highlight each actors character traits‚ to set the scenes‚ develop the plot‚ and to bring forth the intense emotions it draws from the audience.
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The goal of the Metropolitan Opera is to educate society about culture and the performing arts‚ in particular‚ opera. The Met aims to present operas of the highest quality featuring the world’s most talented performers and the broadest range of works. It tries not to repeat any operas and puts on from twenty-five operas a season‚ not to mention the tours and the recordings that they undergo. The Met also attempts to advance operas by producing new ones that are risky productions‚ which attracts a
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Storytelling Through Opera In the following‚ three operas will be compared by their ability to effectively tell stories through music. The three operas that will be discussed are: “Don Giovanni” by Mozart‚ “La Boheme” by Puccini‚ and “Wozzeck” by Berg. All of them represent a different era in classical music‚ and have similarities and differences. The music will be analyzed both instrumentally and vocally‚ to show how each is able to communicate to the audience‚ and tell a story. The first
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Huanhuan Ma 12/04/2012 Comic Opera in Classical period The comic opera is a new operatic genre which denotes a dramatic singing of a light natural‚ and earthy comedy‚ usually with a happy ending. The form of comic opera first developed in the early of 17th century. It began to distinguished from other operatic form since in the early 18th century in Naples and Venice. It developed by the poets‚ composers and entrepreneurs that offered social criticism
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Ishita Kapur Professor Melissa Ragona Contemporary Art History‚ 60206 15 April‚ 2009 Opera for a Small Room “Opera for a Small Room” is a time-based mixed-media installation by Canadian artists‚ Janet Cardiff and George Bures Miller. The mixed media includes sound‚ record players‚ records and synchronized lighting. It is exhibited in “a small room”‚ 2.6 x 3 x 4.5m‚ and plays in a 20-minute loop. This piece constructs a hyper realistic narrative centered on the character R. Dennehy. Dennehy
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if viewed or taken from another perspective. The Phantom of the Opera is a classic‚ musical romance film popular because of its emphasis on love‚ constant entertainment‚ and powerfully touching music. The Phantom of the Opera is a popular novel and play which is still determined as one of the longest running show in history‚ and one of the most lucrative entertainment enterprises of all time. Both versions of the Phantom of the Opera movie‚ having radical differences but still being of the same kind
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While opera had been thriving in Europe since its beginnings in the 16th century‚ 19th century America was still a relatively young‚ focusing its growth elsewhere. Musically‚ opera did not appeal to the common American‚ who was much more interested in simpler tastes. Interest in opera was mostly shared among the upper class elite‚ and due to the lack of a middle class‚ wasn’t largely established in the general public until the turn of the 20th century. Socioeconomic limitations reinforced the exclusivity
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Opera VS Musical Theater Ever since I could remember I’ve dreamed about be a singer and when I was able‚ I started taking classes to accomplish that goal. Since working and studying in the entertainment industry I have found that there are many different career paths in this one field but I have chosen to discuss two that are similar but
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