many times in can do the whole opposite. One of the few topics in music where developments continued in a consistent uphill way has been that in the development of the orchestra. Claudio Monteverdi play an important role in the development of the opera orchestra. Firstly‚ Monteverdi puts an orchestra instrumental list at the beginning of his of Orfeo. This easily delineates his insistence on using a certain number of instruments for what probably a certain “sound”. Monteverdi also assigned instruments
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Sydney Opera House: Jørn Utzon- 1957. Ask almost anybody anywhere in the world to suggest something they associated with Sydney and the answer is likely to be the Sydney Harbour Bridge and the Sydney Opera House. Without doubt the two landmarks‚ in many people ’s minds‚ define and epitomize Sydney. It is fair to suggest in fact that the harbour area of Sydney defines what would otherwise be a rather homogenous‚ dense‚ European type city. Devoid of the harbour area‚ what remains of the 4700 or
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The play‚ The Phantom of the Opera‚ relied heavily on stage directions and subtext. Throughout the whole script and especially in the last scene‚ the usage of stage directions and the knowledge of subtext adds to the understanding of the play. When Carriere monologues about Belladova‚ there are scene changes that can easily be missed if you only read what Carriere’s saying‚ or just the stage directions. “BACKSTAGE‚ in the past. Belladova is laughing with some other young women. Carriere (voice over):
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MY SYDNEY OPERA HOUSE Against the stunning backdrop of the sydney harbour‚ lies this graceful architectural piece of urban sculpture‚ glistening in the sun and aglow at night. Pearl of austrailia jewel of sydney;The Sydney Opera House. Built in 1957-1973 and designed by John Utzon‚ proudly treasured by the people of austrailia and internationally admired‚ a master piece of modern architecture. In its relatively short lifetime it has gained a reputation as a world class performimg
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Although composer Giuseppe Verdi’s five act grand opera‚ Don Carlo‚ was performed in Italian‚ translation is not required in order for love‚ war‚ politics‚ friendship‚ and betrayal to be unveiled. First performed in Paris in 1867‚ the plot amazingly unfolds through the dynamics and tempo of orchestral music and through the beautiful musical score of voices ranging from soprano to bass by the opera performers. The opera’s dialogue was a French language libretto by Joseph Mery and Camille du Locle
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Sydney Opera House Sydney Opera House (1957 - 1973) is a masterpiece of late modern architecture. It was created by a young architect who understood and recognised the potential provided by the site against the stunning backdrop of Sydney Harbour. The base for the building was started in 1959 - years before the designs were finished. It took four years to design by Danish architect Jorn Utzon and by 1962 the designs were finalized and construction began. In total it took 14 years to build
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Project Management 722G20 Dr. Paol Canonico and Dr. Jonas Söderlund Februay 13‚ 2009 Word count: 9‚944 The Sydney Opera House Stakeholder Management and Project Success Group 5: Vincent Anter Elin Hansson Ollie McNaught-Reynolds Annabelle Tessard Contents 1. Introduction ............................................................................................................... 3 1.1 Background .............................................................................
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would go and be like David Attenborough! This is because he’s interested in all nature and animals. He gets focused on the rare and beautiful views and living creatures. That’s what I want to do!! I would visit all the great famous places like Sydney opera house‚ Phillip Island‚ Sydney harbour and Ayers Rock. I really think that Australia is a caring‚ beautiful‚ friendly environment to live at. Australia is one of the most expensive countries to go to but it’s worth it. Every place is amazing and covered
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phantom of the opera is a long lived novel written by Gaston Leroux in the early 1900’s with a French background. This classic work enjoys worldwide fame as a tragic love story containing amazing special effects on film and on stage as well as stunning music. Gaston Leroux wrote the horror novel "Le Fantome de l’Opera‚" published in 1911. Leroux had heard stories of ghosts haunting the Paris Opera House and decided to base a novel around these tales. He even boasted having researched the opera house and
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Purcell made to the operatic genre through his opera and dramatic works. Henry Purcell (1659-1695) composed music for many different genres. Among these he wrote one true opera‚ Dido and Aeneas (1689). He also wrote a number of dramatic works. Purcell spent the majority of his last five years composing music for the stage. The majority of Purcell’s dramatic instrumental music or songs were used in spoken plays. Purcell went on to write four semi-operas; Dioclesian (June 1690)‚ King Arthur (May 1691)
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