but not age” (Lipscomb). This shows that even while the two main issues of gender roles and sexuliatiy are at the forefront in reading Hwang’s play‚ the issue of age is also something to consider (and presents another example of ‘thirdness’ that Hwang fails to capitalize on and‚ as a result‚ closes any opening in the tight binary
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cross-dressing to create an identity for themselves. The act of cross-dressing helps a person to feel comfortable with themselves because they are able to gain a sense of independence‚ confidence‚ and individuality. In the play M. Butterfly‚ by David Henry Hwang‚ constructing an identity is made through the character Song. By looking at Song’s appearance in M. Butterfly‚ we can see that clothing and disguise constructs an identity. The play‚ M. Butterfly uses the character Song to show the audience how
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Entrepreneurship‚ Paper presented at Conference on Marshall and Schumpeter‚ Hitotsubashi University‚ March‚ pp 1-28 Jürgen G. Backhaus (2003) Joseph Alois Schumpeter: Entrepreneurship‚ Style‚ and Vision‚ Boston: Kluwer Academic Publishers Wasserman‚ D. & Hwang‚ D. (2012) Can Entrepreneurship be taught? Wall Street Journal‚ March 18th 2012‚ ppR4
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Reverse Orientalism Manipulation. Deception. Scandal. Through these three words‚ David Henry Hwang is able to convey the basic principles of Orientalism in his play‚ M. Butterfly. Orientalism was created by Western culture—primarily European countries—in order to separate Eastern and Western cultures: the Orient (China and other Asian countries) and the Occident (France‚ England and other Western European countries). According to Edward Said’s‚ The Edward Said Reader‚ “…the Orient is an idea
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++ I&S CHALLENGES IN E-GOVERNMENT AND SECURITY OF INFORMATION Min-Shiang HWANG‚ Chun-Ta LI‚ Jau-Ji SHEN‚ and Yen-Ping CHU Abstract: Due to the advances made in Information and Communication Technologies (ICT)‚ e-Government users can easily use the available services from places and at time that are convenient to them through WWW browsers. To easily and securely provide the required services through Information Technology (IT) has been an important issue in e-Government. In this article
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novel begins with Wang Lung’s visit to the powerful House of Hwang to collect one of the house’s slaves‚ a woman named O-lan‚ to be his wife; O-lan proves herself to be a plain‚ yet dutiful and competent wife over the next few years‚ producing three sons and a daughter and keeping her new family well fed. Wang Lung’s land thrives‚ increasing Wang Lung’s wealth and social status and enabling Wang Lung and O-lan to return to the House of Hwang to flaunt their prosperous life and healthy boys in front
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Brief History of Tang Soo Do The history of Tang Soo Do dates back to the 6th century Korea during the rule of the Silla Dynasty. This small kingdom was constantly under invasion and harassment from its two more powerful northern neighbors. To protect themselves the young men of the kingdom formed an order of warriors called the Hwarang (meaning “Flower of Manhood”). The warriors trained themselves by practicing mental and physical discipline in the wild mountains and along the rugged seashore
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Rong | 1O4 | | Standby – Chong Han / Lucas Teo (3B1)‚ School Debaters | | | | | Peter Gilbert | 4A1 – Ng Aik Yang / Xavier Shee | 2A1 | Mervin Cohen | 4A2 – Javier Toh / Tan Ye Kai | 2A2 | Daniel Siew | 4A3 – Lye Yu Xuan / Darryl Hwang | 2A3 | Jean Ng | 4B1 – Chen Bo Han / Lim Wan Jie | 2A4 | Ng Mui Eng | 4I1 – Keven Loo / Ong Yu Hann | 2I1 | Jenny Wong | 4I2 – David Boo / Kyle Foo | 2I2 | Susan Soh | 4B2 – David Hu / Lin Wei Han | 2I3 | Kalavathi d/o Ganesan |
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In the play M. Butterfly‚ David Henry Hwang portrays examples of how the practice of Orientalism and race and gender stereotypes in western culture functioned in the relationship between Gallimard and Song and he subverts these stereotypes towards the end of the play. It is apparent that Hwang is showing us how Song played up to the exploited image of Oriental women as demure and submissive and used Gallimard’s exotic and imperialistic view of the East to trick Gallimard for Song’s own needs.
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who begins life in poverty‚ living in rural‚ 19th century China. He is sent to be married by his father when the book starts. Through the first half of the book‚ his ambition becomes more and more apparent‚ and he becomes increasingly envious of the Hwang family’s’ success and wealthy lifestyle. He becomes driven to bring himself‚ and his family out of poverty. In the end‚ his love of the land helps him to maintain his character‚ and moral values. ‘“Now will I not eat this meat!” cried Wang Lung angrily
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