ABM - 502 CHALLENGES FACED BY THE CARPET INDUSTRIES OF INDIA CONTENTS RESEARCH METHODOLOGY 4 INTRODUCTION 5 TYPES OF CARPETS 6 MAJOR CARPET PRODUCING CENTERS IN INDIA 7 MARKET SIZE AND SEGMENTATION 9 GROWTH OPPORTUNITIES 10 GLOBAL MARKET FOR CARPETS 11 PRESENT & FUTURE GROWTH DRIVERS OF THE INDUSTRY 13 PRICING OF THE INDUSTRY 15 GOVERNMENT POLICIES RELATED TO CARPET AND HANDICRAFTS 16 Exim Policy pertaining
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The geographical region‚ Western North Africa‚ suggests the area of Maghreb‚ including today’s Libya‚ Algeria‚ Tunisia‚ and Morocco. After the mid-16th century‚ Maghreb‚ east of Morocco‚ was loosely under the control of the Turkish Ottoman Empire. The Ottoman rules centered on the cities of Algiers‚ Tunis‚ and Tripoli. Though several dynasties were founded‚ including the semi-independent Muradids(1612-1702) and Husaynids(1705-1881) in Tunisia‚ and Qaramanlis(1711-1835) in Libya‚ the Empire maintained
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THESIS STUDY OF VARIOUS ACCESSORIES THROUGH AGES SOUTH DELHI POLYTECHNIC FOR WOMEN SUBMITTED BY ROHINI COURSE ID UNDER THE GUIDENCE OF
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Moroccan Arts and Culture The almost medieval-like hustle and bustle of Morocco is for most travelers a world away from their own cities and towns. The culture and people are usually so completely different from what they know that they often find themselves in situations to which they have no idea how to react. The following brief explanation of Moroccan art and culture is designed to help you get the most out of your stay in this amazing country. Art The art of this country is truly
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such as the United States. Thousands of independent workers are organized to produce consistently a very high quality product‚ on a complex decentralized basis through a system of organization that is unique. The company not only uses traditional weavers but also teaches‚ in remarkably short time‚ the craft to people who do not have a tradition of weaving. Raw materials are sourced from around the world‚ processed into rugs with traditional and new designs in rural India while maintaining quality
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Damask‚ tapestry‚ brocade etc. The art of weaving was known to Egyptian civilization during 6000 to 7000 years ago‚ and all the techniques of their crafts are carefully illustrated in wall paintings which came down to us from their first dynasty. The weavers of India
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Buyer-seller relationship – challenge in export marketing for The Handicrafts and Handlooms Export Corporation (HHEC) Anuj Sharma‚ A.K. Dey and Prerna Karwa Anuj Sharma is an Associate Professor and A.K. Dey is a Professor‚ both at the Centre for International Business & Policy‚ BIMTECH‚ Greater Noida‚ India. Prerna Karwa is a Marketing Executive at The Handicrafts & Handlooms Exports Corporation of Indian Ltd‚ Noida‚ India. The development of this teaching case has been facilitated by Bimtech
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JUTE Since centuries‚ jute has been traditionally used for the manufacturing of packaging materials such as sackcloth‚ ropes‚ yarns‚ carpet backs and woven fabrics Jute is known as the golden fibre and is an important foreign exchange earner. Jute is a long‚ soft‚ shiny vegetable fibre that can be spun into coarse‚ strong threads. It is produced from plants in the genus Corchorus The thread created from jute is quite strong‚ yet it is among the cheapest of natural fibers available. Jute is a
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tradition of decorating streets with sawdust carpets began in Europe and was brought to the Americas by the Spanish. These carpets include flowers and flower petals‚ pine needles‚ rice‚ fruit‚ colored earth‚ ashes and other usually organic materials. The sawdust is cleaned‚ soaked in water with dye then set out to dry. Lastly‚ tapetes de flores are very similar to Guatemala tapetes. These are located in Mexico and are used mostly for decoration. These sawdust carpets tend to fade quickly and are used mainly
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References: 1. Singh‚ Amrita; Naik‚ Shailaja D.; ‘Status of Banaras weavers: A profile’‚ Karnataka J. Agric. Sci.‚ 22(2) :(408-411) 2009 2. Singh‚ Amrita ‘A PROFILE OF BANARAS SILK SAREES’‚ Master’s Thesis submitted to the University of Agricultural Sciences‚ Dharwad‚ July 2008 3. Kodkani‚ Rahul ‘Varanasi Weavers in Crisis’‚ UCSD Chapter‚2007 (http://www.udai.org) 4. http://www.craftrevival.org/VaranasiCrisis/DiscussionPoints.htm 5. http://www
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