Rear Window DIRECTOR: Alfred Hitchcock YEAR OF PRODUCTION: 1954 COUNTRY: USA LANGUAGE: English Week 1: Discuss the relationship between spectators and cinema in relation to the film style of Rear Window by Alfred Hitchcock. Stam‚ Robert and Roberta Pearson‚ “Hitchcock’s Rear Window: Reflexivity and the Critique of Voyeurism‚” in Deutelbaum and Poague‚ eds‚ A Hitchcock Reader‚ 2nd ed‚ Chichester‚ UK. & Malden‚ MA: Wiley-Blackwell‚ 2009. Alfred Hitchcock’s “Rear
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these cultures idolize. These heroes not just appear in daily life‚ but these heroes were also carried over to their religious beliefs. The filmmakers did a great job of composing four stories from India‚ Indonesia‚ Korea and Japan. They break the film up into four parts were they use the art masterpieces and performances inspired by these tales. The first‚ “The Ramayana‚” tells the adventures of India’s legendary hero. Here we see Indian paintings‚ Indonesian sculpture and Japanese shadow play.
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distribution center to serves its 6.7 million customers with more than 85000 DVD movie rental service. Netflix are able to provide customers more than 4000 film or TV play online watch service. The company’s success comes from it can provide large number of DVD‚ but also it can let customers fast and convenient to get the serves‚ at the same time‚ it has the film free delivery. Netflix has five types to evaluate the customers get the most satisfied with the serves. Netflix can through the PC‚ TV and iPad‚ iPhone
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people lived in Casablanca‚ but it was hard for most to leave due to the Nazis wanting them. People are held in Casablanca in spite of their legal rights. Rick is an American who doesn’t do things for anyone and only worries about himself. He moved from Paris to Casablanca‚ and he opened a café in Casablanca. He meets up with his ex girlfriend‚ Ilsa‚ who broke his heart in Paris. They still have feelings for one another. She came into his café with Laszlo only to visit Casablanca. Then she found
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the ways in which film has been used for war propaganda by concentrating on post 9/11 war films. I will first offer a look into the history of film propaganda by giving early examples and why film is a useful tool when it comes to propaganda. First I will start by offering the definition of ‘propaganda’: “information‚ ideas‚ or rumours deliberately spread widely to help or harm a person‚ group‚ movement‚ institution‚ nation‚ etc.” (“The Definition of Propaganda”) Propaganda films are used to convince
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course is a theoretical approach to study films as a text. It will include an extended study of film form and provide necessary vocabulary to analyse films. There will also be an additional section on Indian cinema. 2. Text Book: David Bordwell and Kristin Thompson. Film Art: An Introduction. SEVENTH EDITION. New York: McGraw-Hill Inc.‚ 2004. 3. Reference Book: 1. Richard Maltby Hollywood Cinema Blackwell Publishing‚ 2003 2. Ed. R L Rutsky‚ Jeffrey Gieger Film Analysis: A Norton Reader Norton Publishing
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In what ways are Malaysian-made feature films important? Compare and contrast the potential impact foreign-made and locally-made films have on Malaysian audiences. According to the Oxford Dictionary‚ Films are a story or event recorded by a camera as a set of moving images and shown in a cinema or on television. Films from the first world countries which is the western countries like the United States‚ Europe countries to the Eastern countries such as the Republic of China to now the South East
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Hollywood. It’s almost the first thing that comes to someone’s mind when you think film‚ production. Hollywood movies have not ended and still continue today. “Motion pictures have been popular for over fifty years before even most film makers‚ considered movies worthy of serious study.” Barsam‚ Richard‚ and Dave Monahan. Looking at Movies. Fourth Edition. New York: W.W. Norton & Company. These classic Hollywood films were‚ perfected in 1920’s and 30‘s. Some of the things that makes up a Hollywood
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Exploitation films have been produced since the beginning of film‚ but once the Production Code was no longer in effect‚ more these films could be produced and at a faster rate. One genre of exploitation cinema is the drug crime film. Starting as early as the 1930s‚ filmmakers made movies about the dangers of doing drugs. These films were often cheaply made and aimed at a small audience (Clark 4). They were theatrically simple‚ with an uncomplicated narrative: “these are films whose entire function
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This would make the film geared to teenage girls who has similar situations as Pariah. These identity issues can be of many reasons such as a conservative family or being casted as an outside by the general public. The word Pariah was used strongly at the beginning of the trailer to indicate that the film would be about outcast especially in the black community. Since Alike is both gay and black‚ these are the two communities that are often overlook in mainstream media. The trailer gives us an insight
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