you have studied. With reference to Othello Endorses/promotes Challenges/undermines Naturalises/foregrounds/promotes Value systems Gender in society - female value Racism (animalisation) Value on appearance and reputation Emphasis on language Heaven vs hell (religious imagery) Exotic/supernatural imagery Thinking Gender. Feminine and masculine ideology Femininity weakened by affectations of beauty Contrast between slap from Othello to shock of Lodovico civil society’s opinion
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Iago character and motives In the play Othello‚ the character Iago proves to be one of the most interesting and mysterious character of any Shakespearian play. In Othello‚ Iago attempts to ruin the high ranking military officer‚ Othello‚ and Othello’s wife through a series of manipulation and cruelty. However‚ throughout the play‚ Iago never completely explains his desire to ruin Othello and certainly doesn’t provide legitimate cause to put so many of these characters through such torment. This
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acting on irrational emotions because it could ultimately lead to a person’s downfall. In “Othello” and “Antigone‚” both Othello and Creon are confronted by their tragic flaws of irrational passions—excessive pride and jealousy. While possessing differing tragic flaws‚ both men ultimately suffer from the results of their decisions after it was too late to recognize their flaw. In Shakespeare’s “Othello‚” Othello is highly respected and looked up to but later is influenced by the antagonist‚ Iago‚ resulting
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tragic hero is “a man who is neither a paragon of virtue and justice nor undergoes the change to misfortune through any real badness or wickedness but because of some mistake” (Aristotle‚ 38). In Shakespeare’s play‚ both Othello and Desdemona fit well within these guidelines. Othello is a well-revered general who is called to defend Venice and Cyprus‚ and Desdemona is an honest and good-natured young woman. Both of them display the potential characteristics required of a tragic hero or heroine‚ with
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Shakespeare’s Othello was written in the early 1600’s and the story still holds a place firmly within the literary teachings of English Professors even in 2016. The play has seen its fair share of face lifts throughout the years but with the introduction of a homosexual Othello and his secret love affair with Desmond (the male counterpart of Desdemona) while attending a modern day high school in Alabama‚ it would be more appealing in a 2016 curriculum. The characters have had their sexes‚ religions
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society throughout Shakespeare’s Othello. Desdemona is a young‚ rich‚ white girl raised Brabantio. Brabantio looks at Desdemona as a pure‚ innocent girl and feels that she is a victim to Othello’s black magic when he finds out that Desdemona is married to Othello. Desdemona admits her love to Othello to her father and defies everything that her father believes. At the time‚ interracial relationships weren’t accepted yet Desdemona was faithful and honest to Othello. Emilia is an older and is in
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important alters the interpretation of the tragedy within the play. The racism represented in Othello is not just about an instance of prejudices and prejudgments made by a crowd of people against another‚ but in fact has much more subtle and devastating consequences‚ specifically‚ that it is proliferated not only by the discriminatory section of society‚ but also by the target of this discrimination. Although Othello didn’t initially validate any of the stereotypical qualities that certain people labeled
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English Assignment In this image‚ Othello and Desdemona are sharing a passionate moment of love after being re-united in Cyprus. Both are wearing white garments; a symbol of purity‚ and framed in a black background. Othello’s white uniform contrasts with the colour of his skin accentuating his smiling feature‚ strength and regal stature. In the darkness behind them is the watching figure of Iago who is smirking. Othello calls her “My soul’s joy” which describes the depth of his love that Desdemona
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degrees of recognition in tragedy. In Othello‚ recognition is minimal: the protagonist learns what he has done and what he has lost‚ but learns little or nothing about himself.’’ How far do you agree? – This is a quote that I have adapted into my thesis‚ taken from ‘’A Book of literary terms’’. Anagnorisis‚ a Greek word meaning ‘’recognition’’‚ is described by Aristotle as ‘’a change from ignorance to knowledge’’. I agree with this statement as‚ in the play Othello‚ Othello’s character experiences
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others without looking to gain respect from himself first. In William Shakespeare’s play Othello‚ the fragile mask of confidence and self-assuredness that Othello wears at the beginning of the play quickly falls apart to reveal extreme insecurities‚ a mind ruled by pride‚ and a dangerous affinity for jealousy‚ which ultimately leads to the unjust murder of Desdemona and Othello’s tragic self-execution. However‚ Othello does mature as a character in the final scene of the play when he realizes the horrible
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