The Interior Scroll performance started off with Carolee Schneemann‚ who was covered by a sheet‚ walking up an extended table. While standing on the table she announced that she would read from her self-published book Cézanne‚ She Was a Great Painter‚ then let go of the sheet‚ revealing an apron (“Interior Scroll”). Although many will draw the conclusion that Carolee Schneemann is criticizing the artist Cézanne and his work with this book‚ she created it as a compilation of her earlier work with
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Before you distributed handouts to everyone in the class on Carolee Schneemann’s performance art “Interior Scroll” with the warning that it’s quite graphic‚ I remember thinking something along the lines of: “Oh no‚ it’s probably going to involve down there..” and sure enough‚ it was! My involvement with a counter-culture fashion has influenced me that in order to get your message across (and having that message linger in the observer’s mind)‚ you most likely have to go “over the top.” Personally
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Complex. Complex Media Inc.‚ 2013 Kataras‚ Alex. “Advertising‚ Propaganda‚ and Graffiti Art.” MA thesis Saint Martin ’s‚ London UK‚ 2006 “Conceptual Art: Performance into Art.” MoMALearning. Moma‚ n.d. Web. 2 Nov. 2014. “Carolee Schneemann: Interior Scroll‚ 1975.” Carolee Schneemann. n.p.‚ n.d. Web. 2 Nov. 2014. YouTube. YouTube‚ 22 Nov. 2010. Web. 2 Nov. 2014. “Installtion Art.” Visual Arts Encyclopedia. visual-arts-cork.com‚ n.d. Web. 2 Nov. 2014. “Investigating Identity: The Body in Art.” MoMALearning
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2 “A Television Drama” by Jane Rule At one-thirty in the afternoon‚ Carolee Mitchell was running the vacuum cleaner‚ or she would have heard the first sirens and looked out. After the first‚ there weren’t any others. The calling voices‚ even the number of dogs barking‚ could have been students on their way back to school‚ high-spirited in the bright‚ cold earliness of the year. Thinking back on the sounds‚ Carolee remembered a number of car doors being slammed‚ that swallow of air and report
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injected into the blood stream. The following night‚ Ingrid was taken away for murdering Barry with poison from a White Oleander. Astrid was taken away to a foster care. She lived with a woman named Starr her 4 children and her boyfriend named Ray. Carolee and Davey two of the children are the only ones who associate with Astrid. Astird goes to see her mother and informs her about her new home and family. Ingrid insists that Astrid write to her every week to keep her updated. Foreshadow: “Lovers
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stated the standards used to establish the blood quantum of Tribal Administrator Carolee Morris‚ Human Resource Director Nancy Osborne and Tribal Enrollment Officer Randy Russell (citation needed – website). Documents “signed by Nancy Osborne in 1974 said she was 1/8th Cowlitz Indian. However‚ five years previously documents stated that she was only 1/32nd.Cowlitz Indian” (Tilkin‚ KATU‚ 2013‚ p.1). The documents on Carolee Morris and Randy Russell also illustrated changing fractions of Cowlitz blood
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The Oboe HISTORY The oboe first appeared during the 17th century. Even though the oboe made its orchestral debut in France in 1657‚ its earliest ancestral oboe like instruments were first used around 2800 B.C. The closest predecessor of the modern oboe is an instrument also part of the double reed family called the shawm‚ which dates way back to its creation in the 1200’s. The first baroque oboe made out of boxwood was created in France for the purpose of entertaining the French court. Its
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Utah (age 77). He was an American theoretical physicist and was known for how much information he carried around about physics. He got married to Linda Jean Peterson in 1960 and had two children. He then got a divorce in 1977. He got remarried to Carolee Joyce Winstein in 1984. Kip Thorne got his education in the California Institute of Technology and in Princeton University. The field he majored in was Astrophysics. He excelled in many things and became one of the youngest full professors in the
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EXPANDED CINEMA ARTSCILAB 2001 2 Blank Page ARTSCILAB 2001 Gene Youngblood became a passenger of Spaceship Earth on May 30‚ 1942. He is a faculty member of the California Institute of the Arts‚ School of Critical Studies. Since 1961 he has worked in all aspects of communications media: for five years he was reporter‚ feature writer‚ and film critic for the Los Angeles Herald-Examiner; in 1965 he conducted a weekly program on film and the arts for KPFK‚ Pacifica Radio in Los Angeles;
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Response Paper Introduction Thomas McEvilley’s article “Here Comes Everybody” is an informative piece that tries to expound on how the history of the world is closely associated with the history of art. It also tries to link culture with the artwork production by saying they both influence one another. Most of the text focuses on the weight of Modernism in today’s society and the effects our past has on shaping this movement. McEvilley begins by lamenting that people view art pieces as uncontrolled
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