the action with action and romantic non-diegetic music to enhance the idea young love. The casting of young actors further develops this idea. The setting becomes highly symbolic in this scene. The pool being a symbol of life and energy and the Romanesque mansion acting as a visual metaphor‚ bringing the old text into a new medium. Close-up shots are used prominently in tis scene to capture the pyous looks on the actors’ faces. In this scene it would seem as though looks on the actor’s faces. In
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Image 1 Approximate date: 8th century to early-9th century Provenance: Carolingian Empire This image might be taken from a manuscript on vellum in 8th century to early-9th century. The winged ox is a symbol of St Luke‚ one of the evangelists. It distinguishes the person in this image. The books and writing materials show that St Luke was writing the Gospel. St Luke is drawn in a typical seated position. However‚ the figures of him and the furnitures are not naturalistic. It is influenced by the
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decorative material. The distinctive traits of Italian Gothic are best understood by referring to the Italian Romanesque and its likewise exceptional position. The basilica pattern and timber ceiling were very common in Italy‚ especially in Tuscany‚ through the Romanesque period and that the Romanesque character was mainly apparent in decorative traits. It was not till the close of the Romanesque period that vaulted churches became widespread throughout Italy‚ with ornamental traits which reflected some
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TRINITY CHURCH OF BOSTON Ever since Trinity Church was introduced to American architecture‚ historians and architectural critics alike unite with the idea that it is a masterpiece. As Juhani Pallasma writes in Architecture and the Senses‚ ?Architecture has the capacity to be inspiring‚ engaging‚ and life-changing?- for example‚ creating an experience filled with emotion‚ hope‚ and light for those in need. Did architect Henry Richardson in fact create a masterpiece? And if so‚ how did he accomplish
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as to set the temple in a league of its own. The drive of Gaudi and others involved in the project are very representative of the Catalan people. Catalonia‚ and specifically Barcelona‚ has historically been a successful and prosperous region in Western Europe‚ a leader in politics and trade‚ but lost much of its importance and independence in modern times. Catalan nationality persevered‚ and Barcelona sought ways to reaffirm their identity and show the world it is a city rich with life and culture
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According to Dr. Andreas Petzold‚ the term “‘Romanesque’‚” meaning in the manner of the Romans‚ was first coined in the early 19th century. Today it is used to refer to the period of European art” (Antiquity 1). The church architecture is fundamental to this period; “the Romanesque and Gothic churches were built on the foundations of Carolingian architecture. Charlemagne’s early Romanesque architectural achievements were continued by the Holy Roman Emperors Otto I-III‚ in a style known as Ottonian
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The Wonder of Cathedrals Since the beginning‚ man has always had some form of faith. Whether it was worshiping rocks or praying to God. No matter what faith‚ they’ve always had a center of worship. Well when the middle-ages came around‚ Christian’s centers were the cathedrals where the bishops were placed. Cathedrals were the pinnacle of the European churches. They demonstrated the wealth and the power of the city’s Christian church. But with such extravagant attention placed into these structures
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create his art. He used oil and acrylic paint on canvas to create The Outsider (1988)‚ which was a reflection on his own identity and indigenous issues. Bennett incorporates Vincent van Gogh’s Starry Starry Night (1889) and Bedroom At Arles (1888)‚ Romanesque sculptures and traditional indigenous painting styles. Gordon Bennett appropriated Vincent van Gogh’s post-impressionist painting style‚ using expressive brush strokes and clear and dramatic colour contrasts. Bennett was inspired by the ‘grotesque’
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initially built as a Roman-Catholic monastery‚ it was turned into a protestant church following the Protestant Reformation. The church is built with a three-nave basilica plane‚ positioned on the east-west axis‚ in a Romanesque style. The church was not plastered as to follow the Romanesque style rules‚ but the legend says there have been attempts to plaster the outer walls but the mortar would not stick to the red brick of which the church was made‚ due to a curse of a plaster-worker. The church was
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TRANSLATING COLLOQUIAL IDIOMS/METAPHORS IN THE CATCHER IN THE RYE: A COMPARISON OF METAPHORICAL MEANING RETENTION IN THE SPANISH AND CATALAN TEXTS MICHAEL O’MARA Catholic University of Valencia San Vicente Mártir Michael.Omara@ucv.es 57 In spite of the novel’s position among the American Library Association’s list of the one hundred most frequently censored books‚ The Catcher in the Rye (1951)‚ by J.D. Salinger‚ is widely considered to be one of the most significant literary works of the twentieth
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