Narration The narration is first person point of view. The narrator is the protagonist of the story: an unnamed teenage girl. The story is told primarily as a flashback from the adult narrator. As a result‚ the narrator can tell her story with playfulness‚ self-deprecation‚ detachment‚ and even fondness. While the incident caused her genuine pain at the time‚ she has long since come to terms with it. Summary The protagonist has been dumped by Martin. She is forced to see him with his new girlfriend
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and his father. That gives me sense that Morley Callaghan who wrote this short story‚ wants the reader to act out as the person and wants the reader to be the character. “The Address” is written in third person view so most of the dialogue is the protagonist explaining her past. That gives me sense that Marga Minco who wrote this short story‚ wants the reader to feel what the character is describing her
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between the audience and the protagonist differ in a tragedy and comedy because the audience has different feelings for each protagonist. Comedies are meant to make the audience feel happy overall‚ but there is little emotion the audience feels from the protagonist. For example‚ after a Greek trilogy was played‚ a comedy was played‚ so people wouldn’t feel so downhearted. Tragedies tend to emotionally move people because the audience can identify with and relate to the protagonist. In a tragedy the audience
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Sophocles once stated‚ “Success is sweet‚ even if it comes from deception.” This truth is portrayed through three different short stories known as “How Stories Came to Earth”‚ “Coyote Steals Fire”‚ and “Master Cat: Puss in Boots”. In each of these three tales the main character spins webs of deceit by tricking people or‚ in some cases‚ animals into doing what they want them to. This includes Anansi’s act of tricking a snake into stretching himself out so Anansi could tie the snake to the stick in
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Phylologikal analys “I spy” by Graham Green The short story under analysis “I spy” is written by Graham Green. He was an English author‚ playwrite and literary critic. His works explore different permutations of morality and amorality in modern society‚ and often feature exotic settings in different parts of the world. The main theme of the story is how the main character Charlie Stowe was trying to steal cigarettes from his father’s shop to prove his classmates that he was not a little boy.
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Pip believes the convict when he tells Pip there is someone else there even if this may not be true. Pip‚ although young‚ tries to disguise his fear; this is Dickens showing the reader that even though Pip is young he has the qualities to be the protagonist of
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ready-made stories can be molded to fit the exam question with just a little adjustment. Well before exam day‚ plan and sketch out a few plots for possible stories. Work out who these stories revolve around‚ that is their main character or protagonist. Think up a few interesting plots: what’s going to happen to the main character? What difficulty - conflict - will she or he have to face and overcome? Work out a suitable beginning‚ middle and ending for each story. Many writers
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not a pure bred detective story‚ or a police procedural‚ nor romantic suspense nor or a gothic novel. I would say it is a mixture of detective story as the person who is seeking who killed her sister is in no way a detective‚ but she is the main protagonist‚ as a detective is. The other half of the story is a romantic suspense‚ as a romantic atmosphere starts to occur between Liz and Ted as she starts to realize that Ted is not the killer‚ and they end up as a couple right at the end of the story.
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over a period of three days. It begins on a Sunday morning‚ two days after the murder takes place in Laura’s apartment. The narrative begins on this day because this is when Detective Mark McPherson begins his investigation of the case. Being the protagonist of the film‚ we follow him in his quest to solve the case and his pursuit of Laura. It is on Tuesday night that he succeeds in what he set out to do and therefore‚ the narrative ends here. Throughout these three days‚ the way in which the passage
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3 Types of Modern Drama Romantic- are love stories recorded in visual media for broadcast in theatres and on television that focus on passion‚ emotion‚ and the affectionate involvement of the main characters and the journey that their love takes through courtship or marriage. Romance films make the love story or the search for love the main plot focus. Occasionally‚ lovers face obstacles such as finances‚ physical illness‚ various forms of discrimination‚ psychological restraints or family that
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