Part I Marcus J. Borg is a Professor of Region and Culture at Oregon State University. Including Reading the Bible Again for the First Time‚ he has written the following books: The God We Never Knew‚ and Meeting Jesus Again for the First Time. Borg has been studying and teaching for 35 years at various universities. His specialty is Jesus and the Gospels‚ but expresses an interest in the Hebrew Bible. Borg has taught both subjects‚ and much of his book comes from teaching undergraduates. He
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POEM : On Sitting Down to Read King Lear Once Again O golden-tongued Romance with serene lute! Fair plumed Syren! Queen of far away! Leave melodizing on this wintry day‚ Shut up thine olden pages‚ and be mute: Adieu! for once again the fierce dispute‚ Betwixt damnation and impassion’d clay Must I burn through; once more humbly assay The bitter-sweet of this Shakespearian fruit. Chief Poet! and ye clouds of Albion‚ Begetters of our deep eternal theme‚ When through the old oak forest I am
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Analytical Essay ’Why are we behaving like water Wally’s all over again?’ The article ’Why are we behaving like Water Wally’s all over again’ is an article written by Shane Green for The Age newspaper. It was published on the 26th of January 2013 and its main contention is to warn us about what will happen if we continue to waste water on a daily basis. It was written to notify us that apart from waiting for it to rain‚ we are doing almost nothing to save ourselves from getting back into
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Scholars of Keats agree that in terms of his exploration of love‚ he almost always links it with illusion. In Lamia and La Belle Dame‚ Keats certainly connects these two elements and indeed he seems to suggest moreover that love can only exist within the realm of illusion. Having said that‚ in The Eve of St. Agnes he explores a form of romantic love which transcends illusion and he reveals a love which thrives in reality. In Lamia‚ the limitation between love and illusion is explored through
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For exclusive use Universidad Torcuato di Tella (UTDT)‚ 2015 W14631 HATSUNE MIKU: JAPANESE VIRTUAL IDOL IGNITES GLOBAL VALUE CO-CREATION Timothy Craig‚ Philip Sugai and Lukman Aroean wrote this case solely to provide material for class discussion. The authors do not intend to illustrate either effective or ineffective handling of a managerial situation. The authors may have disguised certain names and other identifying information to protect confidentiality. This publication may not be transmitted
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course of production. After 10 very long and grueling years‚ they finally created a very powerful but smooth riding beast. In Sam Smith’s article “We’ll Never See a Supercar like the Bugatti Veyron Again”‚ he uses tone and design to successfully support that we will never see another supercar like this again‚ given all of the technological advances and scientific limitations. Smith effectively utilizes a humorous and casual tone throughout the entire article to help the reader better understand what
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In ‘Godiva’ Tennyson begins with the use of first person narrative in the short refrain at the beginning of the poem‚ which effectively separates him from the story itself and also the medieval past in which it is set. Tennyson represents himself as hanging round with ‘grooms and porters’‚ maybe showing him in a noble light as he is willing to lower himself to the lower classes‚ thus linking him with Lady Godiva’s gesture of solidarity. The first person narration also adds a certain personal tint
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There is only one reason why I would not want to go back to Las Vegas‚ Nevada ever again. You might be thinking that it must be something bad for someone not to want to go back to Sin City. I think after you hear my story‚ and you know how horrible my experience was‚ you will understand. Do not watch fights in Sin City. It was a hot Thursday night in Phoenix‚ AZ when the excitement started to settle in. Just the smell of the airport was enough to make me want to scream with joy. The planes could
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John Keats’ sonnet On Sitting Down to Read King Lear Once Again: Discussing aspects of form. In good poetry‚ nothing is by chance. Every technical gesture justifies itself thematically. Any technicality that one can detect in good poetry is occurring exactly when something thematic is very important. It can occur in a new direction in the theme‚ in the introduction of the solution‚ or in the introduction of a character that is going to resolve the problem. That is where invariably the poet produces
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• If you could do your PhD research again‚ what would you do differently? • What are the three main findings of your PhD? • What particular areas of our research interest you most and why? • Why are you interested in this position? • Would you contribute to teaching and what is your approach to teaching? (if the role requires teaching). • How does your research fit in with the department? • How do you see your career in the future? • What is your best and worst quality? • Describe a
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